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Dark Sound: Feminine Voices in Sonic Shadow by D. Ferrett (English) Hardcover Bo
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eBay-objectnummer:394850003859
Specificaties
- Objectstaat
- ISBN-13
- 9781501325809
- Book Title
- Dark Sound
- ISBN
- 9781501325809
- Publication Name
- Dark Sound : Feminine Voices in Sonic Shadow
- Item Length
- 8.5in
- Publisher
- Bloomsbury Publishing
- Series
- Ex:Centrics Ser.
- Publication Year
- 2020
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.6in
- Item Width
- 5.5in
- Item Weight
- 16.2 Oz
- Number of Pages
- 272 Pages
Over dit product
Product Information
Dark Sound is a concept bound to music that embodies 'dark' themes such as melancholy, death, desire, violence, loss and longing. This text interrogates the attraction to dark sound and its historical association with femininity through case studies such as Moor Mother, Anna Calvi, Chelsea Wolfe, concluding with the intensely political repertoire of Greek-American composer and singer Diamanda Gal s.
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
1501325809
ISBN-13
9781501325809
eBay Product ID (ePID)
4038369719
Product Key Features
Publication Name
Dark Sound : Feminine Voices in Sonic Shadow
Format
Hardcover
Language
English
Series
Ex:Centrics Ser.
Publication Year
2020
Type
Textbook
Number of Pages
272 Pages
Dimensions
Item Length
8.5in
Item Height
0.6in
Item Width
5.5in
Item Weight
16.2 Oz
Additional Product Features
Series Volume Number
1
Lc Classification Number
Ml82.F49 2020
Reviews
"Finally dark music has a woman's voice to challenge the canon with demoniacal laughter, exuberant sophistication and a deliverance from dry analyses and dualisms. This book gives the reader the writing dark music has longed for and deserves, with innovative alchemy and philosophical wonder. This book changes musicology." -- Patricia MacCormack, Professor of Continental Philosophy, Anglia Ruskin University, UK "Intersectional and disruptive, Dark Sound invites us to open our ears to the world that lies in shadows beyond traditional (male, white, heteronormative) listening ranges. The darkened orchestra out there has the power to obliterate the limits of language, ratio and patriarchy, and this fascinating book offers an exciting audio guide to the cacophony of the unsaid and the unheard." -- Isabella van Elferen, Professor of Music and School Director of Research and Enterprise, Kingston University London, UK, and author of Gothic Music: The Sounds of the Uncanny (2012) "From the sirens who transfixed Odysseus to the 'Dark Lady' who prowls through Shakespeare's sonnets, from the ruthless sonic terrorism of Diamanda Galás to state-of-the-art black metal theory, this extraordinary meditation snakes through centuries of shadowy culture to weave together forbidden philosophies of sound, gender, and creativity. It is by turns symphonic, sizzling, and slinky, driven by a tempestuous intellectual energy that gathers obscurities, mysteries, and insurgencies into an unruly hymn - or an unforgiving lament - for the marginalized and defiant voices of the dark feminine." -- Nick Groom, Professor of English Literature, University of Macau, China, "Finally dark music has a woman's voice to challenge the canon with demoniacal laughter, exuberant sophistication and a deliverance from dry analyses and dualisms. This book gives the reader the writing dark music has longed for and deserves, with innovative alchemy and philosophical wonder. This book changes musicology." -- Patricia MacCormack, Professor of Continental Philosophy, Anglia Ruskin University, UK "Intersectional and disruptive, Dark Sound invites us to open our ears to the world that lies in shadows beyond traditional (male, white, heteronormative) listening ranges. The darkened orchestra out there has the power to obliterate the limits of language, ratio and patriarchy, and this fascinating book offers an exciting audio guide to the cacophony of the unsaid and the unheard." -- Isabella van Elferen, Professor of Music and School Director of Research and Enterprise, Kingston University London, UK, and author of Gothic Music: The Sounds of the Uncanny (2012) "From the sirens who transfixed Odysseus to the 'Dark Lady' who prowls through Shakespeare's sonnets, from the ruthless sonic terrorism of Diamanda Galás to state-of-the-art black metal theory, this extraordinary meditation snakes through centuries of shadowy culture to weave together forbidden philosophies of sound, gender, and creativity. It is by turns symphonic, sizzling, and slinky, driven by a tempestuous intellectual energy that gathers obscurities, mysteries, and insurgencies into an unruly hymn - or an unforgiving lament - for the marginalized and defiant voices of the dark feminine." -- Nick Groom, Professor of Literature in English, University of Macau, Finally dark music has a woman's voice to challenge the canon with demoniacal laughter, exuberant sophistication and a deliverance from dry analyses and dualisms. This book gives the reader the writing dark music has longed for and deserves, with innovative alchemy and philosophical wonder. This book changes musicology., Intersectional and disruptive, Dark Sound invites us to open our ears to the world that lies in shadows beyond traditional (male, white, heteronormative) listening ranges. The darkened orchestra out there has the power to obliterate the limits of language, ratio and patriarchy, and this fascinating book offers an exciting audio guide to the cacophony of the unsaid and the unheard., "Finally dark music has a woman's voice to challenge the canon with demoniacal laughter, exuberant sophistication and a deliverance from dry analyses and dualisms. This book gives the reader the writing dark music has longed for and deserves, with innovative alchemy and philosophical wonder. This book changes musicology." -- Patricia MacCormack, Professor of Continental Philosophy, Anglia Ruskin University, UK "Intersectional and disruptive, Dark Sound invites us to open our ears to the world that lies in shadows beyond traditional (male, white, heteronormative) listening ranges. The darkened orchestra out there has the power to obliterate the limits of language, ratio and patriarchy, and this fascinating book offers an exciting audio guide to the cacophony of the unsaid and the unheard." -- Isabella van Elferen, Professor of Music and School Director of Research and Enterprise, Kingston University London, UK, and author of Gothic Music: The Sounds of the Uncanny (2012), From the sirens who transfixed Odysseus to the 'Dark Lady' who prowls through Shakespeare's sonnets, from the ruthless sonic terrorism of Diamanda Galás to state-of-the-art black metal theory, this extraordinary meditation snakes through centuries of shadowy culture to weave together forbidden philosophies of sound, gender, and creativity. It is by turns symphonic, sizzling, and slinky, driven by a tempestuous intellectual energy that gathers obscurities, mysteries, and insurgencies into an unruly hymn - or an unforgiving lament - for the marginalized and defiant voices of the dark feminine., "Finally dark music has a woman's voice to challenge the canon with demoniacal laughter, exuberant sophistication and a deliverance from dry analyses and dualisms. This book gives the reader the writing dark music has longed for and deserves, with innovative alchemy and philosophical wonder. This book changes musicology." -- Patricia MacCormack, Professor of Continental Philosophy, Anglia Ruskin University, UK "Intersectional and disruptive, Dark Sound invites us to open our ears to the world that lies in shadows beyond traditional (male, white, heteronormative) listening ranges. The darkened orchestra out there has the power to obliterate the limits of language, ratio and patriarchy, and this fascinating book offers an exciting audio guide to the cacophony of the unsaid and the unheard." -- Isabella van Elferen, Professor of Music and Head of Performing Arts, Kingston University London, UK
Table of Content
Acknowledgements Introduction: Cosmologies of dark feminine soundings1. Rewiring love-sick text and listening for the dark lady2. At the frozen borderline of a music lover's discourse: The dark white voice3. Open to the demonic: A sonic articulation of desire4. The black hole song of unsounding mothers 5. Becoming-shadow thing, becoming-witch: Chelsea Wolfe's heavy mourning dirge 6. Abject virtuosa, darkened virtuosity: Diamanda Galás and swarms of powerConclusion. Of the refrain: Is the future dark? Notes References Index
Target Audience
College Audience
Topic
History & Criticism, Instruction & Study / Voice, Gender Studies
Lccn
2019-050932
Dewey Decimal
781.59
Dewey Edition
23
Genre
Music, Social Science
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