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Specificaties

Objectstaat
Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...
ISBN
9781580465434
Publication Name
Performing Gender, Place, and Emotion in Music : Global Perspectives
Item Length
9.1in
Publisher
University of Rochester Medical Press
Series
Eastman/Rochester Studies Ethnomusicology Ser.
Publication Year
2015
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.5in
Author
Barley Norton
Item Width
6.5in
Item Weight
12 Oz
Number of Pages
216 Pages

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Product Information

Presenting a range of ethnographic case studies from around the globe, this edited collection offers new ways of thinking about the interconnectivity of gender, place, and emotion in musical performance. While ethnomusicologists and anthropologists have long recognized the theoretical connections between gender, place, and emotion in musical performance, these concepts are seldom analyzed together. Performing Gender, Place, andEmotion in Music is the first book-length study to examine the interweaving of these three concepts from a cross-cultural perspective. Contributors show how a theoretical focus one dimension implicates the others, creating anexus of performative engagement. This process is examined across different regions around the globe, through two key questions: How are aesthetic, emotional, and imagined relations between performers and places embodied musically? And in what ways is this performance of emotion gendered across quotidian, ritual, and staged events? Through ethnographic case studies, the volume explores issues of emplacement, embodiment, and emotion in three parts: landscape and emotion; memory and attachment; and nationalism and indigeneity. Part I focuses on emplaced sentiments in Australasia through Vietnamese spirit possession, Balinese dance, and land rights in Aboriginal performance. PartII addresses memories of Aboriginal choral singing, belonging in Bavarian music-making, and gender-performativity in Polish song. Part III evaluates emotion and fandom around a Korean singer in Japan, and Sámi interconnectivitiesin traditional and modern musical practices. Beverley Diamond provides a thought-provoking commentary in the afterword. Contributors: Beverley Diamond, Fiona Magowan, Jonathan McIntosh, Barley Norton, Tina K. Ramnarine, Muriel Swijghuisen Reigersberg, Sara R. Walmsley-Pledl, Louise Wrazen, Christine Yano. Fiona Magowan is Professor of Anthropology at Queen's University, Belfast. Louise Wrazen is Associate Professor of Music at York University.

Product Identifiers

Publisher
University of Rochester Medical Press
ISBN-10
1580465439
ISBN-13
9781580465434
eBay Product ID (ePID)
219450463

Product Key Features

Author
Barley Norton
Publication Name
Performing Gender, Place, and Emotion in Music : Global Perspectives
Format
Trade Paperback
Language
English
Series
Eastman/Rochester Studies Ethnomusicology Ser.
Publication Year
2015
Type
Textbook
Number of Pages
216 Pages

Dimensions

Item Length
9.1in
Item Height
0.5in
Item Width
6.5in
Item Weight
12 Oz

Additional Product Features

Series Volume Number
5
Lc Classification Number
Ml3830.P373 2015
Reviews
Open this book and you will find how deeply essential the study of gender is in music and dance. The pages will turn quickly -- and I believe you will be struck by how the multiple themes elegantly intertwine throughout the book, yet also reveal the particulars of diverse genres and settings. --Tomie Hahn, ethnomusicologist and author of Sensational Knowledge: Embodying Culture through Japanese Dance
Table of Content
Introduction: Musical Intersections, Embodiments, and Emplacements - Fiona Magowan and Louise WrazenEngendering Emotion and the Environment in Vietnamese Music and Ritual - Barley NortonGendering Emotional Connections to the Balinese Landscape: Exploring Children's Roles in a Barong Performance - Jonathan McIntoshPerforming Emotion, Embodying Country in Australian Aboriginal Ritual - Fiona MagowanChristian Choral Singing in Aboriginal Australia: Gendered Absence, Emotion, and Place - Muriel Swijghuisen ReigersbergTransforming the Singing Body: Exploring Musical Narratives of Gender and Place in East Bavaria - Sara R. Walmsley-PledlA Place of Her Own: Gendered Singing in Poland's Tatras - Louise WrazenSinging the Contentions of Place: Korean Singers of the Heart and Soul of Japan - Christine Yano"In Our Foremothers' Arms": Goddesses, Feminism, and the Politics of Emotion in Sámi Songs - Tina K. RamnarineAfterword - Beverley DiamondSelected BibliographyList of ContributorsIndex
Copyright Date
2015
Topic
Philosophy & Social Aspects, Ethnomusicology, Gender Studies, Genres & Styles / International, Instruction & Study / Theory
Dewey Decimal
780.9
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Music, Social Science

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