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Claude Cernusch Barnett Newman and Heideggerian Philosoph (Hardback) (UK IMPORT)

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Specificaties

Objectstaat
Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...
Book Title
Barnett Newman and Heideggerian Philosophy
Title
Barnett Newman and Heideggerian Philosophy
ISBN-10
1611475198
EAN
9781611475197
ISBN
9781611475197
Release Date
03/22/2012
Release Year
2012
Country/Region of Manufacture
US
Genre
Arts & Photography
Subject
Individual Artists / General, History / Contemporary (1945-), Criticism & Theory, Individual Philosophers, American / General
Subject Area
Art, Philosophy
Publication Name
Barnett Newman and Heideggerian Philosophy
Item Length
9.3 in
Publisher
Fairleigh Dickinson University Press
Publication Year
2012
Type
Textbook
Format
Hardcover
Language
English
Item Height
1 in
Author
Claude Cernuschi
Item Width
6.3 in
Item Weight
25.5 Oz
Number of Pages
348 Pages

Over dit product

Product Information

As a major member of the New York School, Barnett Newman is celebrated for his radical explorations of color and scale and, as a precursor to the Minimalist movement, for his significant contribution to the development of twentieth-century American art. But if his reputation and place in history have grown progressively more secure, the work he produced remains highly resistant to interpretation. His paintings are rigorously abstract, and his writings full of references to arcane metaphysical concepts. Frustrated over their inability to reconcile the works with what the artist said about them, some critics have dismissed the paintings as impenetrable. The art historian Yve-Alain Bois called Newman "the most difficult artist" he could name, and the philosopher Jean-Fran ois Lyotard declared that "there is almost nothing to 'consume' in his work], or if there is, I do not know what it is." In order to advance interpretation, this book investigates both Newman's writings and paintings in light of ideas articulated by one of Germany's most important and influential philosophers: Martin Heidegger. Many of the themes explored in Newman's statements, and echoed in the titles of his paintings, betray numerous points of intersection with Heidegger's philosophy: the question of origins, the distinctiveness of human presence, a person's sense of place, the sensation of terror, the definition of freedom, the importance of mood to existence, the particularities of art and language, the impact of technology on modern life, the meaning of time, and the human being's relationship to others and to the divine. When examined in the context of Heideggerian thought, these issues acquire greater concreteness, and, in turn, their relation to the artist's paintings becomes clearer. It is the contention of this book that, at the intersection of art history and philosophy, an interdisciplinary framework emerges wherein the artist's broader motivations and the specific meanings of his paintings prove more amenable to elucidation.

Product Identifiers

Publisher
Fairleigh Dickinson University Press
ISBN-10
1611475198
ISBN-13
9781611475197
eBay Product ID (ePID)
112197170

Product Key Features

Author
Claude Cernuschi
Publication Name
Barnett Newman and Heideggerian Philosophy
Format
Hardcover
Language
English
Subject
Individual Artists / General, History / Contemporary (1945-), Criticism & Theory, Individual Philosophers, American / General
Publication Year
2012
Type
Textbook
Subject Area
Art, Philosophy
Number of Pages
348 Pages

Dimensions

Item Length
9.3 in
Item Height
1 in
Item Width
6.3 in
Item Weight
25.5 Oz

Additional Product Features

LCCN
2011-049673
Intended Audience
Scholarly & Professional
Lc Classification Number
Nd237.N475c47 2012
Grade from
College Graduate Student
Reviews
Viewers who have acknowledged the demands that Newman's art places on them cannot fail, when they become readers of this book, to appreciate Claude Cernuschi's accomplishment inphilosophicallyinterpretingthe artist's works and ideas. Reaching beyond the disciplinary boundaries of art history narrowly construed, Cernuschi provides a rewarding assessment of the Heideggerian resonance of Newman's thought, and ultimately clears a path to a greater understanding of the meaning and significance of his art., With the scrupulous attention to detail and brisk writing style that characterizes Claude Cernuschi's work, his new study probes intriguing correspondences between Martin Heidegger's articulation of philosophical principles and Barnett Newman's articulation of aesthetic experience. Cernuschi demonstrates that the two thinkers shared numerous concepts and metaphors. To follow him through the maze of his investigation is to observe philosophy becoming aesthetics and aesthetics becoming philosophy. This fascinating convergence may well have pleased both Heidegger and Newman., Viewers who have acknowledged the demands that Newman's art places on them cannot fail, when they become readers of this book, to appreciate Claude Cernuschi's accomplishment in philosophically interpreting the artist's works and ideas. Reaching beyond the disciplinary boundaries of art history narrowly construed, Cernuschi provides a rewarding assessment of the Heideggerian resonance of Newman's thought, and ultimately clears a path to a greater understanding of the meaning and significance of his art., Viewers who have acknowledged the demands that Newman's art places on them cannot fail, when they become readers of this book, to appreciate Claude Cernuschi's accomplishment in philosophically interpreting the artist's works and ideas. Reaching beyond the disciplinary boundaries of art history narrowly construed, Cernuschi provides a rewarding assessment of the Heideggerian resonance of Newman's thought, and ultimately clears a path to a greater understanding of the meaning and significance of his art.
Table of Content
Preface and acknowledgments Chapter 1: Barnett Newman...and Martin Heidegger Chapter 2: Beginnings Chapter 3: Presence Chapter 4: Place: Da-sein Chapter 5: The Void Chapter 6: Others Chapter 7: Freedom Chapter 8: Mood Chapter 9: Technology Chapter 10: Language Chapter 11: Time Chapter 12: God Chapter 13: Epistemology Chapter 14: Politics Selected Bibliography About the Author Index
Copyright Date
2012
Dewey Decimal
759.13
Dewey Edition
23
Illustrated
Yes

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