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Dare Say, Paperback by Marshall, Tod, Like New Used, Free shipping in the US

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eBay-objectnummer:385879599506
Laatst bijgewerkt op 08 aug 2024 23:47:07 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Vrijwel nieuw: Een boek dat er als nieuw uitziet, maar al wel is gelezen. De kaft is niet zichtbaar ...
ISBN
9780820350530
Book Title
Dare Say : Poems
Book Series
The Contemporary Poetry Ser.
Original Language
English
Publisher
University of Georgia Press
Item Length
8.5 in
Publication Year
2016
Format
Trade Paperback
Language
English
Author
Tod Marshall
Genre
Poetry
Topic
General, American / General
Item Weight
0 Oz
Item Width
5.5 in
Number of Pages
72 Pages

Over dit product

Product Identifiers

Publisher
University of Georgia Press
ISBN-10
0820350532
ISBN-13
9780820350530
eBay Product ID (ePID)
221743293

Product Key Features

Original Language
English
Book Title
Dare Say : Poems
Number of Pages
72 Pages
Language
English
Publication Year
2016
Topic
General, American / General
Genre
Poetry
Author
Tod Marshall
Book Series
The Contemporary Poetry Ser.
Format
Trade Paperback

Dimensions

Item Weight
0 Oz
Item Length
8.5 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Scholarly & Professional
Dewey Edition
23
Reviews
Marshall's debut collection is a startling, compelling, and simply gorgeous book of poems. This is a poet who believes passionately and profoundly in the power of beauty and art-yet trusts neither entirely. Impeccably crafted and stylishly adept, these poems speak to both the losses of our cultural history as well as to the hopes we still hold to renew this moment of our present. Dare Say marks the arrival of an impressive and powerful young poet., In Dare Say , Marshall announces something entirely unexpected yet dearly, dearly welcome: the future of modernism. In these poems, energies beloved by Cummings and Pound, masses deployed by Williams and Stevens, combine anew, refreshed by Marshall's deeply intelligent care. Dare Say resounds as a clarion and challenge to all poets of the rising generation., In Marshall's brilliant first book, he dares the reader to see, hear, and claim the divinity available in the world. Here are poems as bound to the past as to the present, at home as much within the visual as the musical, instructed as much by Bach and Botticelli as by the convulsive beauty of Kandinsky. Rarely have I seen a debut of such range and mastery. I'm grateful for the vast humanity and intelligence of this book. Read it!
Dewey Decimal
811.6
Synopsis
Eschewing irony for direct statement, the poems in Tod Marshall's first collection imagistically, musically, and passionately articulate a faith in human transcendence. From the mud of our formation ("Choir") to the dust of our dying ("After Kandinsky"), Marshall's poems lyrically obsess over how the broken and violated can envision and speak a heaven of which we know., Eschewing irony for direct statement, the poems in Tod Marshall's first collection imagistically, musically, and passionately articulate a faith in human transcendence. From the mud of our formation ("Choir") to the dust of our dying ("After Kandinsky"), Marshall's poems lyrically obsess over how the broken and violated can envision and speak a heaven of which we know. Three long poems that shape the book are formative in this process. From the structured order of Bach's Goldberg Variations looming behind the opening poem, "Eclipse," to the clash of pagan beauty and traditional religiosity in "Botticelli," to the Modernist meditation on form in "After Kandinsky," the poems return again and again to the idea of anagogical presence and how it can be best rendered in art to inspire a celebratory ethos of living. Are the violent and shocking events those that best slap us awake? Or are the gentle, lyrical moments the times when we are most keenly aware of the song that is Being? In "After Kandinsky," Marshall writes, "like syntax / a poem that fixes the body / to a specific place / of points and lines and planes / and yet moves to celestial music / a poem that tests / on fifteenth century truth / 'Whoever loves much does much' / a poem that glistens with an unmatched insistence / a poem that arrives on time / and demands everyone / nail it to the wall." Here is a declaration that one could nail manifesto-like to the wall as a pronouncement of the need to see, to hear, and to speak of divinity in the world.
LC Classification Number
PS3613.A777

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