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Nghana tamu Lewis Entitled to the Pedestal (Hardback) (UK IMPORT)
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eBay-objectnummer:395105856741
Specificaties
- Objectstaat
- Format
- Hardcover
- Book Title
- Entitled to the Pedestal
- Publication Name
- Entitled to the Pedestal : Place, Race, and Progress in White Southern Women's Writing,1920-1945
- Title
- Entitled to the Pedestal
- Subtitle
- Place, Race, and Progress in White Southern Women's Writing, 1920
- EAN
- 9781587295294
- ISBN
- 9781587295294
- Publisher
- University of Iowa Press
- Release Year
- 2007
- Release Date
- 30/04/2007
- Language
- English
- Country/Region of Manufacture
- US
- Item Weight
- 18.3 Oz
- Genre
- Literary Criticism
- Publication Year
- 2007
- Type
- Textbook
- Item Height
- 0.8in
- Item Length
- 9in
- Item Width
- 6in
- Number of Pages
- 224 Pages
Over dit product
Product Information
Nghana Lewis offers a close reading of the works and private correspondences, essays, and lectures of five southern white women writers: Julia Peterkin, Gwen Bristow, Caroline Gordon, Willa Cather, and Lillian Smith. At the core of this work is a sophisticated reexamination of the myth of southern white womanhood.
Product Identifiers
Publisher
University of Iowa Press
ISBN-10
1587295296
ISBN-13
9781587295294
eBay Product ID (ePID)
57050213
Product Key Features
Publication Name
Entitled to the Pedestal : Place, Race, and Progress in White Southern Women's Writing,1920-1945
Format
Hardcover
Language
English
Publication Year
2007
Type
Textbook
Number of Pages
224 Pages
Dimensions
Item Length
9in
Item Height
0.8in
Item Width
6in
Item Weight
18.3 Oz
Additional Product Features
Reviews
"This scathingly honest critique provides brilliant readings that take into account every nuance and every change in the position of white women in relation to supposed white male hegemony and to African American agency. . . . Bringing attention to texts that are rarely taught, Lewis reveals thematic issues and formal subtleties that contribute a very different literary canon from that found in most college syllabi."--Rebecca Mark, director, H. Sophie Newcomb Memorial College Institute, Tulane University, "Nghana Lewis's redirected spotlight on White Southern Womanhood's productive uses for modernity shines beyond the literary, inspiring us to scrutinize how Plantation Mythology and the Southern Lady's card shape the work of not only female authors 1920-1945 but also contemporary figures ranging from Queen Latifah and Oprah Winfrey to Elizabeth Dole, Kay Bailey Hutchison and even Laura Bush."--Bonnie James Shaker, author, Coloring Locals, "Nghana Lewis's redirected spotlight on White Southern Womanhood's productive uses for modernity shines beyond the literary, inspiring us to scrutinize how Plantation Mythology and the Southern Lady's card shape the work of not only female authors 19201945 but also contemporary figures ranging from Queen Latifah and Oprah Winfrey to Elizabeth Dole, Kay Bailey Hutchison and even Laura Bush."-Bonnie James Shaker, author, Coloring Locals, "Nghana Lewis's redirected spotlight on White Southern Womanhood's productive uses for modernity shines beyond the literary, inspiring us to scrutinize how Plantation Mythology and the Southern Lady's card shape the work of not only female authors 1920-1945 but also contemporary figures ranging from Queen Latifah and Oprah Winfrey to Elizabeth Dole, Kay Bailey Hutchison and even Laura Bush."--Bonnie James Shaker, author, "Coloring Locals", " This scathingly honest critique provides brilliant readings that take into account every nuance and every change in the position of white women in relation to supposed white male hegemony and to African American agency. . . . Bringing attention to texts that are rarely taught, Lewis reveals thematic issues and formal subtleties that contribute a very different literary canon from that found in most college syllabi." - Rebecca Mark, director, H. Sophie Newcomb Memorial College Institute, Tulane University, "Nghana Lewis's redirected spotlight on White Southern Womanhood's productive uses for modernity shines beyond the literary, inspiring us to scrutinize how Plantation Mythology and the Southern Lady's card shape the work of not only female authors 1920-1945 but also contemporary figures ranging from Queen Latifah and Oprah Winfrey to Elizabeth Dole, Kay Bailey Hutchison and even Laura Bush."--Bonnie James Shaker, author, Coloring Locals, "This scathingly honest critique provides brilliant readings that take into account every nuance and every change in the position of white women in relation to supposed white male hegemony and to African American agency. . . . Bringing attention to texts that are rarely taught, Lewis reveals thematic issues and formal subtleties that contribute a very different literary canon from that found in most college syllabi."-Rebecca Mark, director, H. Sophie Newcomb Memorial College Institute, Tulane University, "Nghana Lewis's redirected spotlight on White Southern Womanhood's productive uses for modernity shines beyond the literary, inspiring us to scrutinize how Plantation Mythology and the Southern Lady's card shape the work of not only female authors 19201945 but also contemporary figures ranging from Queen Latifah and Oprah Winfrey to Elizabeth Dole, Kay Bailey Hutchison and even Laura Bush."-Bonnie James Shaker, author,Coloring Locals, " Nghana Lewis' s redirected spotlight on White Southern Womanhood' s productive uses for modernity shines beyond the literary, inspiring us to scrutinize how Plantation Mythology and the Southern Lady' s card shape the work of not only female authors 1920 1945 but also contemporary figures ranging from Queen Latifah and Oprah Winfrey to Elizabeth Dole, Kay Bailey Hutchison and even Laura Bush." - Bonnie James Shaker, author, "Coloring Locals"
Copyright Date
2007
Target Audience
Scholarly & Professional
Topic
Women Authors, American / General
Genre
Literary Criticism
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