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Dancefloor-Dri
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- Nu kopenDancefloor-Driven Literature: The Rave Scene in Fiction by Simon A. Morrison (En
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Bevindt zich in: Fairfield, Ohio, Verenigde Staten
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eBay-objectnummer:394849720104
Specificaties
- Objectstaat
- ISBN-13
- 9781501357671
- Book Title
- Dancefloor-Driven Literature
- ISBN
- 9781501357671
- Subject Area
- Music
- Publication Name
- Dancefloor-Driven Literature : the Rave Scene in Fiction
- Item Length
- 9 in
- Publisher
- Bloomsbury Publishing
- Subject
- General, Genres & Styles / Dance
- Publication Year
- 2020
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.6 in
- Item Width
- 6 in
- Item Weight
- 17.5 Oz
- Number of Pages
- 264 Pages
Over dit product
Product Information
Almost as soon as 'club culture' took hold - during the UK's Second Summer of Love in 1988 - its sociopolitical impact became clear, with journalists, filmmakers and authors all keen to use this cultural context as source material for their texts. This book uses that electronic music subculture as a route into an analysis of these principally literary representations of a music culture: why such secondary artefacts appear and what function they serve. The book conceives of a new literary genre to accommodate these stories born of the dancefloor - 'dancefloor-driven literature'. Using interviews with Irvine Welsh, author of Trainspotting (1994), alongside other dancefloor-driven authors Nicholas Blincoe and Jeff Noon as case studies, the book analyzes three separate ways writers draw on electronic dance music in their fictions, interrogating that very particular intermedial intersection between the sonic and the linguistic. It explores how such authors write about something so subterranean as the nightclub scene, and analyses what specific literary techniques they deploy to write lucidly and fluidly about the metronomic beat of electronic music and the chemical accelerant that further alters that relationship.
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
1501357670
ISBN-13
9781501357671
eBay Product ID (ePID)
8038658964
Product Key Features
Publication Name
Dancefloor-Driven Literature : the Rave Scene in Fiction
Format
Hardcover
Language
English
Subject
General, Genres & Styles / Dance
Publication Year
2020
Type
Textbook
Subject Area
Music
Number of Pages
264 Pages
Dimensions
Item Length
9 in
Item Height
0.6 in
Item Width
6 in
Item Weight
17.5 Oz
Additional Product Features
LCCN
2019-050911
Lc Classification Number
Pr888.M87m67 2020
Reviews
Morrison analyses hallucinatory stories of the 1990s dance floor, documenting the emergence of a new literary genre. He shows how the intermediation of music and language created an experimental form of writing with the DJ as modern minstrel and the author as subcultural mischief-maker. A witty, fascinating, immersive study., "[An] excellent book ... A particular strength of this book is Morrison's ability to dance between literary theory, thick description, journalistic interviews and unabashed connoisseurship with elegance and ease. ... Highly recommended." - Dancecult: Journal of Electronic Dance Music Culture "Simon A. Morrison appears from his discombobulating adventures to take the reader on a unique tour of the rave scene through a study of dance-driven literature. Following on from Sarah Champion's edited collections of rave inspired short stories and Steve Redhead's introduction to 'repetitive beat generation' authors, he shows how fiction conveys the subjective experiences of electronic dance music culture through a range of approaches that can be beneficial to the further development of subcultural studies." -- Hillegonda C Rietveld, Professor of Sonic Culture, School of Arts and Creative Industries, London South Bank University, UK "Morrison analyses hallucinatory stories of the 1990s dance floor, documenting the emergence of a new literary genre. He shows how the intermediation of music and language created an experimental form of writing with the DJ as modern minstrel and the author as subcultural mischief-maker. A witty, fascinating, immersive study." -- Lucy O'Brien, Senior Lecturer, London College of Music, University of West London, UK, and author of She Bop: The Definitive History of Women in Popular Music (2012), Simon A. Morrison appears from his discombobulating adventures to take the reader on a unique tour of the rave scene through a study of dance-driven literature. Following on from Sarah Champion's edited collections of rave inspired short stories and Steve Redhead's introduction to 'repetitive beat generation' authors, he shows how fiction conveys the subjective experiences of electronic dance music culture through a range of approaches that can be beneficial to the further development of subcultural studies., "Simon A. Morrison appears from his discombobulating adventures to take the reader on a unique tour of the rave scene through a study of dance-driven literature. Following on from Sarah Champion's edited collections of rave inspired short stories and Steve Redhead's introduction to 'repetitive beat generation' authors, he shows how fiction conveys the subjective experiences of electronic dance music culture through a range of approaches that can be beneficial to the further development of subcultural studies." -- Hillegonda C Rietveld, Professor of Sonic Culture, School of Arts and Creative Industries, London South Bank University, UK "Morrison analyses hallucinatory stories of the 1990s dance floor, documenting the emergence of a new literary genre. He shows how the intermediation of music and language created an experimental form of writing with the DJ as modern minstrel and the author as subcultural mischief-maker. A witty, fascinating, immersive study." -- Lucy O'Brien, Senior Lecturer, London College of Music, University of West London, UK, and author of She Bop: The Definitive History of Women in Popular Music (2012)
Table of Content
List of Figures Preface Permissions Acknowledgements 1. Introduction: Writing the Beat2. Sub- vs Supraterranean Cultures3. Revealing the Scene: The Global Roots of Subterranean Club Cultures4. Re/presentations of EDMC in Popular Culture Media5. Defining Dancefloor-Driven Literature6. Case Study One: The Figurative Use of Music in the Work of Irvine Welsh7. Case Study Two: Musical Mechanics in the Fiction of Jeff Noon8. Case Study Three: Literary Diegesis in the Writing of Nicholas Blincoe 9. Conclusion: Towards Subterranean Systems Theory Glossary of Terms and Theories Notes Bibliography Select EDMC Discography EDMC Filmography Appendix I: A Catalogue of Dancefloor-Driven Literature Index
Copyright Date
2020
Target Audience
College Audience
Dewey Decimal
823.91409357
Dewey Edition
23
Illustrated
Yes
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