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Machaut's Music : New Interpretations, Hardcover by Leach, Elizabeth Eva (EDT...

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eBay-objectnummer:364769199909
Laatst bijgewerkt op 29 apr 2024 11:05:32 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Vrijwel nieuw: Een boek dat er als nieuw uitziet, maar al wel is gelezen. De kaft is niet zichtbaar ...
Book Title
Machaut's Music : New Interpretations
ISBN
9781843830160
Subject Area
Music
Publication Name
Machaut's Music: New Interpretations
Item Length
9.5 in
Publisher
Boydell & Brewer, The Limited
Subject
History & Criticism
Publication Year
2003
Series
Studies in Medieval and Renaissance Music Ser.
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.9 in
Author
Christian Berger
Item Width
6.2 in
Number of Pages
314 Pages

Over dit product

Product Information

Guillaume de Machaut was the foremost poet-composer of his time. Studies look at all aspects of his prodigious output.

Product Identifiers

Publisher
Boydell & Brewer, The Limited
ISBN-10
1843830167
ISBN-13
9781843830160
eBay Product ID (ePID)
2882530

Product Key Features

Author
Christian Berger
Publication Name
Machaut's Music: New Interpretations
Format
Hardcover
Language
English
Subject
History & Criticism
Publication Year
2003
Series
Studies in Medieval and Renaissance Music Ser.
Type
Textbook
Subject Area
Music
Number of Pages
314 Pages

Dimensions

Item Length
9.5 in
Item Height
0.9 in
Item Width
6.2 in

Additional Product Features

LCCN
2003-005345
Intended Audience
Scholarly & Professional
Series Volume Number
1
Lc Classification Number
Ml410.G966m32 2003
Volume Number
1
Reviews
A key study, which will be of value for some years to come. CLASSICAL NET REVIEW A closely argued, stimulating examination of Machaut and his music. RENAISSANCE QUARTERLY A useful collection that gathers current discourses and debates into one convenient volume. JOURNAL OF THE AMERICAN MUSICOLOGICAL SOCIETY Each essay provides a valuable contribution to Machaut scholarship.. A carefully planned collection of essays that serves as a welcome contribution to the current musicological literature. MUSIC RESEARCH FORUM Immensely thought-provoking and should be present on the shelves of any institution teaching and researching the music of the late middle ages. THE MEDIEVAL REVIEW Has much to offer all Machaut scholars. SPECULUM
Table of Content
Symmetry and Dissymmetry in the Music of the Lay de Bonne Esperance (L18/13) - Virginia NewesSPECULUM MORTIS: Form and Signification in Machaut's Motet Hé Mors / Fine Amour / Quare non sum mortuus (M3) - Jacques BoogaartObservations on Machaut's Hé Mors, com tu es haie / Fine Amour, qui me vint navrer / Quare non sum mortuus (M3) - Alice V. ClarkFlos / Celsa and Machaut's Motets: Emulation - and Error? - Thomas BrownTexture and Counterpoint in the Four-Voice Mass Settings of Machaut and his Contemporaries - Kevin N MollThe 'Harmony' of the Machaut Mass - Margaret BentMachaut's Mass and Sounding Number - Singing More About Singing Less: Machaut's Pour ce que tous (B12) - Elizabeth Eva LeachMusic Writing and Poetic Voice in Machaut: Some Remarks on B12 and R14 - Anne StoneA Portrayal of the Lady who Guards her Honour (B25) - Jehoash HirshbergMachaut's B-flat Balade Honte, paour (B25) - Peter M. LeffertsThe Intabulation of De toutes flours (B31) in the Codex Faenza as Analytical Model - Jane E FlynnMachaut's Balade Ploures dames (B32) in the Light of Real Modality - Christian BergerBalades 32 and 33 and the 'res dalemangne' - Jennifer BainMale and Female Voice in Two Virelais of Guillaume de Machaut - William MahrtThe Marriage of Words and Music: Musique Naturele and Musique Artificiele in Machaut's Sans cuer, dolens (R4)(R4) - Yolanda PlumleyRose, lis Revisited - Daniel Leech-WilkinsonSome Observations Regarding Musico-Textual Interrelationships in Late Rondeaux by Machaut - Karl KugleBalade Ploures dames (B32) in the Light of Real Modality - Christian BergerBalades 32 and 33 and the 'res dalemangne' - Jennifer BainMale and Female Voice in Two Virelais of Guillaume de Machaut - William MahrtThe Marriage of Words and Music: Musique Naturele and Musique Artificiele in Machaut's Sans cuer, dolens (R4)(R4) - Yolanda PlumleyRose, lis Revisited - Daniel Leech-WilkinsonSome Observations Regarding Musico-Textual Interrelationships in Late Rondeaux by Machaut - Karl KugleBalade Ploures dames (B32) in the Light of Real Modality - Christian BergerBalades 32 and 33 and the 'res dalemangne' - Jennifer BainMale and Female Voice in Two Virelais of Guillaume de Machaut - William MahrtThe Marriage of Words and Music: Musique Naturele and Musique Artificiele in Machaut's Sans cuer, dolens (R4)(R4) - Yolanda PlumleyRose, lis Revisited - Daniel Leech-WilkinsonSome Observations Regarding Musico-Textual Interrelationships in Late Rondeaux by Machaut - Karl KugleBalade Ploures dames (B32) in the Light of Real Modality - Christian BergerBalades 32 and 33 and the 'res dalemangne' - Jennifer BainMale and Female Voice in Two Virelais of Guillaume de Machaut - William MahrtThe Marriage of Words and Music: Musique Naturele and Musique Artificiele in Machaut's Sans cuer, dolens (R4)(R4) - Yolanda PlumleyRose, lis Revisited - Daniel Leech-WilkinsonSome Observations Regarding Musico-Textual Interrelationships in Late Rondeaux by Machaut - Karl Kugle
Copyright Date
2003
Illustrated
Yes

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