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Wagner's Meistersinger : Performance, History, And Representation
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Specificaties
- Objectstaat
- Book Title
- Wagner's Meistersinger : Performance, History, And Representation
- ISBN
- 9781580461689
- Subject Area
- Music
- Publication Name
- Wagner's Meistersinger : Performance, History, Representation
- Publisher
- University of Rochester Medical Press
- Item Length
- 9 in
- Subject
- History & Criticism, Genres & Styles / Opera, Individual Composer & Musician
- Publication Year
- 2004
- Type
- Textbook
- Format
- Perfect
- Language
- English
- Item Height
- 0.6 in
- Item Width
- 6 in
- Number of Pages
- 432 Pages
Over dit product
Product Identifiers
Publisher
University of Rochester Medical Press
ISBN-10
1580461689
ISBN-13
9781580461689
eBay Product ID (ePID)
30790566
Product Key Features
Number of Pages
432 Pages
Language
English
Publication Name
Wagner's Meistersinger : Performance, History, Representation
Publication Year
2004
Subject
History & Criticism, Genres & Styles / Opera, Individual Composer & Musician
Type
Textbook
Subject Area
Music
Format
Perfect
Dimensions
Item Height
0.6 in
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
21
Reviews
Intellectually speaking, this is a delicious tome . . . an indispensable book. Vazsonyi, Rochester University Press, and the individual essayists are to be roundly congratulated on an outstanding contribution to Wagnerian scholarship. WAGNER NOTES, Wagner Society of NY This superb volume of essays . . . [is] the best ever published on 'Die Meistersinger' . . . a book that demands to be read by anyone interested in the politics of opera. BBC MUSIC MAGAZINE [Barry Millington] A wonderfully wide-reaching introduction to the extensive field of "Meistersinger" scholarship. CHOICE Nicholas Vazsonyi has organized a collection of new writings whose eleven authors keep the reader up to date with this abundant literature. More than that, the diverse contributors he has chosen complement one another . . . what results is a book that fulfills its underlying interdisciplinary aim. For readers seriously interested in Wagner it will be both instructive and absorbing. THE OPERA Nicholas Vazsonyi has assembled a collection of essays that deal with aspects of the opera not necessarily addressed elsewhere, affirming the continuing relevance of the work. This book offers a collection of interdisciplinary studies that should supplement some of the more traditional literature on this seminal work by Wagner. MONATSHEFTE, 2006, Intellectually speaking, this is a delicious tome...an indispensable book. Vazsonyi, Rochester University Press, and the individual essayists are to be roundly congratulated on an outstanding contribution to Wagnerian scholarship. WAGNER NOTES, Wagner Society of NY This superb volume of essays...(is) the best ever published on 'Die Meistersinger'...a book that demands to be read by anyone interested in the politics of opera. --Barry Millington, BBC Music Magazine ...a wonderfully wide-reaching introduction to the extensive field of 'Meistersinger' scholarship. CHOICEBR>
Illustrated
Yes
Dewey Decimal
782.1
Table Of Content
"Climbing Mount Everest": On Conducting Die Meistersinger - Peter Schneider"We Must Finally Stop Apologizing for Die Meistersinger!": A Conversation with Harry Kupfer - Harry KupferRichard Wagner's Cobbler Poet - Dietrich Fischer-DieskauThe Dangers of Satisfaction: On Songs, Rehearsals, and Repetition in Die Meistersinger - Stereoscopic Vision: Sight and Community in Die Meistersinger - Lutz Koepnick"The Most German of All German Operas": Die Meistersinger through the Lens of the Third Reich - David B. Dennishttp://worldwidewagner.richard.de: An Interview with the Composer concerning History, Nation, and Die Meistersinger - Peter HöyngDie Meistersinger as Comedy: The Performative and Social Signification of Genre - Klaus van den BergMasters and Their Critics: Wagner, Hanslick, Beckmesser, and Die Meistersinger - Thomas Grey"Du warst mein Feind von je": The Beckmesser Controversy Revisited - Hans Rudolf Vaget"I Married Eva": Gender Construction and Die Meistersinger - Eva Rieger
Synopsis
A volume of collected essays which engage Wagner's Die Meistersinger von Nurnberg from the perspective of both active performers and academics in a wide range of disciplines., A volume of collected essays which engage Wagner's Die Meistersinger von Nurnberg from the perspective of both active performers and academics in a wide range of disciplines. Richard Wagner's Die Meistersinger von Nurnberg has been one of the most performed operas ever since its premiere in 1868. It was adopted as Germany's national opera ("Nationaloper"), not least because of its historical coincidence with the unification of Germany under Bismarck in 1871. The first section of this volume, "Performing Meistersinger," contains three commissioned articles from internationally respected artists - a conductor (Peter Schneider), a stage director (Harry Kupfer) and a singer (Dietrich Fischer-Dieskau), all experienced in the performance of this unusually demanding 5-hour work. The second section, "Meistersinger and History," examines both the representation of German history in the opera and the way the opera has functioned in history through political appropriation and staging practice. The third section, "Representations," is the most eclectic, exploring in the first place the problematic question of genre from the perspective of a theatrical historian. The chronic issue of Wagner's chief opponent, Eduard Hanslick, and his musical and dramatic representation in the opera as Beckmesser, is then addressed, as are gender issues, and Wagner's own utterances concerning the opera. Contributors: Nicholas Vazsonyi, Peter Schneider, Harry Kupfer, Dietrich Fischer-Dieskau, Hans Rudolf Vaget, Lutz Koepnick, David B. Dennis, Klaus Van Den Berg, Thomas S. Grey, Lydia Goehr, Eva Rieger, Peter Höyng. Nicholas Vazsonyi is associate professor of German and comparative literature, University of South Carolina., Richard Wagner's Die Meistersinger von Nurnberg has been one of the most performed operas ever since its premiere in 1868. It was adopted as Germany's national opera ("Nationaloper"), not least because of its historical coincidence with the unification of Germany under Bismarck in 1871. The first section of this volume, "Performing Meistersinger," contains three commissioned articles from internationally respected artists - a conductor (Peter Schneider), a stage director (Harry Kupfer) and a singer (Dietrich Fischer-Dieskau), all experienced in the performance of this unusually demanding 5-hour work. The second section, "Meistersinger and History," examines both the representation of German history in the opera and the way the opera has functioned in history through political appropriation and staging practice. The third section, "Representations," is the most eclectic, exploring in the first place the problematic question of genre from the perspective of a theatrical historian. The chronic issue of Wagner's chief opponent, Eduard Hanslick, and his musical and dramatic representation in the opera as Beckmesser, is then addressed, as are gender issues, and Wagner's own utterances concerning the opera. Contributors: Nicholas Vazsonyi, Peter Schneider, Harry Kupfer, Dietrich Fischer-Dieskau, Hans Rudolf Vaget, Lutz Koepnick, David B. Dennis, Klaus Van Den Berg, Thomas S. Grey, Lydia Goehr, Eva Rieger, Peter H yng. Nicholas Vazsonyi is associate professor of German and comparative literature, University of South Carolina.
LC Classification Number
ML410.W1A286 2004
ebay_catalog_id
4
Copyright Date
2004
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