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Vermeer: Faith in Painting by Daniel Arasse: New

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eBay-objectnummer:402905918207
Laatst bijgewerkt op 06 jun 2024 03:16:54 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...
Book Title
Vermeer: Faith in Painting
Publication Date
1996-10-20
Pages
208
ISBN
9780691029306
Subject Area
Art
Publication Name
Vermeer : Faith in Painting
Item Length
9.3 in
Publisher
Princeton University Press
Subject
Individual Artists / General
Publication Year
1996
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.4 in
Author
Daniel Arasse
Item Width
6.1 in
Item Weight
12 Oz
Number of Pages
208 Pages

Over dit product

Product Information

Through a historical analysis of Vermeer's method of production and a close reading of his art, Daniel Arasse explores the originality of this artist in the context of seventeenth-century Dutch painting. Arguing that Vermeer was not a painter in the conventional, commercial sense of his Dutch colleagues, Arasse suggests that his confrontation with painting represented a very personal and ambitious effort to define a new pictorial practice within the classical tradition of his art. By examining Vermeer's approach to image-making, the author finds that his works demonstrate the concept of painting as a medium through which the viewer senses the ungraspable and mysterious presence of life. Not only does this concept of painting carry on the traditions of Classical Antiquity and the High Renaissance, but it also relates to Catholic ideas about spiritual meditation and the power of images. Arasse shows that although Vermeer usually uses secular subject matter commonplace among his contemporaries, his treatment of iconography, light, and line, for example, varies greatly from theirs. Iconographical elements tend to hold meaning in suspense rather than to explicate; dazzling light emanates from interior objects; sfumato renders the presence of objects without depicting them. Discussing these and other aspects of Vermeer's art, Arasse locates the painter's genius in the reflexive, meditative nature of his works, each of which seems to be a painting about painting.

Product Identifiers

Publisher
Princeton University Press
ISBN-10
069102930x
ISBN-13
9780691029306
eBay Product ID (ePID)
10038673055

Product Key Features

Author
Daniel Arasse
Publication Name
Vermeer : Faith in Painting
Format
Trade Paperback
Language
English
Subject
Individual Artists / General
Publication Year
1996
Type
Textbook
Subject Area
Art
Number of Pages
208 Pages

Dimensions

Item Length
9.3 in
Item Height
0.4 in
Item Width
6.1 in
Item Weight
12 Oz

Additional Product Features

LCCN
93-033549
Lc Classification Number
Nd653.V5a9313
Reviews
Vermeer has always proved an elusive artist, yet he has also held a special fascination.... [This book] makes considerable headway in outlining the reasons.... Arasse ... brings both a nicely calibrated visual sensitivity and a thoughtful analytical bent to the pictures themselves [and] lay[s] out what he considers to have been a painting program by Vermeer. -- Larry Silver, American Historical Review, "The most important work to date on Vermeer's theory of painting and his oeuvre. Burnished by the excellent translation by Terry Grabar, this study presents a thoughtful assessment of Vermeer's personal interpretation of the nature of art."-- Linda K. Varkonda, Sixteenth Century Journal, "Vermeer has always proved an elusive artist, yet he has also held a special fascination.... [This book] makes considerable headway in outlining the reasons.... Arasse ... brings both a nicely calibrated visual sensitivity and a thoughtful analytical bent to the pictures themselves [and] lay[s] out what he considers to have been a painting program by Vermeer." --Larry Silver, American Historical Review, "Vermeer has always proved an elusive artist, yet he has also held a special fascination.... [This book] makes considerable headway in outlining the reasons.... Arasse ... brings both a nicely calibrated visual sensitivity and a thoughtful analytical bent to the pictures themselves [and] lay[s] out what he considers to have been a painting program by Vermeer."-- Larry Silver, American Historical Review, This intense, impassioned book reflects the ways in which we continue to be enthralled by the magic of Vermeer's light and deft touch., "The most important work to date on Vermeer's theory of painting and his oeuvre. Burnished by the excellent translation by Terry Grabar, this study presents a thoughtful assessment of Vermeer's personal interpretation of the nature of art." --Linda K. Varkonda, Sixteenth Century Journal, The most important work to date on Vermeer's theory of painting and his oeuvre. Burnished by the excellent translation by Terry Grabar, this study presents a thoughtful assessment of Vermeer's personal interpretation of the nature of art., The most important work to date on Vermeer's theory of painting and his oeuvre. Burnished by the excellent translation by Terry Grabar, this study presents a thoughtful assessment of Vermeer's personal interpretation of the nature of art. -- Linda K. Varkonda, Sixteenth Century Journal, This intense, impassioned book reflects the ways in which we continue to be enthralled by the magic of Vermeer's light and deft touch. -- Virginia Quarterly Review, "This intense, impassioned book reflects the ways in which we continue to be enthralled by the magic of Vermeer's light and deft touch."-- Virginia Quarterly Review, "This intense, impassioned book reflects the ways in which we continue to be enthralled by the magic of Vermeer's light and deft touch." -- Virginia Quarterly Review, Vermeer has always proved an elusive artist, yet he has also held a special fascination.... [This book] makes considerable headway in outlining the reasons.... Arasse ... brings both a nicely calibrated visual sensitivity and a thoughtful analytical bent to the pictures themselves [and] lay[s] out what he considers to have been a painting program by Vermeer.
Table of Content
List of Illustrations Ch. 1 "The Mysterious Vermeer" 3 Ch. 2 The Professional Context 9 Vermeer's Reputation 9 Vermeer and Money 13 Vermeer and Painting 15 Ch. 3 The-Picture-within-the-Picture 22 False Citations 23 The Suspension of Meaning 26 The Mirror of Art 33 Ch. 4 The Art of Painting 40 A Personal Allegory 41 The Painter's Double Horizon 44 "Nova Descriptio" 48 A Painter's Position 54 Ch. 5 The Place Within 59 Surface Space 59 The Figure and Its Locus 63 Precision and Blur 69 Ch. 6 Vermeer's Religion 76 Appendix 1: "The Mysterious Vermeer" 87 Appendix 2: About the Girl in a Red Hat 99 Notes 103 Bibliography 127 Index 133
Copyright Date
1994
Target Audience
College Audience
Dewey Decimal
759.9492
Dewey Edition
20
Illustrated
Yes

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