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Blue-and-White Porcelain: Creation, Development and Competition in China, Japan

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Goed
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US $213,17
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eBay-objectnummer:404248039010
Laatst bijgewerkt op 21 jun 2024 03:17:29 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Goed: Een boek dat is gelezen, maar zich in goede staat bevindt. De kaft is zeer minimaal beschadigd ...
Book Title
Blue-and-White Porcelain: Creation, Development and Competition i
Publication Date
2023-02-03
ISBN
9781789761801
Subject Area
Art
Publication Name
Blue-And-White Porcelain : Creation, Development and Competition in China, Japan and Europe
Publisher
Liverpool University Press
Item Length
6.9 in
Subject
Art & Politics, History / Ancient & Classical
Publication Year
2023
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.9 in
Author
Meili Yang
Item Weight
12.3 Oz
Item Width
9.9 in
Number of Pages
300 Pages

Over dit product

Product Identifiers

Publisher
Liverpool University Press
ISBN-10
1789761808
ISBN-13
9781789761801
eBay Product ID (ePID)
28058377529

Product Key Features

Number of Pages
300 Pages
Language
English
Publication Name
Blue-And-White Porcelain : Creation, Development and Competition in China, Japan and Europe
Publication Year
2023
Subject
Art & Politics, History / Ancient & Classical
Type
Textbook
Subject Area
Art
Author
Meili Yang
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
12.3 Oz
Item Length
6.9 in
Item Width
9.9 in

Additional Product Features

Intended Audience
Scholarly & Professional
Dewey Edition
23
Dewey Decimal
738.2
Synopsis
Meili Yang addresses long-standing questions related to the motivation and inducement of blue-and-white porcelain creation in Mongol-Yuan China, the process of establishing its relationship with Ming society, and its development in Japan as the country stabilized politically and culturally in early Edo. Discussion focuses on the advantageous environment encompassing the Chinese ceramic industry, and the role played by culture, politics and the society at large that brought about the creation of this novel porcelain. Of particular scholarly interest is the native Han attitude toward this Mongol-linked porcelain with its shiny cobalt-blue decoration. From prevailing indifference during late Yuan to valuing it as imperial ware during early Ming, a period of vigorous Sinicization in late Ming popularized the blue-and-white porcelain industrys thriving development. Ming society attitudes toward this porcelain was an intriguing process, and takes in transformations in religious belief and ritual, as well as art appreciation. Following the early Edo period, Japanese potters surpassed Chinese fine porcelain and competed in overseas markets, particularly in Europe. Behind the commercial competition, the contemporary upsurge of nationalism was arguably the most crucial dynamic. The European market became the arena of Chinese and Japanese fine porcelain advances during 17th and 18th centuries. Simultaneously, several European factories were inspired to practice fine porcelain technology; German Meissen was one of the earliest successes. A prime hitherto unanswered question is how Chinese Jingdezhen blue-and-white porcelain and Japanese Kakiemon ware influenced Meissen fine porcelain development. The blue-and-white porcelains value and significance needs to be judged not just on commercial factors, but in the broader perspective of ceramic research and development in terms of technique, and the study and training of ceramic potters., This book examines the creation of blue-and-white porcelain in Mongol-Yuan China. The book considers the beginnings and endurance of its relationship with Ming society, and its progression into Japan. Of particular scholarly interest is the native Han attitude toward this Mongol-linked porcelain with its shiny cobalt-blue decoration. A prime hitherto unanswered question is how Chinese Jingdezhen blue-and-white porcelain and Japanese Kakiemon ware influenced Meissen fine porcelain development., Meili Yang addresses long-standing questions related to the motivation and inducement of blue-and-white porcelain creation in Mongol-Yuan China, the process of establishing its relationship with Ming society, and its development in Japan as the country stabilized politically and culturally in early Edo. Discussion focuses on the advantageous environment encompassing the Chinese ceramic industry, and the role played by culture, politics and the society at large that brought about the creation of this novel porcelain. Of particular scholarly interest is the native Han attitude toward this Mongol-linked porcelain with its shiny cobalt-blue decoration. From prevailing indifference during late Yuan to valuing it as imperial ware during early Ming, a period of vigorous Sinicization in late Ming popularized the blue-and-white porcelain industry's thriving development. Ming society attitudes toward this porcelain was an intriguing process, and takes in transformations in religious belief and ritual, as well as art appreciation. Following the early Edo period, Japanese potters surpassed Chinese fine porcelain and competed in overseas markets, particularly in Europe. Behind the commercial competition, the contemporary upsurge of nationalism was arguably the most crucial dynamic. The European market became the arena of Chinese and Japanese fine porcelain advances during 17th and 18th centuries. Simultaneously, several European factories were inspired to practice fine porcelain technology; German Meissen was one of the earliest successes. A prime hitherto unanswered question is how Chinese Jingdezhen blue-and-white porcelain and Japanese Kakiemon ware influenced Meissen fine porcelain development. The blue-and-white porcelain's value and significance needs to be judged not just on commercial factors, but in the broader perspective of ceramic research and development in terms of technique, and the study and training of ceramic potters.
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