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Painting the Difference: s** and Spectator in Modern Art By Char

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eBay-objectnummer:395236450634

Laatst bijgewerkt op 23 mrt 2024 06:43:34 CETAlle herzieningen bekijkenAlle herzieningen bekijken

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Objectstaat: Heel goed: Een boek dat er niet als nieuw uitziet en is gelezen, maar zich in uitstekende staat ... Heel goed: Een boek dat er niet als nieuw uitziet en is gelezen, maar zich in uitstekende staat bevindt. De kaft is niet zichtbaar beschadigd en het eventuele stofomslag zit nog om de harde kaft heen. Er ontbreken geen bladzijden en er zijn geen bladzijden beschadigd. Er is geen tekst onderstreept of gemarkeerd en er is niet in de kantlijn geschreven. Er kunnen zeer minimale identificatiemerken aan de binnenzijde van de kaft zijn aangebracht. De slijtage is zeer minimaal. Bekijk de aanbieding van de verkoper voor de volledige details en een beschrijving van gebreken. Alle staatdefinities bekijkenwordt in nieuw venster of op nieuw tabblad geopend

Title: Painting the Difference: s** and Spectator in Modern Art

ISBN: 9780226317977

Item Length: 1.1in

Publisher: University of Chicago Press

Publication Year: 2006

Type: Textbook

Format: Hardcover

Language: English

Item Height: 0.1in

Author: Charles Harrison

Genre: Art, Social Science

Topic: Gender Studies, History / General, Subjects & Themes / General

Item Width: 0.9in

Item Weight: 52.1 Oz

Number of Pages: 312 Pages

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Product Information

The picture plane of a painting creates boundaries and perspectives. Charles Harrison's latest endeavor, Painting the Difference, explores the role of the picture plane in modern painting and the relationships it creates among the artist, the subject, and the spectator.

Product Identifiers

Publisher

University of Chicago Press

ISBN-10

0226317978

ISBN-13

9780226317977

eBay Product ID (ePID)

30524076

Product Key Features

Author

Charles Harrison

Format

Hardcover

Language

English

Topic

Gender Studies, History / General, Subjects & Themes / General

Publication Year

2006

Type

Textbook

Genre

Art, Social Science

Number of Pages

312 Pages

Dimensions

Item Length

1.1in

Item Height

0.1in

Item Width

0.9in

Item Weight

52.1 Oz

Additional Product Features

Lc Classification Number

Nd1460.S44h37 2004

Reviews

Painting the Difference complicates routine assumptions about the sexism of male artists and viewers, and raises useful questions about the history of seeing., " Painting the Difference offers a gripping interpretation of nineteenth- and twentieth-century images, mostly paintings, mostly of women. The artists Harrison discusses are modernist icons: Renoir, Manet, Cézanne, Degas, Morisot, Cassatt, Picasso, Matisse, Bonnard, and Rothko. But he brings these canonical painters into entirely fresh focus by showing how their techniques develop from a driving concern with the question of just who is seeing what paintings reveal. Harrison''s central claim is that this self-consciousness arises from a sustained confrontation with the social domination at work in the male regard, including the painter''s regard, that shapes the appearance of women''s bodies in modern life."-Gregg M. Horowitz, Modernism/Modernity, Painting the Difference puts forward a novel theory of the evolution of certain key works in the Modernist canon. This highly original book will be of keen interest to art history, cultural studies, and gender studies. A model of lucidity, and direct in its treatment of a difficult topic, Painting the Difference advances a bold theory of modern art of considerable relevance and importance., Taken together these chapters serve to demonstrate how careful looking can provide new insight into the making and meaning of iconic works. Conceptually challenging and rich in detail, this is an attractive volume with a generous number of illustrations, both in color and black and white, that help to support the author's claims and argument., "Painting the Differenceputs forward a novel theory of the evolution of certain key works in the Modernist canon. This highly original book will be of keen interest to art history, cultural studies, and gender studies. A model of lucidity, and direct in its treatment of a difficult topic,Painting the Differenceadvances a bold theory of modern art of considerable relevance and importance."--Paul Smith, author ofSeurat and the Avant-garde, The strength of [Harrison's] approach is not to reduce the reality of sexual difference to an iconographic or socio-historic question, but to treat it on the very surface of painting, through the devices it invents and the complex games it suggests to the viewer., "Painting the Differenceoffers a gripping interpretation of nineteenth- and twentieth-century images, mostly paintings, mostly of women. The artists Harrison discusses are modernist icons: Renoir, Manet, Cézanne, Degas, Morisot, Cassatt, Picasso, Matisse, Bonnard, and Rothko. But he brings these canonical painters into entirely fresh focus by showing how their techniques develop from a driving concern with the question of just who is seeing what paintings reveal. Harrison''s central claim is that this self-consciousness arises from a sustained confrontation with the social domination at work in the male regard, including the painter''s regard, that shapes the appearance of women''s bodies in modern life."-Gregg M. Horowitz,Modernism/Modernity, "Painting the Differencecomplicates routine assumptions about the sexism of male artists and viewers, and raises useful questions about the history of seeing."-Patricia Failing,Art News, Painting the Difference offers a gripping interpretation of nineteenth- and twentieth-century images, mostly paintings, mostly of women. The artists Harrison discusses are modernist icons: Renoir, Manet, Cézanne, Degas, Morisot, Cassatt, Picasso, Matisse, Bonnard, and Rothko. But he brings these canonical painters into entirely fresh focus by showing how their techniques develop from a driving concern with the question of just who is seeing what paintings reveal. Harrison's central claim is that this self-consciousness arises from a sustained confrontation with the social domination at work in the male regard, including the painter's regard, that shapes the appearance of women's bodies in modern life., "The strength of [Harrison's] approach is not to reduce the reality of sexual difference to an iconographic or socio-historic question, but to treat it on the very surface of painting, through the devices it invents and the complex games it suggests to the viewer."-Véronique Goudinoux,Les Cahiers, "The strength of [Harrison's] approach is not to reduce the reality of sexual difference to an iconographic or socio-historic question, but to treat it on the very surface of painting, through the devices it invents and the complex games it suggests to the viewer."-Véronique Goudinoux, Les Cahiers, Taken together these chapters serve to demonstrate how careful looking can provide new insight into the making and meaning of iconic works. Conceptually challenging and rich in detail, this is an attractive volume with a generous number of illustrations, both in color and black and white, that help to support the author''s claims and argument., ""Painting the Difference" complicates routine assumptions about the sexism of male artists and viewers, and raises useful questions about the history of seeing.", "Painting the Difference offers a gripping interpretation of nineteenth- and twentieth-century images, mostly paintings, mostly of women. The artists Harrison discusses are modernist icons: Renoir, Manet, Cï¿½zanne, Degas, Morisot, Cassatt, Picasso, Matisse, Bonnard, and Rothko. But he brings these canonical painters into entirely fresh focus by showing how their techniques develop from a driving concern with the question of just who is seeing what paintings reveal. Harrison''s central claim is that this self-consciousness arises from a sustained confrontation with the social domination at work in the male regard, including the painter''s regard, that shapes the appearance of women''s bodies in modern life."-Gregg M. Horowitz, Modernism/Modernity, "Taken together these chapters serve to demonstrate how careful looking can provide new insight into the making and meaning of iconic works. Conceptually challenging and rich in detail, this is an attractive volume with a generous number of illustrations, both in color and black and white, that help to support the author''s claims and argument."--Britta C. Dwyer, "Women's Art Journal", "The strength of [Harrison's] approach is not to reduce the reality of sexual difference to an iconographic or socio-historic question, but to treat it on the very surface of painting, through the devices it invents and the complex games it suggests to the viewer."-Vï¿½ronique Goudinoux, Les Cahiers, " Painting the Difference complicates routine assumptions about the sexism of male artists and viewers, and raises useful questions about the history of seeing."-Patricia Failing, Art News, "Anyone who wants to actually look at painting, as opposed to giving it a passing glance, and tothinkabout what this encounter engenders in the embodied psychosexual identity of spectators, as opposed to knowing in advance what to think, will find Harrison''s lovely book indispensable. Painting, in Harrison''s keen critical gaze, is a way of thinking new thoughts about sex, gender, and the embodied spectator. Harrison allows paintings to surprise us, to call us out, and reawaken our wonder at the labyrinth of images of sexual difference. A crucial text for art historians, and for anyone interested in sexuality in the field of visual representation."--W. J. T. Mitchell, author ofPicture Theory, "Taken together these chapters serve to demonstrate how careful looking can provide new insight into the making and meaning of iconic works. Conceptually challenging and rich in detail, this is an attractive volume with a generous number of illustrations, both in color and black and white, that help to support the author''s claims and argument."-Britta C. Dwyer, Women's Art Journal

Publication Name

Painting the Difference : Sex and Spectator in Modern Art

Table of Content

List of Illustrations Introductions and Acknowledgments I. Looking Out, Looking In 1. The Picture Plane 2. Renoir II. Fantasy and Imagination 3. Manet 4. Cézanne III. Modern Feeling 5. Degas, Part One 6. Degas, Part Two 7. Morisot and Cassatt: "A Woman's Painting" IV. Public and Private 8. The Early Twentieth Century 9. Picasso 10. Matisse and Bonnard: "Painting the Emotions" V. Painting the Unseen 11. Rothko 12. The Later Twentieth Century Notes Figure Credits Index

2005

Target Audience

Scholarly & Professional

Lccn

2004-005367

Dewey Decimal

759.06

Dewey Edition

Illustrated

Yes

Objectbeschrijving van de verkoper

Informatie van zakelijke verkoper

WRAP Ltd

Mubin Ahmed

2 Lester Way

Wallingford

OX10 9TA

United Kingdom

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03800600

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eBay-objectnummer:395236450634

Laatst bijgewerkt op 23 mrt 2024 06:43:34 CETAlle herzieningen bekijkenAlle herzieningen bekijken

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