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Christopher T. Western Rock Artists, Madame Butterfly, (Paperback) (UK IMPORT)

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eBay-objectnummer:364648857988
Laatst bijgewerkt op 24 mei 2024 20:45:29 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...
Book Title
Western Rock Artists, Madame Butterfly, and the Allure of Japan
Title
Western Rock Artists, Madame Butterfly, and the Allure of Japan
Subtitle
Dancing in an Eastern Dream
ISBN-10
1793625271
EAN
9781793625274
ISBN
9781793625274
Genre
History
Subject
Music Dance & Theatre
Release Year
2021
Release Date
09/15/2021
Country/Region of Manufacture
US
Publication Year
2021
Type
Textbook
Format
Trade Paperback
Language
English
Publication Name
Western Rock Artists, Madame Butterfly, and the Allure of Japan : Dancing in an Eastern Dream
Item Height
0.7in
Author
Christopher T. Keaveney
Item Length
8.6in
Publisher
Lexington Books/Fortress Academic
Item Width
6.1in
Item Weight
13.2 Oz
Number of Pages
284 Pages

Over dit product

Product Information

Using the framework of Edward Said's Orientalism, this work examines how Western rock and pop artists--particularly during the age of album rock from the 1970s through the 1990s--perpetuated long-held stereotypes of Japan in their direct encounters with the country and in songs and music videos with Japanese content.

Product Identifiers

Publisher
Lexington Books/Fortress Academic
ISBN-10
1793625271
ISBN-13
9781793625274
eBay Product ID (ePID)
19050101123

Product Key Features

Author
Christopher T. Keaveney
Publication Name
Western Rock Artists, Madame Butterfly, and the Allure of Japan : Dancing in an Eastern Dream
Format
Trade Paperback
Language
English
Publication Year
2021
Type
Textbook
Number of Pages
284 Pages

Dimensions

Item Length
8.6in
Item Height
0.7in
Item Width
6.1in
Item Weight
13.2 Oz

Additional Product Features

Lc Classification Number
Ml3534
Reviews
This knowledgeable, lovingly written, accessible book records the many ways orientalist stereotypes of Japan have influenced American and British rock musicians during the 'Age of Album Rock' (1960s-1990s) and beyond, as heard in their songs, seen on their album covers, enacted on their concerts at the Budokan, performed in photographs and music videos, and reported by journalists., Taking his readers on a rock 'n roll tour of Japan from the 1960s through the 1990s, Christopher Keaveney reveals the Orientalist dreams influencing many Western musicians from their kimono-clad album covers and geisha-inspired lyrics to their reflections on their Japanese fandom. Informative, erudite, and wonderfully fun to read, Keaveney's study compels rethinking the legacy of Madame Butterfly, samurai masculinity, and discovery of the Western self in the exotic East., Christopher T. Keaveney shifts our focus from the impact of rock music on Japan to the impact of Japan on rock music. He places rock and roll in the long history of japonisme, demonstrating how both explicitly gendered 'imaginaries' and real experiences of Japan influenced the economic and cultural development of AOR and rock video. Throughout the book, Keaveney's passion for the music comes through., Taking his readers on a rock 'n roll tour of Japan from the 1960s through the 1990s, Christopher Keaveney reveals the Orientalist dreams influencing many Western musicians from their kimono-clad album covers and geisha-inspired lyrics to their reflections on their Japanese fandom. Informative, erudite, and wonderfully fun to read, Keaveney's study compels rethinking the legacy of Madame Butterfly, samurai masculinity, and discovery of the Western self in the exotic East. -- Rebecca Copeland, Washington University in St. Louis Christopher T. Keaveney shifts our focus from the impact of rock music on Japan to the impact of Japan on rock music. He places rock and roll in the long history of japonisme, demonstrating how both explicitly gendered 'imaginaries' and real experiences of Japan influenced the economic and cultural development of AOR and rock video. Throughout the book, Keaveney's passion for the music comes through. -- E. Taylor Atkins, Northern Illinois University This knowledgeable, lovingly written, accessible book records the many ways orientalist stereotypes of Japan have influenced American and British rock musicians during the 'Age of Album Rock' (1960s-1990s) and beyond, as heard in their songs, seen on their album covers, enacted on their concerts at the Budokan, performed in photographs and music videos, and reported by journalists. -- Alisa Freedman, University of Oregon, Christopher Keaveney's monograph is a very welcome addition to the field of transnational and comparative Japan studies, and by extension contemporary cultural studies.... [A] valuable aspect of the book...is perhaps its ability to trigger ideas for further projects and point to avenues for further research in the rich and ever-growing fields of cultural representation analysis and of transnational Japan studies.
Table of Content
Introduction: I Want You to Want Me: Western Rock Artists and Japan Chapter 1: You Say You Want a Revolution: The Ventures, the Beatles, Group Sounds, and the Soundtrack for a Miracle Chapter 2: Japan's Temple of Rock: Budokan and the Golden Age of Live in Japan Chapter 3: Unleashed in the East: Negotiating Western Imaginaries of Japan Chapter 4: Big in Japan: The Western Gaze in Rock Songs About Japan Chapter 5: I Think I'm Turning Japanese: Orientalism in Rock Videos and Images Chapter 6: Pinkerton's Apology: The Maturing of the Western Rocker's Gaze Epilogue: Rockin' On: The Continuing Appeal of Japan to Western Artists
Topic
History & Criticism, Asia / Japan, Genres & Styles / Rock
Dewey Decimal
781.66
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Music, History

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