Afbeelding 1 van 1
Solomon Guhl-Miller The Montpellier Codex (Hardback)
Another great item from Rarewaves USA | Free delivery!
Objectstaat:
2 beschikbaar
Verzendkosten:
Bevindt zich in: 60502, Verenigde Staten
Levering:
Geschatte levering tussen vr, 17 mei en wo, 29 mei tot 43230
Retourbeleid:
30 dagen om te retourneren. Koper betaalt voor retourzending. Details bekijken- voor meer informatie over retourzendingen
Betalingen:
Winkel met vertrouwen
Verkopergegevens
- 97,2% positive feedback
Ingeschreven als zakelijke verkoper
De verkoper neemt de volledige verantwoordelijkheid voor deze aanbieding.
eBay-objectnummer:404717520400
Specificaties
- Objectstaat
- Book Title
- The Montpellier Codex
- Title
- The Montpellier Codex
- Subtitle
- The Final Fascicle. Contents, Contexts, Chronologies
- Contributor
- Margaret Dobby (Contributions by)
- ISBN-10
- 1783272724
- EAN
- 9781783272723
- ISBN
- 9781783272723
- Genre
- Music Dance & Theatre
- Release Date
- 02/16/2018
- Release Year
- 2018
- Country/Region of Manufacture
- GB
- Publication Name
- Montpellier Codex : the Final Fascicle
- Item Length
- 9.4in
- Publisher
- Boydell & Brewer, The Limited
- Publication Year
- 2018
- Series
- Studies in Medieval and Renaissance Music Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 1.1in
- Item Width
- 6.3in
- Item Weight
- 0 Oz
- Number of Pages
- 351 Pages
Over dit product
Product Information
The final section of the Montpellier Codex analysed in full for the first time, with major implications for late-medieval music. The Montpellier Codex (Bibliothèque interuniversitaire, Section Médecine, H.196) occupies a central place in scholarship on medieval music. This small book, packed with gorgeous gold leaf illuminations, historiated initials, and exquisite music calligraphy, is one of the most famous of all surviving music manuscripts, fundamental to understandings of the development of thirteenth- and fourteenth-century polyphonic composition. At some point in its historyan eighth section (fascicle) of 48 folios was appended to the codex: when and why this happened has long perplexed scholars. The forty-three works contained in the manuscript's final section represent a collection of musical compositions, assembled at a complex moment of historical change, straddling the historiographical juncture between the thirteenth and fourteenth centuries. This book provides the first in-depth exploration of the contents and contexts of the Montpellier Codex's final fascicle. It explores the manuscript's production, dating, function, and notation, offering close-readings of individual works, which illuminate compositionally progressive features of therepertoire as well as its interactions with existing musical and poetic traditions, from a variety of perspectives: thirteenth- and fourteenth-century music, art history, and manuscript culture. CATHERINE A. BRADLEY isan Associate Professor at the University of Oslo; KAREN DESMOND is Assistant Professor of Music at Brandeis University. Contributors: Rebecca A. Baltzer, Edward Breen, Sean Curran, Rachel Davies, Margaret Dobby, Mark Everist, Solomon Guhl-Miller, Anna Kathryn Grau, Oliver Huck, Anne Ibos-Augé, Eva M. Maschke, David Maw, Dolores Pesce, Alison Stones, Mary Wolinski
Product Identifiers
Publisher
Boydell & Brewer, The Limited
ISBN-10
1783272724
ISBN-13
9781783272723
eBay Product ID (ePID)
240085403
Product Key Features
Publication Name
Montpellier Codex : the Final Fascicle
Format
Hardcover
Language
English
Publication Year
2018
Series
Studies in Medieval and Renaissance Music Ser.
Type
Textbook
Number of Pages
351 Pages
Dimensions
Item Length
9.4in
Item Height
1.1in
Item Width
6.3in
Item Weight
0 Oz
Additional Product Features
Series Volume Number
16
Lc Classification Number
M1490
Volume Number
Vol. 16
Reviews
A rich and varied crop of compelling scholarship, admirably executed and skilfully assembled by some of the finest minds now working on the music of the thirteenth and early fourteenth centuries., [A]n illuminating and engaging volume, with discoveries not only beneficial for early musicologists, experts, and performers, but also for connoisseurs of early music and others curious about the traditions, transmission, and performance of music in Medieval France., [T]he volume features ample dialogue and healthy disagreement among authors, and cross-references abound, all marks of a well-planned, carefully executed collection of essays. The book will assuredly spark further scholarship on this monumental manuscript while simultaneously serving as a go-to resource for decades to come., A notable strength of the volume is the explicit connections its contributors draw between chapters . . . [which] both aid readers in spotting areas of complementarity or contradiction and give the impression of a lively community of scholars in conversation with one another. . . . Will likely be of greatest interest to scholars working on thirteenth-and early fourteenth-century polyphony and to graduate students familiar with the repertoire and period. . . . [T]his volume will provide a welcome new resource sure to be useful for years to come. MANUSCRIPT STUDIES [Flannery Cunningham] [A]n illuminating and engaging volume, with discoveries not only beneficial for early musicologists, experts, and performers, but also for connoisseurs of early music and others curious about the traditions, transmission, and performance of music in Medieval France. EARLY MUSIC AMERICA [Samantha Bassler] [T]he volume features ample dialogue and healthy disagreement among authors, and cross-references abound, all marks of a well-planned, carefully executed collection of essays. The book will assuredly spark further scholarship on this monumental manuscript while simultaneously serving as a go-to resource for decades to come. SPECULUM A rich and varied crop of compelling scholarship, admirably executed and skilfully assembled by some of the finest minds now working on the music of the thirteenth and early fourteenth centuries. PLAINSONG & MEDIEVAL MUSIC, A notable strength of the volume is the explicit connections its contributors draw between chapters . . . [which] both aid readers in spotting areas of complementarity or contradiction and give the impression of a lively community of scholars in conversation with one another. . . . Will likely be of greatest interest to scholars working on thirteenth-and early fourteenth-century polyphony and to graduate students familiar with the repertoire and period. . . . [T]his volume will provide a welcome new resource sure to be useful for years to come.
Table of Content
IntroductionMontpellier 8: Anatomy of... - Mark EveristA palaeographical analysis of the verbal text in Montpellier 8: problems, implications, opportunities - Sean CurranThe style and iconography of Mo folio 350 - Alison StonesThe decoration of Montpellier Fascicle 8: its place in the continuum of Parisian manuscript illumination - Rebecca BaltzerDouble motet layouts in the Montpellier Codex and contemporaneous Libri motetorum - Oliver HuckDeus in adiutorium revisited: sources and contexts - Eva M. MaschkeThematic clusters and compilational strategies in Mo 8 - Anna Kathryn GrauTexture, rhythm, and stylistic groupings in Montpellier's eighth fascicle motets - Karen Desmond'Je le temoin en mon chant': The art of diminution in the Petronian triplum - David MawHow rhythmically innovative is the eighth fascicle of the Montpellier Codex? - Mary WolinskiRe-presentation in the Ars antiqua: from chant to polyphony - Solomon Guhl-Miller'[.] Que ne dit "cief bien seans"': Quoting Motets in Mo 8 - Anne Ibos-AugéMontpellier, Fascicle 8 PORTARE Motets and tonal exploration - Dolores PesceRepetitions, rhythmical evolution, and rhetoric in the Montpellier Codex - Margaret DobbyShedding light on Mo 8,304: Alma virgo virginum/Benedicta es, Maria - Rachel DaviesA performance and reception history of On parole/A Paris/FRESE NOUVELE - Edward George Breen
Copyright Date
2018
Target Audience
Scholarly & Professional
Topic
History & Criticism, Medieval
Lccn
2017-568211
Illustrated
Yes
Genre
Literary Criticism, Music
Objectbeschrijving van de verkoper
Informatie van zakelijke verkoper
Rarewaves-USA
Kathryn Searle
10100 W Sample Rd
Ste 101
33065 Coral Springs, FL
United States
Ik verklaar dat al mijn verkoopactiviteiten zullen voldoen aan alle wet- en regelgeving van de EU.
De verkoper neemt de volledige verantwoordelijkheid voor deze aanbieding.
eBay-objectnummer:404717520400
Verzending en verwerking
Objectlocatie:
60502, Verenigde Staten
Wordt verzonden naar:
Wereldwijd
Uitgesloten:
Australië, Barbados, Brazilië, Canada, Duitsland, Frankrijk, Frans-Guyana, Frans-Polynesië, Guadeloupe, Israël, Italië, Libië, Martinique, Mexico, Nieuw-Caledonië, Oekraïne, Oostenrijk, Russische Federatie, Réunion, Spanje, Venezuela, Verenigd Koninkrijk, Wit-Rusland, Zwitserland
| Verzending en verwerking | Elk volgende object | Tot | Service | Levering*Zie opmerkingen over levering |
|---|---|---|---|---|
| Gratis verzending | Gratis | Verenigde Staten | Economy Shipping | Geschatte levering tussen vr, 17 mei en wo, 29 mei tot 43230 |
| Verwerkingstijd |
|---|
| Wordt doorgaans binnen 7 werkdagen na ontvangst van betaling verzonden. |
| Belasting |
|---|
| Verkoper berekent btw in |
Btw voor objectnr.404717520400
Btw voor objectnr.404717520400
Verkoper berekent btw op objecten die naar de volgende staten worden verzonden:
| Staat/provincie | Btw-tarief |
|---|
Retourbeleid
| Nadat u het object hebt ontvangen, kunt u contact opnemen met de verkoper binnen | Terugbetaling wordt verstrekt als | Kosten voor retourzending |
|---|---|---|
| 30 dagen | Geld terug, Vervanging | Koper betaalt voor retourzending |
De koper is verantwoordelijk voor de kosten van de retourzending.
| Details retourbeleid |
|---|
| Retourzendingen geaccepteerd |
Betalingsgegevens
Betalingsmethoden
Ingeschreven als zakelijke verkoper
Feedback verkoper (439.595)
b***- (145)- Feedback gegeven door koper.
Afgelopen maand
Geverifieerde aankoop
Great
0***u (5)- Feedback gegeven door koper.
Afgelopen maand
Geverifieerde aankoop
Be careful when buying: The picture and description indicated that the CD was a first press, however it was actually a reissue.
e***s (320)- Feedback gegeven door koper.
Afgelopen maand
Geverifieerde aankoop
Item didn't arrive. Received refund.