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Robert F. Reid-Pharr Once You Go Black (Hardback) Sexual Cultures

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Specificaties

Objectstaat
Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...
Book Title
Once You Go Black
Title
Once You Go Black
Subtitle
Choice, Desire, and the Black American Intellectual
ISBN-10
0814775837
EAN
9780814775837
ISBN
9780814775837
Genre
Society & Culture
Subject
Social Sciences
Release Year
2007
Release Date
07/01/2007
Country/Region of Manufacture
US
Publication Name
Once You Go Black : Choice, Desire, and the Black American Intellectual
Item Length
9in
Publisher
New York University Press
Publication Year
2007
Series
Sexual Cultures Ser.
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.6in
Author
Robert F. Reid-Pharr
Item Width
6in
Item Weight
12.8 Oz
Number of Pages
184 Pages

Over dit product

Product Information

Once You Go Black is first and foremost a study of a group of black American intellectuals, primarily male, who came to prominence after World War II. At the same time, it is an endeavor to reconsider black Americans as agents, and not simply products, of history. Following the existentialist maxim that experience precedes essence, Robert Reid-Pharr contends that our current notions of black American identity are not inevitable, nor have they been forced on the black community. Instead, he argues, black American intellectuals have actively chosen the identity schemes that seem to us so natural or "God-given" today. In Once You Go Black, Reid-Pharr turns first to the late and relatively unknown novels of the three most prominent Black American writers of the mid-twentieth century-Richard Wright, Ralph Ellison, and James Baldwin. He suggests that each of these authors rejects the idea of the black as innocent, insisting instead upon responsibility within modern society. Reid-Pharr then examines a number of responses to this presumed erosion of black innocence, paying particular attention to articulations of black masculinity by Huey Newton, one of the two founders of the Black Panther Party, and Melvin Van Peebles, director of the classic film Sweet Sweetback's Baadasssss Song.Shuttling between queer theory, intellectual history, literary close readings, and autobiography, Once You Go Black is a bold, eloquent, and impassioned call to bring the language of choice into the study of black American literature and culture.

Product Identifiers

Publisher
New York University Press
ISBN-10
0814775837
ISBN-13
9780814775837
eBay Product ID (ePID)
57199558

Product Key Features

Author
Robert F. Reid-Pharr
Publication Name
Once You Go Black : Choice, Desire, and the Black American Intellectual
Format
Hardcover
Language
English
Publication Year
2007
Series
Sexual Cultures Ser.
Type
Textbook
Number of Pages
184 Pages

Dimensions

Item Length
9in
Item Height
0.6in
Item Width
6in
Item Weight
12.8 Oz

Additional Product Features

Series Volume Number
27
Lc Classification Number
E185.86.R418 2007
Reviews
" Once You Go Black sustains head-on, constant, and enormously crucial, intellectual challenges to readers. These challenges do not simply require us to rethink a wealth of commonly accepted assumptions but demand that we re-conceptualize how we think about some basic constructs of American intellectual history." - Lambda Book Report, Provocatively and often brilliantly, this book disturbs some of our most fundamental thinking about the role of choice, literary influence, collective identity, and the racial erotic in African American letters. Reid-Pharr engages these questions-sometimes with the subtler edge of his wit and other times with the sharpness of cutting-edge theory-but always with an eye to re-orienting us as readers toward what it means to inhabit, or refuse, the skin of identity., In bold and beautifully crafted close readings, Reid-Pharr challenges many of the structuring absences that have shaped the fields of African-American literary studies, queer studies, and American Studies. His provocative arguments about sexuality, race, and masculinity are unsettling, in the best sense of that word., "In bold and beautifully crafted close readings, Reid-Pharr challenges many of the structuring absences that have shaped the fields of African-American literary studies, queer studies, and American Studies. His provocative arguments about sexuality, race, and masculinity are unsettling, in the best sense of that word." -Siobhan B. Somerville,University of Illinois, Urbana-Champaign, "Provocatively and often brilliantly, this book disturbs some of our most fundamental thinking about the role of choice, literary influence, collective identity, and the racial erotic in African American letters. Reid-Pharr engages these questions-sometimes with the subtler edge of his wit and other times with the sharpness of cutting-edge theory-but always with an eye to re-orienting us as readers toward what it means to inhabit, or refuse, the skin of identity." - Marlon Ross, author of Manning the Race, "Schrijvers' book is a valuable addition to the literature on the war in the Pacific." - H-Net Book Review, "Schrijvers builds upon earlier works and successfully goes beyond them to provide a scholarly account of the full range of American experiences in the Pacific and Asian theatres. He makes excellent use of diaries, letters, training manuals, and official reports. The book is an impressive scholarly achievement. Schrijvers's vivid portrayal of the American experience in the war against Japan permits us to see that experience in a broader historical context and reveals patterns of thought and action that are enduring features of the American character." - The International History Review, "Peter Schrijvers has pulled a 'double' by writing a worthy companion to The Crash of Ruin: American Combat Soldiers in Europe during World War II . His study of the soldiers' war against Japan transcends simplistic race-hate explanations and reconstructs the psycho-social context of war in which only the enemy remained the same." - Allan R. Millett, Director of the Eisenhower Center for American Studies at the University of New Orleans, "Provocatively and often brilliantly, this book disturbs some of our most fundamental thinking about the role of choice, literary influence, collective identity, and the racial erotic in African American letters. Reid-Pharr engages these questions-sometimes with the subtler edge of his wit and other times with the sharpness of cutting-edge theory-but always with an eye to re-orienting us as readers toward what it means to inhabit, or refuse, the skin of identity." -Marlon Ross,author of Manning the Race, "A deeply local and deeply ethical book and Reid-Pharr is willing to risk the misunderstanding in order to insist on the importance of black political agency. There is a refreshing honesty in the way Reid-Pharr directs his comments toward readers." -GC Advocate, "Once You Go Black sustains head-on, constant, and enormously crucial, intellectual challenges to readers. These challenges do not simply require us to rethink a wealth of commonly accepted assumptions but demand that we re-conceptualize how we think about some basic constructs of American intellectual history." - Lambda Book Report, "Once You Go Black sustains head-on, constant, and enormously crucial, intellectual challenges to readers. These challenges do not simply require us to rethink a wealth of commonly accepted assumptions but demand that we re-conceptualize how we think about some basic constructs of American intellectual history." - Lambda Book Report ,, Provocatively and often brilliantly, this book disturbs some of our most fundamental thinking about the role of choice, literary influence, collective identity, and the racial erotic in African American letters. Reid-Pharr engages these questionssometimes with the subtler edge of his wit and other times with the sharpness of cutting-edge theorybut always with an eye to re-orienting us as readers toward what it means to inhabit, or refuse, the skin of identity., "A deeply local and deeply ethical book and Reid-Pharr is willing to risk the misunderstanding in order to insist on the importance of black political agency. There is a refreshing honesty in the way Reid-Pharr directs his comments toward readers." - GC Advocate ,, A deeply local and deeply ethical book and Reid-Pharr is willing to risk the misunderstanding in order to insist on the importance of black political agency. There is a refreshing honesty in the way Reid-Pharr directs his comments toward readers., "Provocatively and often brilliantly, this book disturbs some of our most fundamental thinking about the role of choice, literary influence, collective identity, and the racial erotic in African American letters. Reid-Pharr engages these questions—sometimes with the subtler edge of his wit and other times with the sharpness of cutting-edge theory—but always with an eye to re-orienting us as readers toward what it means to inhabit, or refuse, the skin of identity." - Marlon Ross, author ofManning the Race, "A deeply local and deeply ethical book and Reid-Pharr is willing to risk the misunderstanding in order to insist on the importance of black political agency. There is a refreshing honesty in the way Reid-Pharr directs his comments toward readers." - GC Advocate, "In bold and beautifully crafted close readings, Reid-Pharr challenges many of the structuring absences that have shaped the fields of African-American literary studies, queer studies, and American Studies. His provocative arguments about sexuality, race, and masculinity are unsettling, in the best sense of that word." - Siobhan B. Somerville, University of Illinois, Urbana-Champaign, "Once You Go Blacksustains head-on, constant, and enormously crucial, intellectual challenges to readers. These challenges do not simply require us to rethink a wealth of commonly accepted assumptions but demand that we re-conceptualize how we think about some basic constructs of American intellectual history." -Lambda Book Report, Once You Go Black sustains head-on, constant, and enormously crucial, intellectual challenges to readers. These challenges do not simply require us to rethink a wealth of commonly accepted assumptions but demand that we re-conceptualize how we think about some basic constructs of American intellectual history., " Once You Go Black sustains head-on, constant, and enormously crucial, intellectual challenges to readers. These challenges do not simply require us to rethink a wealth of commonly accepted assumptions but demand that we re-conceptualize how we think about some basic constructs of American intellectual history." - Lambda Book Report ,
Table of Content
Acknowledgments Introduction: The Existential Negro Going Black1 The Funny Father's Luck 2 Ralph Ellison's Blues 3 Alas Poor Jimmy Coming Back?4 Saint Huey 5 Queer Sweetback Conclusion: Deviant Desiring Notes Index About the Author
Copyright Date
2007
Topic
American / African American, Discrimination & Race Relations, Gender Studies, Men's Studies, Ethnic Studies / African American Studies
Lccn
2007-000138
Dewey Decimal
305.896/07300904
Intended Audience
Scholarly & Professional
Dewey Edition
22
Illustrated
Yes
Genre
Literary Criticism, Social Science

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