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Specificaties
- Objectstaat
- Book Title
- Culture of AIDS in Africa : Hope and Healing Through Music and th
- ISBN
- 9780199744480
- Subject Area
- Music, Medical
- Publication Name
- Culture of Aids in Africa : Hope and Healing Through Music and the Arts
- Publisher
- Oxford University Press, Incorporated
- Item Length
- 6.9 in
- Subject
- History & Criticism, Aids & Hiv, Ethnomusicology, Ethnic
- Publication Year
- 2011
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1.3 in
- Item Weight
- 33.7 Oz
- Item Width
- 9.9 in
- Number of Pages
- 520 Pages
Over dit product
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199744483
ISBN-13
9780199744480
eBay Product ID (ePID)
102788509
Product Key Features
Number of Pages
520 Pages
Language
English
Publication Name
Culture of Aids in Africa : Hope and Healing Through Music and the Arts
Subject
History & Criticism, Aids & Hiv, Ethnomusicology, Ethnic
Publication Year
2011
Type
Textbook
Subject Area
Music, Medical
Format
Trade Paperback
Dimensions
Item Height
1.3 in
Item Weight
33.7 Oz
Item Length
6.9 in
Item Width
9.9 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2010-053152
Dewey Edition
22
Reviews
"...must reading for anyone involved in the global fight against HIV/AIDS, a book destined to become both popular and a classic text... Within its pages are precious stories of resilience, courage, and human-dignity-preserved during a crisis unimaginable to the average citizen of the industrialized world, or even to health providers and to artists." - Dr. Clyde Lanford Smith, MD, MPH, DTM&H, FACP, President, Doctors for Global Health "The central strength of the book is that the subject is meaningful and important to human life, in a word - it matters, which is unfortunately too often not the case." - Benjamin Koen, editor, The Oxford Handbook of Medical Ethnomusicology "Whether explicitly or by example of their work, the authors of this volume all make impassioned calls for further work. By amplifying the diverse perspectives and media that shape The Culture of AIDS in Africa, this collection constitutes an outstanding contribution to understanding the impact of music and visual arts on illness and wellness. It will surely impact future directions of medical ethnomusicology, and it should become a useful resource in the arts, humanities, international studies, and allied social sciences." --Journal of Musicological Research, "...must reading for anyone involved in the global fight against HIV/AIDS, a book destined to become both popular and a classic text... Within its pages are precious stories of resilience, courage, and human-dignity-preserved during a crisis unimaginable to the average citizen of the industrialized world, or even to health providers and to artists." - Dr. Clyde Lanford Smith, MD, MPH, DTM&H, FACP, President, Doctors for Global Health "The central strength of the book is that the subject is meaningful and important to human life, in a word - it matters, which is unfortunately too often not the case." - Benjamin Koen, editor, The Oxford Handbook of Medical Ethnomusicology "Whether explicitly or by example of their work, the authors of this volume all make impassioned calls for further work. By amplifying the diverse perspectives and media that shapeThe Culture of AIDS in Africa, this collection constitutes an outstanding contribution to understanding the impact of music and visual arts on illness and wellness. It will surely impact future directions of medical ethnomusicology, and it should become a useful resource in the arts, humanities, international studies, and allied social sciences." --Journal of Musicological Research, "...must reading for anyone involved in the global fight against HIV/AIDS, a book destined to become both popular and a classic text... Within its pages are precious stories of resilience, courage, and human-dignity-preserved during a crisis unimaginable to the average citizen of the industrialized world, or even to health providers and to artists." - Dr. Clyde Lanford Smith, MD, MPH, DTM&H, FACP, President, Doctors for Global Health"The central strength of the book is that the subject is meaningful and important to human life, in a word - it matters, which is unfortunately too often not the case." - Benjamin Koen, editor, The Oxford Handbook of Medical Ethnomusicology"Whether explicitly or by example of their work, the authors of this volume all make impassioned calls for further work. By amplifying the diverse perspectives and media that shape The Culture of AIDS in Africa, this collection constitutes an outstanding contribution to understanding the impact of music and visual arts on illness and wellness. It will surely impact future directions of medical ethnomusicology, and it should become a useful resource in the arts, humanities, international studies, and allied social sciences." --Journal of Musicological Research
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
362.196/97920096
Table Of Content
Introduction1. The Culture of AIDS: Hope and Healing Through the Arts in AfricaInterlude2. Singing for Life: Songs of Hope, Healing, and HIV/AIDS in Uganda, CD liner notesPart 1 - Reports from the Field3. Born in Africa - Transcript4. Tears Run Dry: Coping with AIDS through Music in Zimbabwe5. Singing in the Shadow of Death: African Musicians Respond to a Pandemic with Songs of Sorrow, Resistance, Advocacy, and Hope6. Music, HIV/AIDS, and Social Change in Nairobi, KenyaInterlude7. Song Lyrics from Nyimbo za Edzi [Songs about AIDS]Part 2 - HIV/AIDS and the Arts: First Person8. Using Music to Combat AIDS and Other Public Health Issues in Malawi9. Visual Approaches to HIV Literacy in South Africa10. Ngoma Dialogue Circles (Ngoma-DiCe): Combating HIV/AIDS Using Local Cultural Performance in KenyaInterlude11. To Sing of AIDS in UgandaPart 3 - HIV/AIDS and the Arts: Campaigns and Responses12. AIDS Poster Campaigns in Malawi13. Contemporary Usses of the Musical Arts in Botswana's HIV/AIDS Health Education Initiatives14. "We are the Loudmouthed HIV-Positive People": "Siyayinqoba/Beat It!" On South African Television15. "C'est le Wake Up! Africa": Two Cases of International HIV/AIDS Edutainment Campaigns in Francophone Africa16. Singing Songs of AIDS in Venda, South Africa: Performance, Pollution, and Ethnomusicology in a Neo-Liberal SettingInterlude17. "Let's Get Together" (Namirembe Post-Test Club)Part 4 - Case Studies: Single Works and Artists18. Aesthetics and Activism: Gideon Mendel and the Politics of Photographing the HIV/AIDS Pandemic in South Africa19. A Lady Who is an Akadongo Player: Singing Traditionally to Overturn Traditional Authority20. "What Shall We Do?": Oliver Mtukudzi's Songs about HIV/AIDS21. Swahili AIDS Plays: A Challenge to the Aristotelian Theory on Tragedy22. Confronting AIDS Through Popular Music Cultures in KenyaInterlude23. Grassroots Organizing and Celebrity Campaigns: The Arts and AIDS Activism in MoroccoPart 5 - Case Studies: Performance Groups24. Siphithemba - We Give Hope: Song and Resilience in a South African Zulu HIV/AIDS Struggle25. Young and Wise in Ghana: A Musical Response to AIDS26. Singing as Social Order: The Expressive Economy of AIDS in Mbarara, Uganda27. "I'm a Rich Man, How Can I Die?": Circus Performances as a Means of HIV/AIDS Education in EthiopiaInterlude28. Interview with VOLSET Youth Drama GroupPart 6 - Popular Media and Politics29. Kwaito and the Culture of AIDS in South Africa30. Positive Disturbance: Tafash, Twig, HIV/AIDS, and Hip Hop in Uganda31. "Edzi ndi dolo" ("AIDS in Mighty"): Singing HIV/AIDS in Malawi, 1980-200832. Representing HIV/AIDS in Africa: Pluralist Photography and Local EmpowermentInterlude33. "Interlude"About the AuthorsReferencesIndex
Synopsis
The Culture of AIDS in Africa enters into the many worlds of expression brought forth across this vast continent by the ravaging presence of HIV/AIDS. Africans and non-Africans, physicians and social scientists, journalists and documentarians share here a common and essential interest in understanding creative expression in crushing and uncertain times. They investigate and engage the social networks, power relationships, and cultural structures that enable the arts to convey messages of hope and healing, and of knowledge and good counsel to the wider community. And from Africa to the wider world, they bring intimate, inspiring portraits of the performers, artists, communities, and organizations that have shared with them their insights and the sense they have made of their lives and actions from deep within this devastating epidemic. Covering the wide expanse of the African continent, the 30 chapters include explorations of, for example, the use of music to cope with AIDS; the relationship between music, HIV/AIDS, and social change; visual approaches to HIV literacy; radio and television as tools for "edutainment;" several individual artists' confrontations with HIV/AIDS; various performance groups' response to the epidemic; combating HIV/AIDS with local cultural performance; and more. Source material, such as song lyrics and interviews, weaves throughout the collection, and contributions by editors Gregory Barz and Judah M. Cohen bookend the whole, to bring together a vast array of perspectives and sources into a nuanced and profoundly affective portrayal of the intricate relationship between HIV/AIDS and the arts in Africa., The Culture of AIDS in Africa enters into the many worlds of expression brought forth across this vast continent by the ravaging presence of HIV/AIDS. Africans and non-Africans, physicians and social scientists, journalists and documentarians share here a common and essential interest in understanding creative expression in crushing and uncertain times. They investigate and engage the social networks, power relationships, and cultural structures that enable the arts to convey messages of hope and healing, and of knowledge and good counsel to the wider community. And from Africa to the wider world, they bring intimate, freeiring portraits of the performers, artists, communities, and organizations that have shared with them their insights and the sense they have made of their lives and actions from deep within this devastating epidemic.Covering the wide expanse of the African continent, the 30 chapters include explorations of, for example, the use of music to cope with AIDS; the relationship between music, HIV/AIDS, and social change; visual approaches to HIV literacy; radio and television as tools for "edutainment;" several individual artists' confrontations with HIV/AIDS; various performance groups' response to the epidemic; combating HIV/AIDS with local cultural performance; and more. Source material, such as song lyrics and interviews, weaves throughout the collection, and contributions by editors Gregory Baz and Judah Cohen bookend the whole, to bring together a vast array of perspectives and sources into a nuanced and profoundly affective portrayal of the intricate relationship between HIV/AIDS and the arts in Africa., The Culture of AIDS in Africa presents 30 chapters offering a multifaceted, nuanced, and deeply affective portrait of the relationship between HIV/AIDS and the arts in Africa, including source material such as song lyrics and interviews., The Culture of AIDS in Africa enters into the many worlds of expression brought forth across this vast continent by the ravaging presence of HIV/AIDS. Africans and non-Africans, physicians and social scientists, journalists and documentarians share here a common and essential interest in understanding creative expression in crushing and uncertain times. They investigate and engage the social networks, power relationships, and cultural structures that enable the arts to convey messages of hope and healing, and of knowledge and good counsel to the wider community. And from Africa to the wider world, they bring intimate, inspiring portraits of the performers, artists, communities, and organizations that have shared with them their insights and the sense they have made of their lives and actions from deep within this devastating epidemic.Covering the wide expanse of the African continent, the 30 chapters include explorations of, for example, the use of music to cope with AIDS; the relationship between music, HIV/AIDS, and social change; visual approaches to HIV literacy; radio and television as tools for "edutainment;" several individual artists' confrontations with HIV/AIDS; various performance groups' response to the epidemic; combating HIV/AIDS with local cultural performance; and more. Source material, such as song lyrics and interviews, weaves throughout the collection, and contributions by editors Gregory Baz and Judah M. Cohen bookend the whole, to bring together a vast array of perspectives and sources into a nuanced and profoundly affective portrayal of the intricate relationship between HIV/AIDS and the arts in Africa.
LC Classification Number
ML3917.A4C85 2011
Copyright Date
2011
ebay_catalog_id
4
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