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The Optical Vacuum: Spectatorship and Modernized American Theater Architecture b

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eBay-objectnummer:387016704418

Specificaties

Objectstaat
Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...
ISBN-13
9780190689360
Book Title
The Optical Vacuum
ISBN
9780190689360
Subject Area
Art, Social Science, Performing Arts
Publication Name
Optical Vacuum : Spectatorship and Modernized American Theater Architecture
Item Length
6.1 in
Publisher
Oxford University Press, Incorporated
Subject
Film / General, Theater / History & Criticism, Performance, Customs & Traditions, Film / History & Criticism
Publication Year
2018
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.6 in
Author
Jocelyn Szczepaniak-Gillece
Item Width
9.1 in
Item Weight
12.8 Oz
Number of Pages
210 Pages

Over dit product

Product Information

From the 1920s-1960s, American cinematic architecture underwent a seismic shift: movie theaters were neutralized for immersive watching, in large part by architect and writer Benjamin Schlanger. The Optical Vacuum examines how Schlanger reformed both theater and spectator, demonstrating that the essence of film viewing can be found in theatrical space.

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0190689366
ISBN-13
9780190689360
eBay Product ID (ePID)
23038291085

Product Key Features

Author
Jocelyn Szczepaniak-Gillece
Publication Name
Optical Vacuum : Spectatorship and Modernized American Theater Architecture
Format
Trade Paperback
Language
English
Subject
Film / General, Theater / History & Criticism, Performance, Customs & Traditions, Film / History & Criticism
Publication Year
2018
Type
Textbook
Subject Area
Art, Social Science, Performing Arts
Number of Pages
210 Pages

Dimensions

Item Length
6.1 in
Item Height
0.6 in
Item Width
9.1 in
Item Weight
12.8 Oz

Additional Product Features

LCCN
2017-057748
Intended Audience
Scholarly & Professional
Lc Classification Number
Pn1995.9.S6s93 2018
Reviews
"Szczepaniak-Gillece's book on exhibition history tells an utterly captivating and theoretically complex story of the architectonics of theatrical space and its impact on spectatorial attention and absorption. The Optical Vacuum makes a stunning contribution to the vibrant field of Screen Studies, arguing that design can never be divorced from the viewing experiences imagined by cinephiles as well as the doyens of modernism."--Alison Griffiths, The City University of New York "Movie theaters are not just places to see a film. They are sites in which to experience new technologies, explore immersive environments and to innovate new modes of seeing and hearing. This fascinating book shows us that movie theaters have long been irretrievably shaped by dynamic debates across fields such as modernism, architecture, design, and commercial entertainment, inviting us to look beyond the screen and at the spaces in which movies have long been embedded. This book is essential reading for those interested in the history of theaters and cinema, as well as those interested in modernity, entertainment, and the persistent transformation of the human senses by technological design."--Haidee Wasson, Concordia University, "Szczepaniak-Gillece's book on exhibition history tells an utterly captivating and theoretically complex story of the architectonics of theatrical space and its impact on spectatorial attention and absorption. The Optical Vacuum makes a stunning contribution to the vibrant field of Screen Studies, arguing that design can never be divorced from the viewing experiences imagined by cinephiles as well as the doyens of modernism."--Alison Griffiths, The City University of New York"Movie theaters are not just places to see a film. They are sites in which to experience new technologies, explore immersive environments and to innovate new modes of seeing and hearing. This fascinating book shows us that movie theaters have long been irretrievably shaped by dynamic debates across fields such as modernism, architecture, design, and commercial entertainment, inviting us to look beyond the screen and at the spaces in which movies have long been embedded. This book is essential reading for those interested in the history of theaters and cinema, as well as those interested in modernity, entertainment, and the persistent transformation of the human senses by technological design."--Haidee Wasson, Concordia University, "Szczepaniak-Gillece's book on exhibition history tells an utterly captivating and theoretically complex story of the architectonics of theatrical space and its impact on spectatorial attention and absorption. The Optical Vacuum makes a stunning contribution to the vibrant field of Screen Studies, arguing that design can never be divorced from the viewing experiences imagined by cinephiles as well as the doyens of modernism."--Alison Griffiths, TheCity University of New York"Movie theaters are not just places to see a film. They are sites in which to experience new technologies, explore immersive environments and to innovate new modes of seeing and hearing. This fascinating book shows us that movie theaters have long been irretrievably shaped by dynamic debates across fields such as modernism, architecture, design, and commercial entertainment, inviting us to look beyond the screen and at the spaces in which movies have long beenembedded. This book is essential reading for those interested in the history of theaters and cinema, as well as those interested in modernity, entertainment, and the persistent transformation of thehuman senses by technological design."--Haidee Wasson, Concordia University
Table of Content
Introduction: The Theater, the Film, and the Spectator Chapter One: Nostalgia for the Dark - Ben Schlanger and the Beginning of Neutralization, 1920-1932 Chapter Two: A Field of Light - Optics and the Demasked Screen, 1932-1952 Chapter Three: A Mobile Gaze Through Time & Space: Neutralization in the Era of Widescreen, 1950-1960 Chapter Four: Cinephilia in Ruins: An Audience of the Elite, 1960-1970 Coda Index
Copyright Date
2018
Illustrated
Yes

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