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Louise Purbrick The Great Exhibition of 1851 (Paperback) (UK IMPORT)
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eBay-objectnummer:364624647314
Specificaties
- Objectstaat
- Publication Name
- The Great Exhibition of 1851
- Title
- The Great Exhibition of 1851
- Contributor
- Louise Purbrick (Edited by)
- ISBN-10
- 071905592X
- EAN
- 9780719055928
- ISBN
- 9780719055928
- Release Date
- 09/17/2001
- Release Year
- 2001
- Country/Region of Manufacture
- GB
- Series
- Texts in Culture
- Book Title
- Great Exhibition of 1851
- Book Series
- Texts in Culture Ser.
- Publisher
- Manchester University Press
- Item Length
- 8.5 in
- Publication Year
- 2001
- Format
- Trade Paperback
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.5 in
- Genre
- Literary Collections, History
- Topic
- Europe / Great Britain / Victorian Era (1837-1901), Social History, Essays
- Item Weight
- 10.5 Oz
- Item Width
- 5.4 in
- Number of Pages
- 232 Pages
Over dit product
Product Identifiers
Publisher
Manchester University Press
ISBN-10
071905592X
ISBN-13
9780719055928
eBay Product ID (ePID)
19038715804
Product Key Features
Book Title
Great Exhibition of 1851
Number of Pages
232 Pages
Language
English
Topic
Europe / Great Britain / Victorian Era (1837-1901), Social History, Essays
Publication Year
2001
Illustrator
Yes
Genre
Literary Collections, History
Book Series
Texts in Culture Ser.
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
10.5 Oz
Item Length
8.5 in
Item Width
5.4 in
Additional Product Features
Intended Audience
Trade
LCCN
2001-044115
Table Of Content
Introduction: Louise Purbrick1. The accumulation of knowledge or, William Whewell's eye - Steve Edwards2. An industrial vision: the promotion of technical drawing in mid-Victorian Britain - Rafael Cardoso Denis3. Entrepreneurship and the artisans: John Cassell, the Great Exhibition and the periodical idea - Brian Maidment4. An appropriated space: the Great Exhibition, the Crystal Palace and the working class - Peter Gurney5. Narrating the subcontinent in 1851: India at the Crystal Palace - Lara Kriegel6. Thackeray and Punch at the Great Exhibition: authority and ambivalence in verbal and visual caricatures - Richard PearsonNotes on contributorsSelect bibliographyIndex
Synopsis
The Great Exhibition of 1851 has become a touchstone for the nineteenth century. The Crystal Palace produced a commodity world, an imperial spectacle, a picture of capitalism, a liberal dream, a vision of modern life. Historians have saturated the Great Exhibition with meanings.This collection of essays exposes how meaning has been produced around the Great Exhibition. It contains a series of critical readings of the official and popular historical record of the Exhibition. Critics and historians of art, culture, design and literature have been brought together to examine the objects, the images, the documents and the fictions of 1851. Their essays explore the determined use of industrial knowledge, the contested definitions of nation and colony, and the actual control of the space of the Crystal Palace after the Great Exhibition closed.The Great Exhibition of 1851 presents new interpretations of one of the most significant exhibitions in the nineteenth century and will be essential reading for anyone studying cultural history, design history, art history and literature., This collection of essays exposes how meaning has been produced around the Great Exhibition. Critics and historians of art, culture, design and literature have been brought together to examine the objects, the images, the documents and the fictions of 1851. -- ., The Great Exhibition of 1851 has become a touchstone for the nineteenth century. The Crystal Palace produced a commodity world, an imperial spectacle, a picture of capitalism, a liberal dream, a vision of modern life. Historians have saturated the Great Exhibition with meanings. This collection of essays exposes how meaning has been produced around the Great Exhibition. It contains a series of critical readings of the official and popular historical record of the Exhibition. Critics and historians of art, culture, design and literature have been brought together to examine the objects, the images, the documents and the fictions of 1851. Their essays explore the determined use of industrial knowledge, the contested definitions of nation and colony, and the actual control of the space of the Crystal Palace after the Great Exhibition closed. The Great Exhibition of 1851 presents new interpretations of one of the most significant exhibitions in the nineteenth century and will be essential reading for anyone studying cultural history, design history, art history and literature., The Great Exhibition of 1851 has become a touchstone for the 19th century. The Crystal Palace produced a commodity world, an imperial spectacle, a picture of capitalism, a liberal dream, a vision of modern life. Historians have saturated the Great Exhibition with meanings. This collection of essays exposes how meaning has been produced around the Great Exhibition. It contains a series of critical readings of the official and popular historical record of the exhibition. Critics and historians of art, culture, design and literature have been brought together to examine the objects, the images, the documents and the fictions of 1851. Their essays explore the determined use of industrial knowledge, the contested definitions of nation and colony, and the actual control of the space of the Crystal Palace after the Great Exhibition closed. This work presents interpretations of one of the most significant exhibitions in the 19th century and should be useful reading for anyone studying cultural history, design history, art history and literature.
LC Classification Number
T690.B1G75 2001
ebay_catalog_id
4
Copyright Date
2001
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eBay-objectnummer:364624647314
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