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Black Metal, Trauma, Subjectivity and Sound: Screaming the Abyss by Jasmine Haze
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eBay-objectnummer:395388880404
Specificaties
- Objectstaat
- ISBN-13
- 9781787569263
- Book Title
- Black Metal, Trauma, Subjectivity and Sound
- ISBN
- 9781787569263
- Publication Year
- 2020
- Series
- Emerald Studies in Metal Music and Culture Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Publication Name
- Black Metal, Trauma, Subjectivity and Sound : Screaming the Abyss
- Item Length
- 9in
- Publisher
- Emerald Publishing The Limited
- Item Width
- 6in
- Item Weight
- 16.9 Oz
- Number of Pages
- 256 Pages
Over dit product
Product Information
This important book weaves together trauma, black metal theory and disability into a story of both pain and freedom. Drawing on her many years as a black metal guitarist, Jasmine Hazel Shadrack uses autoethnography to explore her own experiences of gender-based violence, misogyny and the healing power of performance.
Product Identifiers
Publisher
Emerald Publishing The Limited
ISBN-10
1787569268
ISBN-13
9781787569263
eBay Product ID (ePID)
21050386610
Product Key Features
Publication Name
Black Metal, Trauma, Subjectivity and Sound : Screaming the Abyss
Format
Hardcover
Language
English
Publication Year
2020
Series
Emerald Studies in Metal Music and Culture Ser.
Type
Textbook
Number of Pages
256 Pages
Dimensions
Item Length
9in
Item Width
6in
Item Weight
16.9 Oz
Additional Product Features
Lc Classification Number
Hm621-656
Reviews
'Shadrack's brave usage of autoethnography to explore how black metal is a movement beyond music presents a new and refreshing paradigm through the exploration of an often-misunderstood subculture. Her skill in intertwining methodology with her own subjective reflexivity is an important and much-needed addition to gender, music, and performance studies.', Make no mistake - this is a tough and complex subject and this book is characterized by unflinching emotional honesty; it is also beautifully written and exquisite in its richness, depth, and academic rigor. Despite the autoethnographic framework, Black Metal, Trauma, Subjectivity and Sound: Screaming the Abyss is not insular and inward-looking but rather remarkably far-reaching in its insight and relevance. It will resonate particularly with those working within the fields of music, gender, feminism, disability or cultural studies. It is an account of healing, of restoration, of reconstitution of self through music. I cannot recommend it highly enough., 'Seldom do we as scholars get to interact with a professional musician who sees their work as autoethnographic; even more seldom do we see that valuable and difficult work coming from women in genres such as heavy metal. With an eye on both critical theory and musical performance, Dr Shadrack creates an interwoven story of personal experience, gender studies and women's studies, sexual oppression and sexual violence, and brings forth deep discussions of religion, iconography, existentialism, women's voices in and out of metal, and the many ways in which women are symbolized, represented and delimited. It is a ground-breaking work, one that continues a line of work in gender and heavy metal that represents some of the best work on gender in publication right now. The image of Denigrata Herself, the horned goddess screaming into the patriarchy, is an icon for our times.', Jasmine Hazel Shadrach's Black Metal, Trauma, Subjectivity, and Sound: Screaming the Abysstakes a personal look at experiences of misogynistic violence, disability, and the powerful cathartic potential of musical performance., Dr Jasmine Shadrack has accomplished a tremendous feat in this book: as an autoenthnographic study, she has combined the rigours of academic research with an unsurpassed level insight that sets a new standard in how reflection and experience can be expressed. Despite its complexity, the text is extremely accessible and weaves a narrative making it a guide for others on how music and the arts can be a friend to those suffering from the effects of trauma and abuse where the two intersect. This is a book of hope and a source of healing. Even though it articulates a principled stand through Shadrack's use of Black Metal, the relevance of her discussion reaches far beyond the music culture where she finds her solace. Her work will resonate with a wide ranging audience, not only those working in the field of gender, feminism, metal studies and cultural studies, but also the many victims of abuse, marginalization and those suffering oppression.
Table of Content
Chapter 1. Interpretive Performance Autoethnography Chapter 2. "Women! Stop Ruining Metal!" Mapping Extreme Metal Chapter 3. Black Metal's Historical Analysis: The Story of Male Metal Chapter 4. The Feminine Absent Chapter 5. Of Wolves and Witches Chapter 6. Denigrata as Performance Chapter 7. Conclusion. Liber Sum: Restorative Visibility and the Feminine Present Epilogue from Rebecca Lamont-Jiggens Peroration: Dying Words as Abominable Lifeblood
Copyright Date
2021
Topic
History & Criticism, Genres & Styles / Heavy Metal, Gender Studies, Popular Culture
Lccn
2020-562341
Dewey Decimal
781.66
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Music, Social Science
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