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The Red and the Black: American Film Noir in the 1950s, Miklitsch, Robert, Very

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eBay-objectnummer:374318049407
Laatst bijgewerkt op 10 mei 2024 12:25:35 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

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Objectstaat
Heel goed
Een boek dat er niet als nieuw uitziet en is gelezen, maar zich in uitstekende staat bevindt. De kaft is niet zichtbaar beschadigd en het eventuele stofomslag zit nog om de harde kaft heen. Er ontbreken geen bladzijden en er zijn geen bladzijden beschadigd. Er is geen tekst onderstreept of gemarkeerd en er is niet in de kantlijn geschreven. Er kunnen zeer minimale identificatiemerken aan de binnenzijde van de kaft zijn aangebracht. De slijtage is zeer minimaal. Bekijk de aanbieding van de verkoper voor de volledige details en een beschrijving van gebreken. Alle staatdefinities bekijkenwordt in nieuw venster of op nieuw tabblad geopend
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“Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - ...
ISBN
9780252040689
Book Title
Red and the Black : American Film Noir in the 1950s
Item Length
9.2 in
Publisher
University of Illinois Press
Publication Year
2016
Type
Textbook
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
1.1 in
Author
Robert Miklitsch
Genre
History, Performing Arts
Topic
Film / General, Social History, Film / Genres / Crime, Film / Direction & Production, Film / History & Criticism
Item Width
6.2 in
Item Weight
23.5 Oz
Number of Pages
312 Pages

Over dit product

Product Information

Critical wisdom has it that we said a long goodbye to film noir in the 1950s. Robert Miklitsch begs to differ. Pursuing leads down the back streets and alleyways of cultural history, The Red and the Black proposes that the received rise-and-fall narrative about the genre radically undervalues the formal and thematic complexity of '50s noir and the dynamic segue it effected between the spectacular expressionism of '40s noir and early, modernist neo-noir. Mixing scholarship with a fan's devotion to the crooked roads of critique, Miklitsch autopsies marquee films like D.O.A., Niagara, and Kiss Me Deadly plus a number of lesser-known classics. Throughout, he addresses the social and technological factors that dealt deuce after deuce to the genre--its celebrated style threatened by new media and technologies such as TV and 3-D, color and widescreen, its born losers replaced like zombies by All-American heroes, the nation rocked by the red menace and nightmares of nuclear annihilation. But against all odds, the author argues, inventive filmmakers continued to make formally daring and socially compelling pictures that remain surprisingly, startlingly alive.Cutting-edge and entertaining, The Red and the Black reconsiders a lost period in the history of American movies.

Product Identifiers

Publisher
University of Illinois Press
ISBN-10
0252040686
ISBN-13
9780252040689
eBay Product ID (ePID)
221964279

Product Key Features

Author
Robert Miklitsch
Book Title
Red and the Black : American Film Noir in the 1950s
Format
Hardcover
Language
English
Topic
Film / General, Social History, Film / Genres / Crime, Film / Direction & Production, Film / History & Criticism
Publication Year
2016
Type
Textbook
Illustrator
Yes
Genre
History, Performing Arts
Number of Pages
312 Pages

Dimensions

Item Length
9.2 in
Item Height
1.1 in
Item Width
6.2 in
Item Weight
23.5 Oz

Additional Product Features

Intended Audience
Scholarly & Professional
Lc Classification Number
Pn1995.9.F54m545
Reviews
"Robert Miklitsch shows once again why he is one of the most interesting and knowledgeable critics of film noir. These readings of key '50s releases sparkle with insight, wit, and the enthusiasm of the committed cinephile."--R. Barton Palmer, author of Hollywood's Dark Cinema: The American Film Noir?, Possesses the potential to alter the entire field. An unimpeachable reference book to be dipped into at need and taken in toto as a substantial, sustained, and original interpretation of its subject. Miklitsch is profoundly (and charmingly) collegial, but his scrupulous tone should not obscure the challenge to received wisdom his book poses.--Ann Douglas, author of Terrible Honesty: Mongrel Manhattan in the 1920s, "An interesting piece of work that highlights a commonly neglected period of American film noir."-- Pop Culture Shelf, "Possesses the potential to alter the entire field. An unimpeachable reference book to be dipped into at need and taken in toto as a substantial, sustained, and original interpretation of its subject. Miklitsch is profoundly (and charmingly) collegial, but his scrupulous tone should not obscure the challenge to received wisdom his book poses."--Ann Douglas, author of Terrible Honesty: Mongrel Manhattan in the 1920s, Robert Miklitsch shows once again why he is one of the most interesting and knowledgeable critics of film noir. These readings of key '50s releases sparkle with insight, wit, and the enthusiasm of the committed cinephile.--R. Barton Palmer, author of Hollywood's Dark Cinema: The American Film Noir ?, "Robert Miklitsch shows once again why he is one of the most interesting and knowledgeable critics of film noir. These readings of key '50s releases sparkle with insight, wit, and the enthusiasm of the committed cinephile."--R. Barton Palmer, author of Hollywood's Dark Cinema: The American Film Noir ?, "Miklitsch's extended mediation on 1950s noir will entertain and intrigue both film scholars and movie fans." -- Journal of American Culture, "Robert Miklitsch shows once again why he is one of the most interesting and knowledgeable critics of film noir. These readings of key '50s releases sparkle with insight, wit, and the enthusiasm of the committed cinephile."--R. Barton Palmer, author of Hollywood's Dark Cinema: The American Film Noir? "Highly Recommended."-- Choice, "Miklitsch's extended mediation on 1950s noir will entertain and intrigue both film scholars and movie fans." -- Journal of American Culture "Highly Recommended."-- Choice, "Possesses the potential to alter the entire field. An unimpeachable reference book to be dipped into at need and taken in toto as a substantial, sustained, and original interpretation of its subject. Miklitsch is profoundly (and charmingly) collegial, but his scrupulous tone should not obscure the challenge to received wisdom his book poses."--Ann Douglas, author of Terrible Honesty: Mongrel Manhattan in the 1920s "In this recommended read, [Miklitsch] finds something fresh to say about a familiar film topic."-- Library Journal  , "In this recommended read, [Miklitsch] finds something fresh to say about a familiar film topic."-- Library Journal
Copyright Date
2016
Lccn
2016-026159
Dewey Decimal
791.43/6556

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