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Charles Tolliver/Music Inc. Live at Slugs' - Volume 1 (Vinyl) (UK IMPORT)

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eBay-objectnummer:364670580511
Laatst bijgewerkt op 04 jun 2024 21:19:01 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Nieuw: Een object dat niet is geopend of niet uit de verpakking van de fabrikant is gehaald (indien ...
Title
Live at Slugs' - Volume 1
EAN
5060149623336
Edition
12" Album
Style
Post-Bop
Release Date
06/01/2021
No Of Discs
1
MPN
SES1972
UPC
5060149623336
Artist
Tolliver, Charles / Music Inc
Format
Record
Record Label
Pure Pleasure, Pupe
Release Year
2022
Release Title
Live at Slugs' Vol. 1
Genre
Jazz

Over dit product

Product Identifiers

Record Label
Pure Pleasure, Pupe
UPC
5060149623336
eBay Product ID (ePID)
22048603358

Product Key Features

Artist
Tolliver, Charles / Music Inc
Format
Record
Release Year
2022
Release Title
Live at Slugs' Vol. 1
Genre
Jazz

Dimensions

Item Length
12.38in
Item Height
0.15in
Item Width
12.36in
Item Weight
0.68lb.

Additional Product Features

Number of Tracks
3
Country/Region of Manufacture
United States
Number of Discs
1
Notes
Where have you gone, Charles Tolliver? There was such promise in the concept of Music Inc., and in Strata East, but evidently, the music world's attention was elsewhere and this tremendous live set was probably heard by only a few hundred sets of ears. On the back of the record sleeve, Tolliver undersigned his mission statement: 'Music Inc. Was created out of the desire to assemble men able to see the necessity for the survival of a heritage and an Art in the hopes that the sacrifices and high level of communication between them will eventually reach every soul.' And he isn't kidding. You won't find a much higher level of communication than he, Cecil McBee, Stanley Cowell, and Jimmy Hopps engaged in on May 1, 1970, at Slugs' in New York City. This was much more than an attempt to merely 'preserve acoustic jazz' as in the stilted Marsalis vein. This was an attempt to preserve a measure of authenticity while maintaining the notion of forward-thinking, present-tense improvised music. They deserved a greater response than the lukewarm, sparse applause they received that night, and continue to deserve a far more cognizant audience for their efforts.Tolliver ('Drought'), McBee ('Felicite'), and Cowell ('Orientale') each contribute a track to the set; though very much distinct, each is equally strong. 'Drought' is the kind of dark-hued, well-honed burner that Tolliver routinely produced in his fertile years. 'Felicite' is a more contemplative affair, a deeply felt and empathically performed piece; the unit here is in particularly sublime form, merging considerable skill with a staggering depth of emotion. 'Orientale' falls somewhere in between the pace of the two, with Cowell's Eastern scales establishing an austere, industrious tone throughout it's seventeen-and-a-half-minute length.Through it's duration, the music on Live at Slugs' is often riveting and incessantly compelling. Hopps is a lesser-known entity to me, but the other three players featured here are some of the all-time underrated presences in the jazz pantheon, and they play nothing short of masterfully. Always a presence on his recordings, Tolliver demonstrates the tremendous range, flair, and command as a trumpeter and leader. Had he not come along at a time when pure jazz was falling out of favor, I have to believe his name (along with Woody Shaw's) would be every bit as prolific as Freddie Hubbard's or Lee Morgan's; the same holds for the always brilliant and expressive McBee on bass.
Tracks
1.1 Drought 1.2 Felicite 1.3 Orientale

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