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The Trees of the Cross: Wood as Subject and Medium in the Art of Late Medieval G
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eBay-objectnummer:395251804736
Specificaties
- Objectstaat
- ISBN-13
- 9780300267655
- Book Title
- The Trees of the Cross
- ISBN
- 9780300267655
- Publication Year
- 2023
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Publication Name
- Trees of the Cross : Wood As Subject and Medium in the Art of Late Medieval Germany
- Item Height
- 0.1in
- Item Length
- 1.1in
- Publisher
- Yale University Press
- Item Width
- 0.9in
- Item Weight
- 41.2 Oz
- Number of Pages
- 224 Pages
Over dit product
Product Information
A revelatory exploration of wood's many material, ecological, and symbolic meanings in the religious art of medieval Germany "A rewarding study that is full of new insights."--Jeremy Warren, Art Newspaper In late medieval Germany, wood was a material laden with significance. It was an important part of the local environment and economy, as well as an object of religious devotion in and of itself. Gregory C. Bryda examines the multiple meanings of wood and greenery within religious art--as a material, as a feature of agrarian life, and as a symbol of the cross, whose wood has resonances with other iconographies in the liturgy. Bryda discusses how influential artists such as Matthias Grünewald, known for the Isenheim Altarpiece, and the renowned sculptor Tilman Riemenschneider exploited wood's multivalent nature to connect spiritual themes to the lived environment outside church walls. Exploring the complex visual and material culture of the period, this lavishly illustrated volume features works ranging from monumental altarpieces to portable pictures and offers a fresh understanding of how wood in art functioned to unlock the mysteries of faith and the natural world in both liturgy and everyday life.
Product Identifiers
Publisher
Yale University Press
ISBN-10
0300267657
ISBN-13
9780300267655
eBay Product ID (ePID)
15058364670
Product Key Features
Publication Name
Trees of the Cross : Wood As Subject and Medium in the Art of Late Medieval Germany
Format
Hardcover
Language
English
Publication Year
2023
Type
Textbook
Number of Pages
224 Pages
Dimensions
Item Length
1.1in
Item Height
0.1in
Item Width
0.9in
Item Weight
41.2 Oz
Additional Product Features
Lc Classification Number
N7950
Reviews
"In late medieval Germany, religious art was full of trees, vines, and other plants, symbolizing the strong ties between agrarian and spiritual life. Art historian Gregory C. Bryda surveys these botanically influenced masterpieces in his new book The Trees of the Cross , including works by some of the era's great masters."--Peter Saenger, Wall Street Journal "A rewarding study that is full of new insights."--Jeremy Warren, The Art Newspaper "Going deeper into history and daily life than scholarship on materiality and ecology ordinarily ventures, Bryda's argument persuasively demonstrates that late medieval German art is invested with a rhythm of seasons, harvest, and bloom. Elegantly written and packed with new discoveries, this is a book to be imbibed, ingested, and oft consulted."--Shira Brisman, University of Pennsylvania " The Trees of the Cross is a truly interdisciplinary study that will resonate beyond art history in the fields of ecology, ethnography, folklore studies, and both economic and agrarian history. Engagingly written, the book provides an important corrective to our broader understanding of the role of nature in late medieval German art."--Achim Timmermann, University of Michigan, "In late medieval Germany, religious art was full of trees, vines, and other plants, symbolizing the strong ties between agrarian and spiritual life. Art historian Gregory C. Bryda surveys these botanically influenced masterpieces in his new book The Trees of the Cross , including works by some of the era's great masters."--Peter Saenger, Wall Street Journal "Going deeper into history and daily life than scholarship on materiality and ecology ordinarily ventures, Bryda's argument persuasively demonstrates that late medieval German art is invested with a rhythm of seasons, harvest, and bloom. Elegantly written and packed with new discoveries, this is a book to be imbibed, ingested, and oft consulted."--Shira Brisman, University of Pennsylvania " The Trees of the Cross is a truly interdisciplinary study that will resonate beyond art history in the fields of ecology, ethnography, folklore studies, and both economic and agrarian history. Engagingly written, the book provides an important corrective to our broader understanding of the role of nature in late medieval German art."--Achim Timmermann, University of Michigan, "Going deeper into history and daily life than scholarship on materiality and ecology ordinarily ventures, Bryda's argument persuasively demonstrates that late medieval German art is invested with a rhythm of seasons, harvest, and bloom. Elegantly written and packed with new discoveries, this is a book to be imbibed, ingested, and oft consulted."--Shira Brisman, University of Pennsylvania " The Trees of the Cross is a truly interdisciplinary study that will resonate beyond art history in the fields of ecology, ethnography, folklore studies, and both economic and agrarian history. Engagingly written, the book provides an important corrective to our broader understanding of the role of nature in late medieval German art."--Achim Timmermann, University of Michigan, "Going deeper into history and daily life than scholarship on materiality and ecology ordinarily ventures, Bryda's argument persuasively demonstrates that late medieval German art is invested with a rhythm of seasons, harvest, and bloom. Elegantly written and packed with new discoveries, this is a book to be imbibed, ingested, and oft consulted."--Shira Brisman, University of Pennsylvania, "In late medieval Germany, religious art was full of trees, vines, and other plants, symbolizing the strong ties between agrarian and spiritual life. Art historian Gregory C. Bryda surveys these botanically influenced masterpieces in his new book The Trees of the Cross , including works by some of the era's great masters."--Peter Saenger, Wall Street Journal "A rewarding study that is full of new insights."--Jeremy Warren, Art Newspaper 2024 PROSE Award finalist, Art History and Criticism category, sponsored by the Association of American Publishers "Going deeper into history and daily life than scholarship on materiality and ecology ordinarily ventures, Bryda's argument persuasively demonstrates that late medieval German art is invested with a rhythm of seasons, harvest, and bloom. Elegantly written and packed with new discoveries, this is a book to be imbibed, ingested, and oft consulted."--Shira Brisman, University of Pennsylvania " The Trees of the Cross is a truly interdisciplinary study that will resonate beyond art history in the fields of ecology, ethnography, folklore studies, and both economic and agrarian history. Engagingly written, the book provides an important corrective to our broader understanding of the role of nature in late medieval German art."--Achim Timmermann, University of Michigan, "In late medieval Germany, religious art was full of trees, vines, and other plants, symbolizing the strong ties between agrarian and spiritual life. Art historian Gregory C. Bryda surveys these botanically influenced masterpieces in his new book The Trees of the Cross , including works by some of the era's great masters."--Peter Saenger, Wall Street Journal "A rewarding study that is full of new insights."--Jeremy Warren, Art Newspaper "Going deeper into history and daily life than scholarship on materiality and ecology ordinarily ventures, Bryda's argument persuasively demonstrates that late medieval German art is invested with a rhythm of seasons, harvest, and bloom. Elegantly written and packed with new discoveries, this is a book to be imbibed, ingested, and oft consulted."--Shira Brisman, University of Pennsylvania " The Trees of the Cross is a truly interdisciplinary study that will resonate beyond art history in the fields of ecology, ethnography, folklore studies, and both economic and agrarian history. Engagingly written, the book provides an important corrective to our broader understanding of the role of nature in late medieval German art."--Achim Timmermann, University of Michigan
Topic
Sculpture & Installation, History / Medieval, Subjects & Themes / Religious
Lccn
2022-950986
Dewey Decimal
704.94820943
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Art
Objectbeschrijving van de verkoper
Informatie van zakelijke verkoper
Premier Books LLC
David Taylor
26C Trolley Sq
19806-3356 Wilmington, DE
United States
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eBay-objectnummer:395251804736
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Shipment took a while, but book arrived in perfect "as new" condition and was packaged in a first-rate cardboard carton that protected it very well. On the basis of this transaction, I would recommend this seller highly. Thanks very much!