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Re-Issue, Re-Imagine & Re-Make : Appropriation in Contemporary Furniture Desi...

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eBay-objectnummer:364391349517
Laatst bijgewerkt op 18 sep 2024 20:24:59 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Vrijwel nieuw: Een boek dat er als nieuw uitziet, maar al wel is gelezen. De kaft is niet zichtbaar ...
ISBN
9781848222618
Book Title
Re-Issue, Re-Imagine and Re-Make : Appropriation in Contemporary Furniture Design
Publisher
Lund Humphries Publishers, The Limited
Item Length
9.2 in
Publication Year
2020
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
0.7 in
Author
Elisabeth Darby
Genre
Design, Art
Topic
Business Aspects, Furniture, Decorative Arts
Item Weight
27.3 Oz
Item Width
6.2 in
Number of Pages
208 Pages

Over dit product

Product Identifiers

Publisher
Lund Humphries Publishers, The Limited
ISBN-10
1848222610
ISBN-13
9781848222618
eBay Product ID (ePID)
2309561195

Product Key Features

Book Title
Re-Issue, Re-Imagine and Re-Make : Appropriation in Contemporary Furniture Design
Number of Pages
208 Pages
Language
English
Topic
Business Aspects, Furniture, Decorative Arts
Publication Year
2020
Illustrator
Yes
Genre
Design, Art
Author
Elisabeth Darby
Format
Hardcover

Dimensions

Item Height
0.7 in
Item Weight
27.3 Oz
Item Length
9.2 in
Item Width
6.2 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
23
Reviews
"Innovative in its approach, with a text that gives the reader new ways of understanding and appreciating contemporary furniture." --Elisabeth Bogdan, Decorative Arts Society
Dewey Decimal
749
Table Of Content
Introduction; 1. Defining the Design Icon; 2. Producing the Icon; 3. Companies and the Re-Imagining of the Icon; 4. Re-imagining and Re-Making the Icon; 5. The 'Anonymous' made Famous; 6. The Consumer as Designer and Maker; Conclusion
Synopsis
In recent years, there has been a great deal of interest in 'design classics', both in their increased availability and affordability through re-issues, and in their widespread re-interpretation by contemporary designers and artists. Focusing on chairs, this book examines this significant aspect of contemporary design practice. It does so, ......, In recent years, there has been a great deal of interest in 'design classics', both in their increased availability and affordability through re-issues, and in their widespread re-interpretation by contemporary designers and artists. Focusing on chairs, this book examines this significant aspect of contemporary design practice. It does so, not only in terms of works by well-known designers, but also relative to ubiquitous designs such as the monobloc, Thonet number 14, and Ming chairs. These varied examples of re-imagining and re-working are examined from an international perspective as designers and artists across the globe seek to bring new formal, material, and narrative interpretations to these iconic designs. Renewed interest in do-it-yourself, together with the growth of hacking, open-source design and digital fabrication, have all contributed to an expansion of the concepts of re-imagine and re-make in the new millennium. Embraced by professionals, amateurs and companies alike, these developments further attest to the diverse practice of re-interpretation in contemporary design. Bringing together key examples of the re-issuing, re-imagining and re-making of design icons, the book draws on observations from designers, artists and manufacturers in order to understand the varied motivations behind these activities. It places the works within their historical and cultural context, and considers the boundaries between art and design. Further, the book interrogates the issues of authenticity and authorship and the ethical and legal rights to copy and to alter iconic objects that are raised by these re-interpretations., In recent years, there has been a great deal of interest in "design classics"-that is, specific pieces of 20th century furniture-both in their increased availability and affordability through re-issues, and in their widespread re-interpretation by contemporary designers and artists. Focusing on chairs, where this phenomenon is most evident, this book critically examines this significant aspect of contemporary design practice. It does so, not only in terms of works by well-known designers, but also relative to ubiquitous designs such as the monobloc, Thonet chair number 14, and the Ming chair. These varied examples of re-imagining and re-working are examined from an international perspective as designers and artists across the globe seek to bring new formal, material, and narrative interpretations to these iconic designs. Renewed interest in do-it-yourself, together with the growth of hacking, opensource design, and digital fabrication, have all contributed to an expansion of the concepts of re-imagine and re-make in the new millennium. The book brings together key examples of design icons, and draws on observations from designers, artists, and manufacturers in order to understand the varied motivations behind these activities. It places the works within their wider historical and cultural context, and also considers the boundaries between art and design, as many of these re-imaginings transform a mass-produced item into a one-off or limited-edition collectible object. Further, the book interrogates the issues of authenticity and authorship, and the ethical and legal rights to copy and alter iconic objects, that are raised by these re-interpretations.
LC Classification Number
NK2230

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