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Liszt's Representation of Instrumental Sounds on the Piano : Colors in Black ...
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Specificaties
- Objectstaat
- Book Title
- Liszt's Representation of Instrumental Sounds on the Piano : Colo
- ISBN
- 9781580469463
- Publication Year
- 2019
- Series
- Eastman Studies in Music Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Publication Name
- Liszt's Representation of Instrumental Sounds on the Piano : Colors in Black and White
- Item Height
- 0.8in
- Item Length
- 9.3in
- Publisher
- University of Rochester Medical Press
- Item Width
- 6.4in
- Number of Pages
- 238 Pages
Over dit product
Product Information
Examines Liszt's piano arrangements of music originally created for other instruments, especially the symphony orchestra and the Hungarian Gypsy band.Liszt's adaptation of existing music is staggering in its quantity, scope, and variety of technique. He often viewed the model work as a source that he strove to improve, rival, and even surpass. Liszt's Representation of Instrumental Sounds on the Piano: Colors in Black and White provides a comprehensive survey of Liszt's reworking of instrumental music on the piano, particularly his emulation of tone colors and idiomatic gestures. The book relatesLiszt's sonic reproductions to the widespread nineteenth-century interest in visual-art reproduction. Hyun Joo Kim illustrates Liszt's diverse approaches to the integrity of the music in a detailed, vivid, and insightful manner through close study of his arrangements of Beethoven's symphonies and Rossini's Guillaume Tell Overture, his two-piano arrangements of his own symphonic poems such as Mazeppa and Hunnenschlacht, and his Hungarian Rhapsodies. By examining orchestral music and Hungarian Gypsy-style music as sources of Liszt's sound representations, this book reveals Liszt's musical discourse as straddling the musical, cultural, and aesthetic divides between mainstream and peripheral, art and folk, serious and popular. HYUN JOO KIM holds a PhD from Indiana University and is an independent scholar in Seoul, South Korea., and his Hungarian Rhapsodies. By examining orchestral music and Hungarian Gypsy-style music as sources of Liszt's sound representations, this book reveals Liszt's musical discourse as straddling the musical, cultural, and aesthetic divides between mainstream and peripheral, art and folk, serious and popular. HYUN JOO KIM holds a PhD from Indiana University and is an independent scholar in Seoul, South Korea., and his Hungarian Rhapsodies. By examining orchestral music and Hungarian Gypsy-style music as sources of Liszt's sound representations, this book reveals Liszt's musical discourse as straddling the musical, cultural, and aesthetic divides between mainstream and peripheral, art and folk, serious and popular. HYUN JOO KIM holds a PhD from Indiana University and is an independent scholar in Seoul, South Korea., and his Hungarian Rhapsodies. By examining orchestral music and Hungarian Gypsy-style music as sources of Liszt's sound representations, this book reveals Liszt's musical discourse as straddling the musical, cultural, and aesthetic divides between mainstream and peripheral, art and folk, serious and popular. HYUN JOO KIM holds a PhD from Indiana University and is an independent scholar in Seoul, South Korea.
Product Identifiers
Publisher
University of Rochester Medical Press
ISBN-10
1580469469
ISBN-13
9781580469463
eBay Product ID (ePID)
7038387905
Product Key Features
Publication Name
Liszt's Representation of Instrumental Sounds on the Piano : Colors in Black and White
Format
Hardcover
Language
English
Publication Year
2019
Series
Eastman Studies in Music Ser.
Type
Textbook
Number of Pages
238 Pages
Dimensions
Item Length
9.3in
Item Height
0.8in
Item Width
6.4in
Additional Product Features
Series Volume Number
153
Lc Classification Number
Ml410.L7k54 2019
Volume Number
153
Reviews
[Kim d]raws on an astounding range of sources for her analysis, always rooted in historical sources (art criticism, music reviews, Liszt's correspondence and notes, and more) and convincing theoretical analysis. Chapter 5 is most interesting to me, because it adds to the ever-present scholarly discussion about folk music['s influence on composers]. Kim offers a valuable discussion of the cimbalom and its similarities to the fortepiano's sound. Even more valuable, Kim's analysis suggests that "folk" and "art" overlapped often. This chapter will help people performing Liszt's Hungarian Rhapsodies on the piano. There are a lot of pictures and musical examples that make it easier to follow along. AMERICAN RECORD GUIDE. Liszt's Representation of Instrumental Sounds on the Piano: Colors in Black and White is a detailed study of Liszt's orchestral transcriptions. This book includes valuable insights into his evocation of the cimbalom in the Hungarian Rhapsodies and, more importantly, links Liszt's own conceptions about his music to complementary concerns shared by contemporary visual artists. Hyun Joo Kim joins the ranks of great scholars who can describe musical instruments and aspects of performance with scholarly rigor in precise, elegant writing. --Rob Haskins, University of New Hampshire, Liszt's Representation of Instrumental Sounds on the Piano: Colors in Black and White is a detailed study of Liszt's orchestral transcriptions. This book includes valuable insights into his evocation of the cimbalom in the Hungarian Rhapsodies and, more importantly, links Liszt's own conceptions about his music to complementary concerns shared by contemporary visual artists. Hyun Joo Kim joins the ranks of great scholars who can describe musical instruments and aspects of performance with scholarly rigor in precise, elegant writing. --, Kim is particularly keen to highlight the timbral dimensions of Liszt's arrangements, and thus brings analytical and hermeneutic techniques from musicology and art history to bear on his early partitions de piano, his symphonic poems, and his "Hungarian Gypsy-style" music. Kim's excellent coverage...reinforces the ingenuity with which Liszt was able to make the "sacred texts" of Beethoven and Berlioz his own. Kim ultimately expands Liszt's legacy, adding "translator" to his list of enviable accolades as pianist-composer., A compelling study. Detailed and accessible. Readers will welcome the many ways they are invited to appreciate Liszt's artistic achievements, and pianists in particular will be inspired to perform Liszt's arrangements with a better-informed sense of purpose.
Table of Content
IntroductionApproaching the Reproductive Arts"Partitions de Piano"Between "Text" and "Event": Liszt's Guillaume Tell OvertureTranslating the Orchestra: Liszt's Two-Piano Arrangements of His Symphonic PoemsInterpretive Fidelity to Gypsy Creativity: Representations of Hungarian-Gypsy Cimbalom PlayingConclusions: Recurring Techniques and AestheticsAppendix: Liszt's Preface to his Piano Arrangements of Beethoven's Fifth and Sixth Symphonies in the Breitkopf & Härtel's edition, 1840Bibliography
Copyright Date
2019
Topic
History & Criticism, Genres & Styles / Classical, Instruction & Study / General, Individual Composer & Musician, Musical Instruments / Piano & Keyboard, Color Theory
Lccn
2018-054783
Dewey Decimal
786.2092
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Art, Music
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