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Eleven Exercises in the Art of Architectural Drawing : Slow Food for the Arch...
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eBay-objectnummer:386156320665
Specificaties
- Objectstaat
- Book Title
- Eleven Exercises in the Art of Architectural Drawing : Slow Food
- ISBN
- 9780415779265
- Publication Year
- 2011
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Publication Name
- Eleven Exercises in the Art of Architectural Drawing : Slow Food for the Architect's Imagination
- Item Height
- 0.5in
- Item Length
- 9.7in
- Publisher
- Routledge
- Item Width
- 7.5in
- Item Weight
- 21.7 Oz
- Number of Pages
- 214 Pages
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Product Information
This book deals with the critical nature and crucial role of architectural drawings. A manual which is essentially not a manual; it is an elucidation of an elegant manner for practising architecture. Organized around eleven exercises, the book does not emphasize speed, nor incorporate many timesaving tricks typical of drawing books, but rather proposes a slow, meditative process for construing drawings and for drawing constructing thoughts. This is an indispensable reference text and an effective textbook for students seeking to advance their appreciation of the nature and exercise of architectural drawings.
Product Identifiers
Publisher
Routledge
ISBN-10
041577926x
ISBN-13
9780415779265
eBay Product ID (ePID)
21038296771
Product Key Features
Publication Name
Eleven Exercises in the Art of Architectural Drawing : Slow Food for the Architect's Imagination
Format
Trade Paperback
Language
English
Publication Year
2011
Type
Textbook
Number of Pages
214 Pages
Dimensions
Item Length
9.7in
Item Height
0.5in
Item Width
7.5in
Item Weight
21.7 Oz
Additional Product Features
Lc Classification Number
Na2708.F73 2011
Reviews
"Profound humanism is vividly evident on the pages of this book, humanism in two senses: a body of ancient and modern learning, and a philosophy of human existence.ãee Each of Frascari'e(tm)s drawings and discussions sparkles with wit, acute insight, and humane wisdom. For architects and other readers who are concerned with our built environment it is a work that should be carefully studied and pleasurably savored." David Leatherbarrow, University of Pennsylvania "Woven among the poetic sketches of these eleven lessons is a simple but profound message. Drawing is an embodied act of imagination and a creative way of thinking. It is a metaphoric power that has seduced architects since the first fragment of a design idea was drawn with a stick in the sand. While architecture schools today scurry to add still another software to their visual media, Frascari reminds us that what is being lost is quite possibly the capacity of the architect to think." Harry Francis Mallgrave, College of Architecture, Illinois Institute of Technology "Reminding us of the fact that architects (for the most part) make architectural images rather than buildings, Frascari sets about re-establishing the embodied act of drawing as the primary locus of architectural thinking 'e" providing an urgent corrective to the too-often uncritical adoption of ever more disembodied digital design technologies. The culinary master-metaphor offers up a rich diet of historical dishes, resulting in an intellectual banquet of almost Bacchanalian proportions." Jonathan Hale, Reader in Architectural Theory, University of Nottingham, UK, "Profound humanism is vividly evident on the pages of this book, humanism in two senses: a body of ancient and modern learning, and a philosophy of human existence. Each of Frascari's drawings and discussions sparkles with wit, acute insight, and humane wisdom. For architects and other readers who are concerned with our built environment it is a work that should be carefully studied and pleasurably savored." David Leatherbarrow, University of Pennsylvania "Woven among the poetic sketches of these eleven lessons is a simple but profound message. Drawing is an embodied act of imagination and a creative way of thinking. It is a metaphoric power that has seduced architects since the first fragment of a design idea was drawn with a stick in the sand. While architecture schools today scurry to add still another software to their visual media, Frascari reminds us that what is being lost is quite possibly the capacity of the architect to think." Harry Francis Mallgrave, College of Architecture, Illinois Institute of Technology "Reminding us of the fact that architects (for the most part) make architectural images rather than buildings, Frascari sets about re-establishing the embodied act of drawing as the primary locus of architectural thinking providing an urgent corrective to the too-often uncritical adoption of ever more disembodied digital design technologies. The culinary master-metaphor offers up a rich diet of historical dishes, resulting in an intellectual banquet of almost Bacchanalian proportions." Jonathan Hale, Reader in Architectural Theory, University of Nottingham, UK, "Profound humanism is vividly evident on the pages of this book, humanism in two senses: a body of ancient and modern learning, and a philosophy of human existence. Each of Frascari's drawings and discussions sparkles with wit, acute insight, and humane wisdom. For architects and other readers who are concerned with our built environment it is a work that should be carefully studied and pleasurably savored." David Leatherbarrow, University of Pennsylvania "Woven among the poetic sketches of these eleven lessons is a simple but profound message. Drawing is an embodied act of imagination and a creative way of thinking. It is a metaphoric power that has seduced architects since the first fragment of a design idea was drawn with a stick in the sand. While architecture schools today scurry to add still another software to their visual media, Frascari reminds us that what is being lost is quite possibly the capacity of the architect to think." Harry Francis Mallgrave, College of Architecture, Illinois Institute of Technology "Reminding us of the fact that architects (for the most part) make architectural images rather than buildings, Frascari sets about re-establishing the embodied act of drawing as the primary locus of architectural thinking - providing an urgent corrective to the too-often uncritical adoption of ever more disembodied digital design technologies. The culinary master-metaphor offers up a rich diet of historical dishes, resulting in an intellectual banquet of almost Bacchanalian proportions." Jonathan Hale, Reader in Architectural Theory, University of Nottingham, UK, "Profound humanism is vividly evident on the pages of this book, humanism in two senses: a body of ancient and modern learning, and a philosophy of human existence. Each of Frascari "s drawings and discussions sparkles with wit, acute insight, and humane wisdom. For architects and other readers who are concerned with our built environment it is a work that should be carefully studied and pleasurably savored." David Leatherbarrow, University of Pennsylvania "Woven among the poetic sketches of these eleven lessons is a simple but profound message. Drawing is an embodied act of imagination and a creative way of thinking. It is a metaphoric power that has seduced architects since the first fragment of a design idea was drawn with a stick in the sand. While architecture schools today scurry to add still another software to their visual media, Frascari reminds us that what is being lost is quite possibly the capacity of the architect to think." Harry Francis Mallgrave, College of Architecture, Illinois Institute of Technology "Reminding us of the fact that architects (for the most part) make architectural images rather than buildings, Frascari sets about re-establishing the embodied act of drawing as the primary locus of architectural thinking “ providing an urgent corrective to the too-often uncritical adoption of ever more disembodied digital design technologies. The culinary master-metaphor offers up a rich diet of historical dishes, resulting in an intellectual banquet of almost Bacchanalian proportions." Jonathan Hale, Reader in Architectural Theory, University of Nottingham, UK
Table of Content
Preface 1. Architectural Iconoclasm 2. The Cosmopoiesis of Architectural Drawings 3. Festina Lente 4. Drawings as Loci for Thought 5. The Pregnancy of Drawings 6. Nullo die sine linea 7. Architectural Consciousness 8. Architectural Brouillons: Work Intended to be Recopied 9. Cosmopoiesis and Elegant Drawings 10. Traces and Architecture 11. Tools for Architectural Thinking 12. Disegnare Designare 13. The Light of Drawing Imagination 14. Cosmopoiesis and World-Making. Postface
Copyright Date
2011
Target Audience
College Audience
Topic
Design, Drafting, Drawing & Presentation, Study & Teaching, General
Lccn
2010-023422
Dewey Decimal
720.28/4
Dewey Edition
22
Illustrated
Yes
Genre
Architecture
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