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Invisible Cathedrals: The Expressionist Art History of Wilhelm Worringer
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eBay-objectnummer:395145312517
Specificaties
- Objectstaat
- PublishedOn
- 1994-12-01
- Title
- Invisible Cathedrals: The Expressionist Art History of Wilhelm W
- ISBN
- 9780271030494
- Subject Area
- Art
- Publication Name
- Invisible Cathedrals : the Expressionist Art History of Wilhelm Worringer
- Publisher
- Pennsylvania STATE University Press
- Item Length
- 9 in
- Subject
- History / Modern (Late 19th Century to 1945), Individual Artists / General, European, History / General
- Publication Year
- 1995
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 11.2 Oz
- Item Width
- 6 in
- Number of Pages
- 232 Pages
Over dit product
Product Identifiers
Publisher
Pennsylvania STATE University Press
ISBN-10
0271030496
ISBN-13
9780271030494
eBay Product ID (ePID)
57065537
Product Key Features
Number of Pages
232 Pages
Publication Name
Invisible Cathedrals : the Expressionist Art History of Wilhelm Worringer
Language
English
Subject
History / Modern (Late 19th Century to 1945), Individual Artists / General, European, History / General
Publication Year
1995
Type
Textbook
Subject Area
Art
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
11.2 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
Reviews
"Wilhelm Worringer's work is of great interest to scholars concerned with Modernism and to everyone interested in German intellectual history. Providing a variety of perspectives on a difficult writer, these essays convincingly make a case not only for the historical value of Worringer's writings but also for the continuing relevance of his ideas to present-day art historians and cultural critics." --David Carrier, Carnegie Mellon University, "Wilhelm Worringer's work is of great interest to scholars concerned with Modernism and to everyone interested in German intellectual history. Providing a variety of perspectives on a difficult writer, these essays convincingly make a case not only for the historical value of Worringer's writings but also for the continuing relevance of his ideas to present-day art historians and cultural critics." --David Carrier,Carnegie Mellon University, &"Wilhelm Worringer&'s work is of great interest to scholars concerned with Modernism and to everyone interested in German intellectual history. Providing a variety of perspectives on a difficult writer, these essays convincingly make a case not only for the historical value of Worringer&'s writings but also for the continuing relevance of his ideas to present-day art historians and cultural critics.&" &-David Carrier, Carnegie Mellon University, "Wilhelm Worringer's work is of great interest to scholars concerned with Modernism and to everyone interested in German intellectual history. Providing a variety of perspectives on a difficult writer, these essays convincingly make a case not only for the historical value of Worringer's writings but also for the continuing relevance of his ideas to present-day art historians and cultural critics." -David Carrier, Carnegie Mellon University
Illustrated
Yes
Synopsis
Invisible Cathedrals places Wilhelm Worringer in the foreground of discussions of Expressionism and German Modernism for the first time. These essays not only reveal the complexities of his individual works, such as Abstraction and Empathy (1908) and Form Problems of the Gothic (1911), they also examine his lesser-known books and essays of the post-World War I years, the 1920s, and beyond. Invisible Cathedrals offers both a basic introduction to Worringer's writings and their broad influence, and a profound and detailed revisionist analysis of his significance in German and European Modernism. It also provides the most comprehensive bibliography to date of his own work and of the scattered criticism devoted to Worringer in different disciplines. Worringer's works were provocative, widely read, and often reprinted and were highly influential among artists and writers in Germany. As a result, they both raised suspicion in his own academic discipline of art history and excited discussion in other diverse fields, such as literary and social theory, psychology, and film theory. Worringer emerges here not solely as a scholarly commentator on the history of art, but also as an activist scholar who engaged his historical criticism of other periods directly in the production of culture in his own time. Contributors are Magdalena Bushart, Neil H. Donahue, Charles W. Haxthausen, Michael W. Jennings, Joseph Masheck, Geoffrey Waite, and Joanna E. Ziegler., Invisible Cathedrals places Wilhelm Worringer in the foreground of discussions of Expressionism and German Modernism for the first time. These essays not only reveal the complexities of his individual works, such as Abstraction and Empathy (1908) and Form Problems of the Gothic (1911), they also examine his ......
Copyright Date
1995
ebay_catalog_id
4
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eBay-objectnummer:395145312517
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