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Criminal Moves: Modes of Mobility in Crime Fiction by Jesper Gulddal: New
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Specificaties
- Objectstaat
- Book Title
- Criminal Moves: Modes of Mobility in Crime Fiction
- Publication Date
- 2019-11-26
- ISBN
- 9781789620580
- Subject Area
- Literary Criticism, History
- Publication Name
- Criminal Moves : Modes of Mobility in Crime Fiction
- Publisher
- Liverpool University Press
- Item Length
- 6.4 in
- Subject
- Mystery & Detective, Modern / 20th Century, Modern / 19th Century
- Publication Year
- 2020
- Series
- Liverpool English Texts and Studies Lup Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.7 in
- Item Weight
- 12.3 Oz
- Item Width
- 9.3 in
- Number of Pages
- 224 Pages
Over dit product
Product Identifiers
Publisher
Liverpool University Press
ISBN-10
1789620589
ISBN-13
9781789620580
eBay Product ID (ePID)
22038405241
Product Key Features
Number of Pages
224 Pages
Publication Name
Criminal Moves : Modes of Mobility in Crime Fiction
Language
English
Subject
Mystery & Detective, Modern / 20th Century, Modern / 19th Century
Publication Year
2020
Type
Textbook
Subject Area
Literary Criticism, History
Series
Liverpool English Texts and Studies Lup Ser.
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
12.3 Oz
Item Length
6.4 in
Item Width
9.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2020-288640
Dewey Edition
23
Reviews
Reviews 'The three editors of this rich collective volume are driven by the ambitious desire to radically revise crime fiction studies, sweeping away existing prejudices and providing a new conceptual framework to the study of the genre... in a few years, this work will be acknowledged as a turning point in the history of crime scholarship.' Stefano Serafini, Linguæ &, "Criminal Moves is an excellent resource for scholars who are reconsidering how they research and teach foundational texts in the crime fiction genre. It can also help readers identify ways to analyse and appreciate transnational works outside of the traditional British-American canon without confining them to a fixed taxonomy." Jennifer Schnabel, Crime Fiction Studies "The three editors of this rich collective volume are driven by the ambitious desire to radically revise crime fiction studies, sweeping away existing prejudices and providing a new conceptual framework to the study of the genre... in a few years, this work will be acknowledged as a turning point in the history of crime scholarship." Stefano Serafini, Lingu&, ' Criminal Moves is an exciting venture. [...] It asks provocative questions about the transparency of narrative. [...] It is the reader, as consumer and companion of the detective and author, who is at the core of the experience. Also, the issue of the reader's gaze and attention are important considerations.' Fred Isaac, Clues, "Criminal Moves is an excellent resource for scholars who are reconsidering how they research and teach foundational texts in the crime fiction genre. It can also help readers identify ways to analyse and appreciate transnational works outside of the traditional British-American canon without confining them to a fixed taxonomy." Jennifer Schnabel, Crime Fiction Studies "The three editors of this rich collective volume are driven by the ambitious desire to radically revise crime fiction studies, sweeping away existing prejudices and providing a new conceptual framework to the study of the genre... in a few years, this work will be acknowledged as a turning point in the history of crime scholarship." Stefano Serafini, Linguæ &, "Criminal Moves is an excellent resource for scholars who are reconsidering how they research and teach foundational texts in the crime fiction genre. It can also help readers identify ways to analyse and appreciate transnational works outside of the traditional British-American canon without confining them to a fixed taxonomy." Jennifer Schnabel, Crime Fiction Studies"The three editors of this rich collective volume are driven by the ambitious desire to radically revise crime fiction studies, sweeping away existing prejudices and providing a new conceptual framework to the study of the genre... in a few years, this work will be acknowledged as a turning point in the history of crime scholarship." Stefano Serafini, Linguæ &"Criminal Moves is an exciting venture. [...] It asks provocative questions about the transparency of narrative. [...] It is the reader, as consumer and companion of the detective and author, who is at the core of the experience. Also, the issue of the reader's gaze and attention are important considerations." Fred Isaac, Clues, "Criminal Moves is an excellent resource for scholars who are reconsidering how they research and teach foundational texts in the crime fiction genre. It can also help readers identify ways to analyse and appreciate transnational works outside of the traditional British-American canon without confining them to a fixed taxonomy." Jennifer Schnabel, Crime Fiction Studies "The three editors of this rich collective volume are driven by the ambitious desire to radically revise crime fiction studies, sweeping away existing prejudices and providing a new conceptual framework to the study of the genre... in a few years, this work will be acknowledged as a turning point in the history of crime scholarship." Stefano Serafini, Linguæ & "Criminal Moves is an exciting venture. [...] It asks provocative questions about the transparency of narrative. [...] It is the reader, as consumer and companion of the detective and author, who is at the core of the experience. Also, the issue of the reader's gaze and attention are important considerations." Fred Isaac, Clues
Series Volume Number
78
Dewey Decimal
809.3872
Table Of Content
Introduction: Criminal Moves: Towards a Theory of Crime Fiction Mobility Jesper Gulddal, Stewart King and Alistair Rolls Mobility of Meaning 1. Behind the Locked Door: Leblanc, Leroux and the Anxieties of the Belle Époque Jean Fornasiero and John West-Sooby 2. Moving Fergus Hume?s The Mystery of a Hansom Cab and Breaking the Frame of Poe?s 'The Murders in the Rue Morgue? Alistair Rolls 3. Reading Affects in Raymond Chandler?s The Big Sleep Heta Pyrhönen 4. Contradicting the Golden Age: Reading Agatha Christie in the Twenty-First Century Merja Makinen Mobility of Genre 5. Criminal Minds: Reassessing the Origins of the Psycho-Thriller Maurizio Ascari 6. Foggy Muddle: Narrative, Contingency and Genre Mobility in Dashiell Hammett?s The Dain Curse Jesper Gulddal 7. Burma?s Bagnoles: Urban Modernity and the Automotive Saccadism of Léo Malet?s Nouveaux mystères de Paris (1954-1959) Andrea Goulet 8. Secrecy and Transparency in Hideo Yokoyama?s Six Four Andrew Pepper Transnational Mobility 9. The Reader and World Crime Fiction: The (Private) Eye of the Beholder Stewart King 10. From Vidocq to the Locked Room: International Connections in Nineteenth-Century Crime Fiction Stephen Knight 11. Brain Attics and Mind Weapons: Investigative Spaces, Mobility and Transcultural Adaptations of Detective Fiction Michael B. Harris-Peyton
Synopsis
Criminal Moves: Modes of Mobility in Crime Fiction offers a major intervention into contemporary theoretical debates about crime fiction. It seeks to overturn the following preconceptions: that the genre does not warrant critical analysis, that genre norms and conventions matter more than textual individuality, and that comparative perspectives are secondary to the study of the British-American canon. Criminal Moves challenges the distinction between literary and popular fiction and proposes that crime fiction be seen as constantly violating its own boundaries. Centred on three axes of mobility, the essays ask how can we imagine a mobile reading practice that realizes the genre?s full textual complexity, without being limited by the authoritative self-interpretations provided by crime narratives; how we can overcome restrictive notions of ?genre?, ?formula? or ?popular?; and how we can establish transnational perspectives that challenge the centrality of the British-American tradition and recognize that the global history of crime fiction is characterized, not by the existence of parallel national traditions, but rather by processes of appropriation and transculturation. Criminal Moves presents a comprehensive reinterpretation of the history of the genre that also has profound ramifications for how we read individual crime fiction texts., Criminal Moves: Modes of Mobility in Crime Fiction offers a major intervention into contemporary theoretical debates about crime fiction. It seeks to overturn the following preconceptions: that the genre does not warrant critical analysis, that genre norms and conventions matter more than textual individuality, and that comparative perspectives are secondary to the study of the British-American canon. Criminal Moves challenges the distinction between literary and popular fiction and proposes that crime fiction be seen as constantly violating its own boundaries. Centred on three axes of mobility, the essays ask how can we imagine a mobile reading practice that realizes the genre's full textual complexity, without being limited by the authoritative self-interpretations provided by crime narratives; how we can overcome restrictive notions of 'genre', 'formula' or 'popular'; and how we can establish transnational perspectives that challenge the centrality of the British-American tradition and recognize that the global history of crime fiction is characterized, not by the existence of parallel national traditions, but rather by processes of appropriation and transculturation. Criminal Moves presents a comprehensive reinterpretation of the history of the genre that also has profound ramifications for how we read individual crime fiction texts., Criminal Moves is a ground-breaking collection of essays that challenges the distinction between literary and popular fiction and proposes that crime fiction is a genre that constantly violates its own boundaries. Reorienting crime fiction studies towards the mobility of the genre, it has profound ramifications for how we read individual crime stories., Criminal Moves: Modes of Mobility in Crime Fiction offers a major intervention into contemporary theoretical debates about crime fiction. It seeks to overturn the following preconceptions: that the genre does not warrant critical analysis, that genre norms and conventions matter more than textual individuality, and that comparative perspectives are secondary to the study of the British-American canon. Criminal Moves challenges the distinction between literary and popular fiction and proposes that crime fiction be seen as constantly violating its own boundaries. Centred on three axes of mobility, the essays ask how can we imagine a mobile reading practice that realizes the genre's full textual complexity, without being limited by the authoritative self-interpretations provided by crime narratives; how we can overcome restrictive notions of "genre", "formula" or "popular"; and how we can establish transnational perspectives that challenge the centrality of the British-American tradition and recognize that the global history of crime fiction is characterized, not by the existence of parallel national traditions, but rather by processes of appropriation and transculturation. Criminal Moves presents a comprehensive reinterpretation of the history of the genre that also has profound ramifications for how we read individual crime fiction texts.
LC Classification Number
PN3448.D4C746 2019
ebay_catalog_id
4
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