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American Ballads: The Photographs of Marty Stuart by Kathryn E. Delmez (English)

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Bevindt zich in: Fairfield, Ohio, Verenigde Staten

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eBay-objectnummer:364869591969

Laatst bijgewerkt op 01 mei 2024 23:57:00 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat: Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...

ISBN-13: 9780826520173

Type: Does not apply

ISBN: 9780826520173

Book Title: American Ballads : the Photographs of Marty Stuart

Book Series: In Collaboration with Frist Art Museum Ser.

Publisher: Frist Center for T.H.E. V/SUAL Arts

Item Length: 12.1 in

Publication Year: 2014

Format: Hardcover

Language: English

Illustrator: Yes

Item Height: 1.6 in

Author: Marty Stuart

Genre: Music, Social Science, Photography, Biography & Autobiography

Topic: Individual Photographers / General, Composers & Musicians, Collections, Catalogs, Exhibitions / General, Popular Culture, Ethnic Studies / Native American Studies, Genres & Styles / Country & Bluegrass

Item Weight: 99.5 Oz

Item Width: 9.4 in

Number of Pages: 132 Pages

Over dit product

Product Identifiers

Publisher

Frist Center for T.H.E. V/SUAL Arts

ISBN-10

0826520170

ISBN-13

9780826520173

eBay Product ID (ePID)

204285124

Product Key Features

Book Title

American Ballads : the Photographs of Marty Stuart

Number of Pages

132 Pages

Language

English

Topic

Individual Photographers / General, Composers & Musicians, Collections, Catalogs, Exhibitions / General, Popular Culture, Ethnic Studies / Native American Studies, Genres & Styles / Country & Bluegrass

Publication Year

2014

Illustrator

Yes

Genre

Music, Social Science, Photography, Biography & Autobiography

Author

Marty Stuart

Book Series

In Collaboration with Frist Art Museum Ser.

Format

Hardcover

Dimensions

Item Height

1.6 in

Item Weight

99.5 Oz

Item Length

12.1 in

Item Width

9.4 in

Additional Product Features

Intended Audience

Trade

LCCN

2014-003764

Dewey Edition

CLASSIFICATION_METADATA

{"IsNonfiction":["Yes"],"IsOther":["No"],"IsAdult":["No"],"MuzeFormatDesc":["Hardcover"],"IsChildren":["No"],"Genre":["SOCIAL SCIENCE","BIOGRAPHY & AUTOBIOGRAPHY","MUSIC","PHOTOGRAPHY"],"Topic":["Composers & Musicians","Ethnic Studies / Native American Studies","Individual Photographers / General","Collections, Catalogs, Exhibitions / General","Genres & Styles / Country & Bluegrass","Popular Culture"],"IsTextBook":["No"],"IsFiction":["No"]}

Dewey Decimal

770.92

Synopsis

Although known primarily as a country music star, Marty Stuart has been taking photographs of the people and places surrounding him since he first went on tour with bluegrass performer Lester Flatt at age twelve. His inspirations to do this include his own mother, Hilda Stuart, whom he watched document their family's everyday life in Mississippi, bassist Milt Hinton's photographs of fellow jazz artists, and Edward Curtis's well-known images of Native Americans at the turn of the twentieth century. Stuart's work ranges from intimate and often candid behind-the-scenes depictions of legendary musicians, to images that capture the eccentricities of characters from the back roads of America, to dignified portraits of members of the impoverished Lakota tribe in South Dakota, a people he was introduced to through his former father-in-law, Johnny Cash. Whatever the subject, Stuart is able to sensitively tease out something unexpected or hidden beneath the surface through a skillful awareness of timing and composition as well as a unique relationship with many of the subjects based on years of friendship and trust. This book will present images from these three bodies of work: "Badlands," on his time with the Lakota; "The Masters," from his work with musicians like Bill Monroe, Johnny Cash, Ray Charles, Dolly Parton, George Jones, Kitty Wells, Willie Nelson, and Waylon Jennings; and "Blue Line Hot Shots." As Stuart explains, "The newly built Interstate Highway System was at one time represented on our maps by the color red, while the two-lane highways and back roads of the nation were represented in blue. The back roads are where you'll find some of the people that I admire, respect, and always keep an eye out for. ... They are renegades As Roger Miller once said, 'These people flush to the beat of a different plumber.' " The photographs are framed by an introduction by Stuart and a context-setting essay by photography historian Susan Edwards, executive director of the First Center for the Visual Arts. The book and accompanying exhibition at the First Center demonstrate that Marty Stuart is a master storyteller not only through his songs but also through his revealing and compelling photographs. Excerpt "When I first began traveling I loved the adventure of going from town to town and exploring what each place had to offer. Whenever possible, on the day of the show I walked the streets and back roads, gathering stories and songs from local folks. I studied everything from the different kinds of architecture that surrounded me to the majesty of the sunsets and how they affected the mood of the town I was in. That first season was filled with the joy of a new musical life taking flight. The applause, the spotlight, the sparkle of the fame, the freedom of 'here today, go somewhere else tomorrow' charmed me night after night, day after day, until show business found its mark and became a way of life. I enjoyed every minute of the dance. I still love those things, but most of all it's the people that I've enjoyed along the way, namely the characters. The kind of characters who can be defined as American originals." --"from the Introduction by Marty Stuart"", Although known primarily as a country music star, Marty Stuart has been taking photographs of the people and places surrounding him since he first went on tour with bluegrass performer Lester Flatt at age twelve. His inspirations to do this include his own mother, Hilda Stuart, whom he watched document their family's everyday life in Mississippi, bassist Milt Hinton's photographs of fellow jazz artists, and Edward Curtis's well-known images of Native Americans at the turn of the twentieth century. Stuart's work ranges from intimate and often candid behind-the-scenes depictions of legendary musicians, to images that capture the eccentricities of characters from the back roads of America, to dignified portraits of members of the impoverished Lakota tribe in South Dakota, a people he was introduced to through his former father-in-law, Johnny Cash. Whatever the subject, Stuart is able to sensitively tease out something unexpected or hidden beneath the surface through a skillful awareness of timing and composition as well as a unique relationship with many of the subjects based on years of friendship and trust. This book will present images from these three bodies of work: "Badlands," on his time with the Lakota; "The Masters," from his work with musicians like Bill Monroe, Johnny Cash, Ray Charles, Dolly Parton, George Jones, Kitty Wells, Willie Nelson, and Waylon Jennings; and "Blue Line Hot Shots." As Stuart explains, "The newly built Interstate Highway System was at one time represented on our maps by the color red, while the two-lane highways and back roads of the nation were represented in blue. The back roads are where you'll find some of the people that I admire, respect, and always keep an eye out for. ... They are renegades ... As Roger Miller once said, 'These people flush to the beat of a different plumber.' " The photographs are framed by an introduction by Stuart and a context-setting essay by photography historian Susan Edwards, executive director of the First Center for the Visual Arts. The book and accompanying exhibition at the First Center demonstrate that Marty Stuart is a master storyteller not only through his songs but also through his revealing and compelling photographs. Excerpt "When I first began traveling I loved the adventure of going from town to town and exploring what each place had to offer. Whenever possible, on the day of the show I walked the streets and back roads, gathering stories and songs from local folks. I studied everything from the different kinds of architecture that surrounded me to the majesty of the sunsets and how they affected the mood of the town I was in. That first season was filled with the joy of a new musical life taking flight. The applause, the spotlight, the sparkle of the fame, the freedom of 'here today, go somewhere else tomorrow' charmed me night after night, day after day, until show business found its mark and became a way of life. I enjoyed every minute of the dance. I still love those things, but most of all it's the people that I've enjoyed along the way, namely the characters. The kind of characters who can be defined as American originals." -- from the Introduction by Marty Stuart

LC Classification Number

TR817.S74 2014

ebay_catalog_id

Text by

Edwards, Susan H.

2014

Objectbeschrijving van de verkoper

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eBay-objectnummer:364869591969

Laatst bijgewerkt op 01 mei 2024 23:57:00 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Verzending en verwerking

Objectlocatie:

Fairfield, Ohio, Verenigde Staten

Wordt verzonden naar:

Afghanistan, Albanië, Algerije, Andorra, Angola, Anguilla, Antigua en Barbuda, Argentinië, Armenië, Aruba, Australië, Azerbeidzjan, Bahama's, Bahrein, Bangladesh, België, Belize, Benin, Bermuda, Bhutan, Bolivia, Bosnië en Herzegovina, Botswana, Brazilië, Britse Maagdeneilanden, Brunei Darussalam, Bulgarije, Burkina Faso, Burundi, Cambodja, Canada, Centraal-Afrikaanse Republiek, Chili, China, Colombia, Comoren, Cookeilanden, Costa Rica, Cyprus, Democratische Republiek Congo, Denemarken, Djibouti, Dominica, Dominicaanse Republiek, Duitsland, Ecuador, Egypte, El Salvador, Equatoriaal-Guinea, Eritrea, Estland, Ethiopië, Falklandeilanden (Islas Malvinas), Fiji, Filipijnen, Finland, Frankrijk, Gabon, Gambia, Georgië, Ghana, Gibraltar, Grenada, Griekenland, Groenland, Guatemala, Guernsey, Guinee, Guinee-Bissau, Guyana, Haïti, Honduras, Hongarije, Hongkong, IJsland, Ierland, India, Indonesië, Irak, Israël, Italië, Ivoorkust, Jamaica, Japan, Jemen, Jersey, Jordanië, Kaaimaneilanden, Kaapverdische eilanden, Kameroen, Kazachstan, Kenia, Kirgizië, Kiribati, Koeweit, Kroatië, Laos, Lesotho, Letland, Libanon, Liberia, Liechtenstein, Litouwen, Luxemburg, Macau, Macedonië, Madagaskar, Malawi, Maldiven, Maleisië, Mali, Malta, Marokko, Mauritanië, Mauritius, Mayotte, Mexico, Moldavië, Monaco, Mongolië, Montenegro, Montserrat, Mozambique, Namibië, Nauru, Nederland, Nederlandse Antillen, Nepal, Nicaragua, Nieuw-Zeeland, Niger, Nigeria, Niue, Noorwegen, Oeganda, Oezbekistan, Oman, Oostenrijk, Pakistan, Paraguay, Peru, Polen, Portugal, Qatar, Republiek Congo, Roemenië, Rwanda, Saint Kitts en Nevis, Saint Lucia, Saint Pierre en Miquelon, Saint Vincent en de Grenadines, San Marino, Saudi-Arabië, Senegal, Servië, Seychellen, Sierra Leone, Singapore, Sint-Helena, Slovenië, Slowakije, Solomoneilanden, Somalië, Spanje, Spitsbergen en Jan Mayen, Sri Lanka, Suriname, Swaziland, Tadzjikistan, Taiwan, Tanzania, Thailand, Togo, Tonga, Trinidad en Tobago, Tsjaad, Tsjechië, Tunesië, Turkije, Turkmenistan, Turks- en Caicoseilanden, Tuvalu, Uruguay, Vanuatu, Vaticaanstad, Verenigd Koninkrijk, Verenigde Arabische Emiraten, Vietnam, Wallis en Futuna, Wereldwijd, Westelijke Sahara, Zambia, Zimbabwe, Zuid-Afrika, Zuid-Korea, Zweden, Zwitserland

Uitgesloten:

APO/FPO, Alaska/Hawaï, Amerikaanse protectoraten, Barbados, Frans-Guyana, Frans-Polynesië, Guadeloupe, Libië, Martinique, Nieuw-Caledonië, Oekraïne, Panama, Papoea-Nieuw-Guinea, Russische Federatie, Réunion, Venezuela, Westelijk Samoa, Wit-Rusland

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