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From Street to Screen: Charles Burnett's Killer of Sheep by Michael T Martin

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eBay-objectnummer:404657101616
Laatst bijgewerkt op 20 mei 2024 12:09:21 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Goed: Een boek dat is gelezen, maar zich in goede staat bevindt. De kaft is zeer minimaal beschadigd ...
Book Title
From Street to Screen: Charles Burnett's Killer of Sheep
Publication Date
2020-12-01
Pages
290
ISBN
9780253049544
Publication Name
From Street to Screen : Charles Burnett's Killer of Sheep
Item Length
9in
Publisher
Indiana University Press
Series
Studies in the Cinema of the Black Diaspora Ser.
Publication Year
2020
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
1in
Author
David C. Wall
Item Width
6in
Item Weight
18.6 Oz
Number of Pages
290 Pages

Over dit product

Product Information

A masterpiece of American cinema, Killer of Sheep finally receives a much-deserved sustained study of its form, style, and fascinating production history. From Street to Screen brings together rich contextualizing essays, original readings, an in-depth interview with director Charles Burnett, and the film's original screenplay. A comprehensive sourcebook, this volume is an indispensable companion to the film and to independent Black cinema more generally.

Product Identifiers

Publisher
Indiana University Press
ISBN-10
0253049547
ISBN-13
9780253049544
eBay Product ID (ePID)
3038287418

Product Key Features

Author
David C. Wall
Publication Name
From Street to Screen : Charles Burnett's Killer of Sheep
Format
Trade Paperback
Language
English
Series
Studies in the Cinema of the Black Diaspora Ser.
Publication Year
2020
Type
Textbook
Number of Pages
290 Pages

Dimensions

Item Length
9in
Item Height
1in
Item Width
6in
Item Weight
18.6 Oz

Additional Product Features

Lc Classification Number
Pn1997.K43526f76
Grade from
College Graduate Student
Reviews
"With From Street to Screen , Michael T. Martin and David C. Wall thoughtfully assemble some of the most compelling scholarship on Charles Burnett's Killer of Sheep , providing an essential collection of essays for those who want to understand the cinematic impact of Burnett and his seminal American film. The engaging essays situate, historicize, and textually examine the deeply poetic and neo-realist rendering of Black life in Burnett's film while the inclusion of the screenplay, biography, and filmography lend this compendium to a range of pedagogical impulses."--Samantha N. Sheppard, Cornell University, author of Sporting Blackness: Race, Embodiment, and Critical Muscle Memory on Screen "Michael Martin and David Wall bring long-awaited attention to a film that reflects the pioneering spirit of L.A Rebellion filmmakers. Their edited collection gathers a series of texts that inform the poetic politics of Charles Burnett's Killer of Sheep , a unique film to date about how to survive in 1970's Watts. A historical and filmic landmark, Killer of Sheep captures the ghetto and its residents in beautiful black and white cinematography."--Delphine Letort, author of The Spike Lee Brand: A Study of Documentary Filmmaking "A masterpiece of American cinema, Killer of Sheep finally receives a much-deserved sustained study of its form, style, and fascinating production history. From Street to Screen brings together rich contextualizing essays, original readings, an in-depth interview with director Charles Burnett, and the film's original screenplay. A comprehensive sourcebook, this volume is an indispensable companion to the film and to independent Black cinema more generally."--Allyson Nadia Field, University of Chicago, author of Uplift Cinema: The Emergence of African American Film and the Possibility of Black Modernity.
Table of Content
Acknowledgements Killer of Sheep : Charles Burnett and the Poetry of Oppression David C. Wall and Michael T. Martin PART ONE: Situating Killer of Sheep : Time/Place/Circumstance Cinema and Black Liberation (David E. James) Struggles for the Sign in the Black Atlantic: Los Angeles Collective of Black Filmmakers (Michael T. Martin) Charles Burnett: A Reconsideration of Third Cinema (Amy Ongiri) Charles Burnett--Consummate Cineaste (Michael T. Martin) PART TWO: Reading Killer of Sheep Toward a Geo-Cinematic Hermeneutics: Representations of Los Angeles in Non-Industrial Cinema - [Charles Burnett's] Killer of Sheep (David E. James) An Aesthetic Appropriate to Conditions: Killer of Sheep , (Neo) Realism, and the Documentary Impulse (Paula J. Massood) Neo-Realism Meets the Blues in Charles Burnett's Killer of Sheep (Keith Mehlinger) Killer of Sheep (James Naremore) Killer of Sheep (Jeffrey Skoller) Nous revenons à nos moutons : Regarding Animals in Charles Burnett's Killer of Sheep (Sarah O'Brien) PART THREE Screenplay Biography and Filmography Index, Acknowledgements Killer of Sheep : Charles Burnett and the Poetry of Oppression David C. Wall and Michael T. Martin PART ONE: Situating Killer of Sheep : Time/Place/Circumstance Cinema and Black Liberation (David E. James) Struggles for the Sign in the Black Atlantic: Los Angeles Collective of Black Filmmakers (Michael T. Martin) Charles Burnett: A Reconsideration of Third Cinema (Amy Ongiri) Charles Burnett?Consummate Cineaste (Michael T. Martin) PART TWO: Reading Killer of Sheep Toward a Geo-Cinematic Hermeneutics: Representations of Los Angeles in Non-Industrial Cinema ? [Charles Burnett's] Killer of Sheep (David E. James) An Aesthetic Appropriate to Conditions: Killer of Sheep , (Neo) Realism, and the Documentary Impulse (Paula J. Massood) Neo-Realism Meets the Blues in Charles Burnett's Killer of Sheep (Keith Mehlinger) Killer of Sheep (James Naremore) Killer of Sheep (Jeffrey Skoller) Nous revenons à nos moutons : Regarding Animals in Charles Burnett's Killer of Sheep (Sarah O'Brien) PART THREE Screenplay Biography and Filmography Index
Copyright Date
2020
Topic
Film / History & Criticism
Lccn
2020-000321
Intended Audience
Scholarly & Professional
Illustrated
Yes
Genre
Performing Arts

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