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A Guide to Playing the Baroque Guitar by James Tyler: Used
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Specificaties
- Objectstaat
- Book Title
- A Guide to Playing the Baroque Guitar
- Publication Date
- 2011-01-24
- Pages
- 176
- ISBN
- 9780253222893
- Publication Name
- Guide to Playing the Baroque Guitar
- Item Length
- 11in
- Publisher
- Indiana University Press
- Series
- Publications of the Early Music Institute Ser.
- Publication Year
- 2011
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6in
- Item Width
- 8.5in
- Item Weight
- 18.4 Oz
- Number of Pages
- 176 Pages
Over dit product
Product Information
James Tyler offers a practical manual to aid guitar players and lutenists in transitioning from modern stringed instruments to the baroque guitar. He begins with the physical aspects of the instrument, addressing tuning and stringing arrangements and technique before considering the fundamentals of baroque guitar tablature. In the second part of the book Tyler provides an anthology of representative works from the repertoire. Each piece is introduced with an explanation of the idiosyncrasies of the particular manuscript or source and information regarding any performance practice issues related to the piece itself?represented in both tablature and staff notation. Tyler's thorough yet practical approach facilitates access to this complex body of work.
Product Identifiers
Publisher
Indiana University Press
ISBN-10
0253222893
ISBN-13
9780253222893
eBay Product ID (ePID)
92306952
Product Key Features
Publication Name
Guide to Playing the Baroque Guitar
Format
Trade Paperback
Language
English
Series
Publications of the Early Music Institute Ser.
Publication Year
2011
Type
Textbook
Number of Pages
176 Pages
Dimensions
Item Length
11in
Item Height
0.6in
Item Width
8.5in
Item Weight
18.4 Oz
Additional Product Features
Lc Classification Number
Ml1015.G9t956 2011
Grade from
College Graduate Student
Reviews
The beginner Baroque guitarist needs a guide before approaching unedited tablature, and James Tyler's new book, A Guide to Playing the Baroque Guitar . . . fulfills that need admirably., "The depth of detail in this volume is thorough and fascinating. Just a look at the chapter headings gives you some idea of the care taken in the researching of the very misunderstood instrument.... I cannot praise this volume highly enough. If there is anything not included in here, then it probably wasn't worth mentioning anyway. It is a fitting tribute to a much missed musician and should be snapped up by anyone with the smallest of interest in this fine period in our instrument's history." -Classical Guitar, The depth of detail in this volume is thorough and fascinating. Just a look at the chapter headings gives you some idea of the care taken in the researching of the very misunderstood instrument. . . . I cannot praise this volume highly enough. If there is anything not included in here, then it probably wasn't worth mentioning anyway. It is a fitting tribute to a much missed musician and should be snapped up by anyone with the smallest of interest in this fine period in our instrument's history., "Tyler's detailed explanation of stringing and tuning, playing techniques, notation, and ornamentation will make a vast repertory immediately accessible to anyone who plays the guitar and easily accessible to... musicians in general." -Mark Cudek, Peabody Institute, Johns Hopkins University, The depth of detail in this volume is thorough and fascinating. Just a look at the chapter headings gives you some idea of the care taken in the researching of the very misunderstood instrument.... I cannot praise this volume highly enough. If there is anything not included in here, then it probably wasn't worth mentioning anyway. It is a fitting tribute to a much missed musician and should be snapped up by anyone with the smallest of interest in this fine period in our instrument's history., Tyler's detailed explanation of stringing and tuning, playing techniques, notation, and ornamentation will make a vast repertory immediately accessible to anyone who plays the guitar and easily accessible to... musicians in general.--Mark Cudek, Peabody Institute, Johns Hopkins University, Tyler's detailed explanation of stringing and tuning, playing techniques, notation, and ornamentation will make a vast repertory immediately accessible to anyone who plays the guitar and easily accessible to... musicians in general., "It is obvious that Tyler was most concerned about clarity and a sound pedagogical method as he organized this book. It is precisely because A Guide to Playing the Baroque Guitar possesses breadth and accessibility that it is so effective. It is a good addition to any music library." -Notes, It is obvious that Tyler was most concerned about clarity and a sound pedagogical method as he organized this book. It is precisely because A Guide to Playing the Baroque Guitar possesses breadth and accessibility that it is so effective. It is a good addition to any music library., Tyler's refreshing style of writing is exemplary. Everything is explained in clear, easy-to-read English, without the blight of verbosity so prevalent in other musicological texts., "Tyler's detailed explanation of stringing and tuning, playing techniques, notation, and ornamentation will make a vast repertory immediately accessible to anyone who plays the guitar and easily accessible to... musicians in general." -- Mark Cudek, Peabody Institute, Johns Hopkins University, "Tyler's refreshing style of writing is exemplary. Everything is explained in clear, easy-to-read English, without the blight of verbosity so prevalent in other musicological texts."-- Early Music Review "The depth of detail in this volume is thorough and fascinating. Just a look at the chapter headings gives you some idea of the care taken in the researching of the very misunderstood instrument. . . . I cannot praise this volume highly enough. If there is anything not included in here, then it probably wasn't worth mentioning anyway. It is a fitting tribute to a much missed musician and should be snapped up by anyone with the smallest of interest in this fine period in our instrument's history."-- Classical Guitar "It is obvious that Tyler was most concerned about clarity and a sound pedagogical method as he organized this book. It is precisely because A Guide to Playing the Baroque Guitar possesses breadth and accessibility that it is so effective. It is a good addition to any music library."-- Notes "The beginner Baroque guitarist needs a guide before approaching unedited tablature, and James Tyler's new book, A Guide to Playing the Baroque Guitar . . . fulfills that need admirably."-- Fontes Artis Musicae "I recommend [this] book highly to all students, players, and teachers of the Baroque guitar."-- Early Music America "Tyler's detailed explanation of stringing and tuning, playing techniques, notation, and ornamentation will make a vast repertory immediately accessible to anyone who plays the guitar and easily accessible to . . . musicians in general."--Mark Cudek, Peabody Institute, Johns Hopkins University, "Tyler's refreshing style of writing is exemplary. Everything is explained in clear, easy-to-read English, without the blight of verbosity so prevalent in other musicological texts." -Early Music Review, "Tyler's detailed explanation of stringing and tuning, playing techniques, notation, and ornamentation will make a vast repertory immediately accessible to anyone who plays the guitar and easily accessible to... musicians in general." Mark Cudek, Peabody Institute, Johns Hopkins University"The depth of detail in this volume is thorough and fascinating. Just a look at the chapter headings gives you some idea of the care taken in the researching of the very misunderstood instrument.... I cannot praise this volume highly enough. If there is anything not included in here, then it probably wasn't worth mentioning anyway. It is a fitting tribute to a much missed musician and should be snapped up by anyone with the smallest of interest in this fine period in our instrument's history." - Chris Dumigan, Classical Guitar , July 2012
Table of Content
Preface Acknowledgments Part 1. The Basics 1. The Instrument 2. Tuning and Stringing 3. Technique 4. Reading Tablature Notation Italian Tablature French Tablature 5.The Fundamentals of Battuto (Strumming) Technique Simple Strokes Rhythmic Ornamentation 6. Reading Mixed Tablature Notation Performance Markings Ornament Signs More about Alfabeto 7. Idioms Unique to the Baroque Guitar "Inversionless" Chords Campanelas The Selective Playing of Bourdons 8. A Note on Basso Continuo Part 2. An Anthology of Music for Baroque Guitar Introduction to the Anthology 9. Pieces Suitable for Stringing A Pavanas por la D / Gaspar Sanz (1675) Suite of English Tunes / Elizabeth Cromwell's Manuscript (ca. 1684) Corrente nona / Ferdinando Valdambrini (1646) Allemande-Sarabande / Antoine Carré (1671) 10. Pieces suitable for Stringing B Prelud[io]-Chiacona / Francesco Corbetta (1648) Alemanda-Corrente-Sarabanda-Giga / Giovanni Battista Granata (1674) Passacaille dite Mariona / Lelio Colista (ca. 1675) Prelude / Angelo Michele Bartolotti (ca. 1655) Allemande "La Furieuse" / François Campion (1705) Folies d'Espagne / François Le Cocq (ca. 1700) 11. Pieces Suitable for Stringing C Pavaniglia con parti variate / Giovanni Paolo Foscarini (ca. 1630) Aria di Fiorenza / Anonymous/Carlo Calvi (1646) Capriccio-Sarabanda-Capriccio / Francesco Asioli (1676) Jacaras / Francisco Guerau (1694) 12. Pieces for Guitar and Basso Continuo Sinfonia a 2 / Francesco Corbetta (1643) Sinfonia à dui / Giovanni Battista Granata (1651) Follià: Sonata 12 de Coreli [sic] / Arcangelo Corelli/Anonymous (ca. 1725-30) Selected Bibliography Index, Preface Acknowledgments Part 1. The Basics 1. The Instrument 2. Tuning and Stringing 3. Technique 4. Reading Tablature Notation Italian Tablature French Tablature 5.The Fundamentals of Battuto (Strumming) Technique Simple Strokes Rhythmic Ornamentation 6. Reading Mixed Tablature Notation Performance Markings Ornament Signs More about Alfabeto 7. Idioms Unique to the Baroque Guitar "Inversionless" Chords Campanelas The Selective Playing of Bourdons 8. A Note on Basso Continuo Part 2. An Anthology of Music for Baroque Guitar Introduction to the Anthology 9. Pieces Suitable for Stringing A Pavanas por la D / Gaspar Sanz (1675) Suite of English Tunes / Elizabeth Cromwell's Manuscript (ca. 1684) Corrente nona / Ferdinando Valdambrini (1646) AllemandeSarabande / Antoine Carré (1671) 10. Pieces suitable for Stringing B Prelud[io]Chiacona / Francesco Corbetta (1648) AlemandaCorrenteSarabandaGiga / Giovanni Battista Granata (1674) Passacaille dite Mariona / Lelio Colista (ca. 1675) Prelude / Angelo Michele Bartolotti (ca. 1655) Allemande "La Furieuse" / François Campion (1705) Folies d'Espagne / François Le Cocq (ca. 1700) 11. Pieces Suitable for Stringing C Pavaniglia con parti variate / Giovanni Paolo Foscarini (ca. 1630) Aria di Fiorenza / Anonymous/Carlo Calvi (1646) CapriccioSarabandaCapriccio / Francesco Asioli (1676) Jacaras / Francisco Guerau (1694) 12. Pieces for Guitar and Basso Continuo Sinfonia a 2 / Francesco Corbetta (1643) Sinfonia à dui / Giovanni Battista Granata (1651) Follià: Sonata 12 de Coreli [sic] / Arcangelo Corelli/Anonymous (ca. 172530) Selected Bibliography Index
Copyright Date
2011
Topic
Musical Instruments / Guitar, Printed Music / Guitar & Fretted Instruments, History & Criticism
Lccn
2010-033162
Dewey Decimal
787.8709
Intended Audience
Scholarly & Professional
Dewey Edition
22
Illustrated
Yes
Genre
Music
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