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Sex Revolts : Gender, Rebellion, and Rock'N'Rolll, Paperback by Reynolds, Sim...
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Specificaties
- Objectstaat
- Book Title
- Sex Revolts : Gender, Rebellion, and Rock'N'Rolll
- ISBN
- 9780674802735
- Subject Area
- Music, Social Science
- Publication Name
- Sex Revolts : Gender, Rebellion, and Rock 'N' Roll
- Item Length
- 5.9 in
- Publisher
- Harvard University Press
- Subject
- History & Criticism, Gender Studies, Genres & Styles / Rock
- Publication Year
- 1996
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 31.7 in
- Item Width
- 15.2 in
- Item Weight
- 620.8 Oz
- Number of Pages
- 432 Pages
Over dit product
Product Information
The first book to look at rock rebellion through the lens of gender, The Sex Revolts captures the paradox at rock's dark heart--the music is often most thrilling when it is most misogynistic and macho. And, looking at music made by female artists, the authors ask: must it always be this way?
Product Identifiers
Publisher
Harvard University Press
ISBN-10
067480273x
ISBN-13
9780674802735
eBay Product ID (ePID)
15038785120
Product Key Features
Publication Name
Sex Revolts : Gender, Rebellion, and Rock 'N' Roll
Format
Trade Paperback
Language
English
Subject
History & Criticism, Gender Studies, Genres & Styles / Rock
Publication Year
1996
Type
Textbook
Subject Area
Music, Social Science
Number of Pages
432 Pages
Dimensions
Item Length
5.9 in
Item Height
31.7 in
Item Width
15.2 in
Item Weight
620.8 Oz
Additional Product Features
Intended Audience
Scholarly & Professional
Lc Classification Number
Ml82.R53 1996
Reviews
The language is punchy and erudite throughout. Phrases like 'invertebrate goo' resonate. Students of modern mythmaking should consider this required., This is rock criticism on the high slopes, brave, rigorous and endlessly well-read. The book's grand themes are sustained throughout and the authors are endlessly interesting, even about the many marginal and extreme figures on whom much of their arguments rest... This book is ultimately a landmark in rock and gender criticism precisely because it's a beacon of coherence that's also hip enough to convey the fact that rock is often at its most profound when it appears to be talking in tongues., An absolute delight...The most stimulating, provocative, enjoyable and intelligent book on rock and its relation to our world since Greil Marcus's Lipstick Traces ., Reynolds and Press's provocative and insightful The Sex Revolts should be read by everyone concerned with rock culture's impact. What differentiates this book from previous efforts...is its serious treatment of the central theme--the complex relationships among gender, rebellion, and rock music...It is the confluence of carefully considered text, numerous footnotes, and a broad-ranging bibliography that shape and support the critical analysis. This timely volume adds reasoned understanding to a high profile-issue. It is strongly recommended., Possibly the best analytic/critical tome this decade... Charged, challenging, and essential for anyone who still believes pop deserves to be approached with a little intelligence., Press and Reynolds range freely and effectively outside the narrow definition of rock culture. Their persuasive analysis of rebel misogynies starts with the phenomenon of 'postwar mom-ism,' and proceeds via Look Back in Anger , On the Road , Ken Kesey, and Timothy Leary to a clear understanding of how Jimi Hendrix came to 'remember a city by its chicks'... One of the most impressive things about The Sex Revolts is the way it manages not to lose its moorings...in a sea of erudition... Reynolds and Press have opened up a new frontier of critical dissension and contumely. For that, all those who love rock should salute them., Emerges as the only complete analysis of gender in rock music. The writing is intelligent, evocative, and engaging, rich in thought without becoming ponderous. Even those readers who question the authors' nervy paradigms will find this an authoritative, comprehensive history of rock. Thorough, unique, and challenging... Highly recommended., Joy Press and Simon Reynolds display a breadth of knowledge and research that ought to be demanded from Cultural Studies books, a range of examples from the most mainstream to Godflesh and Hugo Largo, with every prominent figure in between... The Sex Revolts is right up there with the best tomes on Rock--Greil Marcus's Lipstick Traces or Savage's England Dreaming --and deserves a place on the shelf of anyone who cares passionately about the Rock discourse., Press and Reynolds range freely and effectively outside the narrow definition of rock culture. Their persuasive analysis of rebel misogynies starts with the phenomenon of 'postwar mom-ism', and proceeds via Look Back in Anger , On the Road , Ken Kesey and Timothy Leary to a clear understanding of how Jimi Hendrix came to 'remember a city by its chicks'...One of the most impressive things about The Sex Revolts is the way it manages not to lose its moorings...in a sea of erudition...Reynolds and Press have opened up a new frontier of critical dissension and contumely. For that, all those who love rock should salute them., What Simon Reynolds and Joy Press are offering us is not a guide to the distaff side of pop music but a startlingly acute reading of rock through the lens of gender... One of the only really important books yet written about popular music culture... What [Reynolds and Press] have achieved with The Sex Revolts is formidable: we may never be able to listen to rock music in the same way again., Reynolds and Press's provocative and insightful The Sex Revolts should be read by everyone concerned with rock culture's impact. What differentiates this book from previous efforts...is its serious treatment of the central theme--the complex relationships among gender, rebellion, and rock music... It is the confluence of carefully considered text, numerous footnotes, and a broad-ranging bibliography that shape and support the critical analysis. This timely volume adds reasoned understanding to a high profile-issue. It is strongly recommended., Press and Reynolds range freely and effectively outside the narrow definition of rock culture. Their persuasive analysis of rebel misogynies starts with the phenomenon of 'postwar mom-ism', and proceeds via Look Back in Anger, On the Road, Ken Kesey and Timothy Leary to a clear understanding of how Jimi Hendrix came to 'remember a city by its chicks'...One of the most impressive things about The Sex Revolts is the way it manages not to lose its moorings...in a sea of erudition...Reynolds and Press have opened up a new frontier of critical dissension and contumely. For that, all those who love rock should salute them., An absolute delight... The most stimulating, provocative, enjoyable and intelligent book on rock and its relation to our world since Greil Marcus's Lipstick Traces ., Emerges as the only complete analysis of gender in rock music. The writing is intelligent, evocative, and engaging, rich in thought without becoming ponderous. Even those readers who question the authors' nervy paradigms will find this an authoritative, comprehensive history of rock. Thorough, unique, and challenging...Highly recommended., An absolute delight...The most stimulating, provocative, enjoyable and intelligent book on rock and its relation to our world since Greil Marcus's Lipstick Traces., This is rock criticism on the high slopes, brave, rigorous and endlessly well-read. The book's grand themes are sustained throughout and the authors are endlessly interesting, even about the many marginal and extreme figures on whom much of their arguments rest...This book is ultimately a landmark in rock and gender criticism precisely because it's a beacon of coherence that's also hip enough to convey the fact that rock is often at its most profound when it appears to be talking in tongues., Possibly the best analytic/critical tome this decade...Charged, challenging, and essential for anyone who still believes pop deserves to be approached with a little intelligence., What Simon Reynolds and Joy Press are offering us is not a guide to the distaff side of pop music but a startlingly acute reading of rock through the lens of gender...One of the only really important books yet written about popular music culture...What [Reynolds and Press] have achieved with The Sex Revolts is formidable: we may never be able to listen to rock music in the same way again., With The Sex Revolts music critics and sonic psychoanalysts Simon Reynolds and Joy Press delve deep beneath glib exteriors to forage among rock's dank sociosexual underpinnings...It is an analysis, not a polemic--but they do articulate the issues with a high degree of lucidity., Unabashed fans of male chauvinists from Jim Morrison to the Australian cult favorite Nick Cave, [Reynolds and Press] are also eloquent in their praise of a more womanly 'oceanic' aesthetic they discern in figures as diverse as the German avant-garde group Can, the punk poet Patti Smith, and Joni Mitchell's far-flung heiresses. Let's hope that this is not the last cross-disciplinary work that owes its ambitions to the cultural studies movement while refusing to succumb to academic provincialism and jargon., With The Sex Revolts , music critics and sonic psychoanalysts Simon Reynolds and Joy Press delve deep beneath glib exteriors to forage among rock's dank sociosexual underpinnings... It is an analysis, not a polemic--but they do articulate the issues with a high degree of lucidity., Joy Press and Simon Reynolds display a breadth of knowledge and research that ought to be demanded from Cultural Studies books, a range of examples from the most mainstream to Godflesh and Hugo Largo, with every prominent figure in between...The Sex Revolts is right up there with the best tomes on Rock--Greil Marcus's Lipstick Traces or Savage's England Dreaming--and deserves a place on the shelf of anyone who cares passionately about the Rock discourse.
Table of Content
Introduction PART 1: REBEL MISOGYNIES 1. Angry Young Men: Precursors and Prototypes for Rock Rebellion Rebel Without a Cause Look Back in Anger Jack Kerouac Timothy Leary Ken Keasy Rolling Stones 2. She's Hit: Songs of Fear and Loathing Rolling Stones John's Children Garage Punk Led Zepplin Roxy Music Tim Rose Nick Caves River's Edge 3. Careers in Misogyny: The Strangers and Malcolm McLaren 4. Born to Run: Wanderlust, Wilderness and the Cult of Speed The Doors Rolling Stones PiL Gang of Four Morrissey Bob Dylan Bruce Springsteen Tom Petty Iggy Pop Lynard Skynard Easy Rider Neil Young Kraftwerk Hardcore Techno 5. Brothers in Arms: Combat Rock and Other Stories for Boys The Clash Thin Lizzy Manic Street Preachers Public Enemy U2 6. Flirting With the Void: Abjection in Rock The Stooges Sex Pistols Throbbing Gristle Birthday Party Scratch Acid Grindcore Alice in Chains Nirvana Henry Rollins Devo 7. Wargasm: Metal and Machine Music Futurists Kraftwerk Techno Motorhead Iggy Pop Radio Birdman David Bowie Led Zepplin Young Gods 8. I Am the King: Delusions of Grandeur from Jim Morrison to Gangsta Rap Jim Morrison Sex Pistols Guns N'Roses Nice Caves lou Reed Jane's Addiction Elridge Cleaver LL Cool J Miles Davis Sly Stone Gangsta Rap 9. My Way: The Cult of the Psychopath The White Negro Jim Morrison Charles Manson Sid Vicious Big Black Slacker Apocalpse Culture PART 2: INTO THE MYSTIC 1. From Rebellion to Grace: The Pscyhedelic Mother's Boy 2. Back to Eden: Innocence, Indovlence and Pastoralism Mod Marc Bolan incredible String Band The Byrds West Coast Psychedelia Van Morrison Pink Floyd Dreampop Rave Ambient House The Orb Dub Reggae Ultramarine 3. Starsailing: Cosmic Rock John Cage John Coltrane The Byrds Jimi Hendrix Tim Buckley Pink Floyd 4. Flow Motion: Can, Eno and Oceanic Rock Can Brian Eno Robert Wyatt Miles Davis A. R. Kane 5. Soft Boys: Nostalgia, Incest and Zen Apathy Jimi Hendrix Morrissey John Lennon Elvis My Bloody Valentine PART 3: LIFT UP YOUR SKIRT AND SPEAK 1. Double Allegiances: The History of Rock 2. One of the Boys: Female Machisma Patti Smith Chrissie Hynde Kate Bush PJ Harvey Suzi Quatro Joan Jett Heart Kim Gordon L7 3. Open Your Heart: Confession and Catharsis from Janis Joplin to Courtney Love Sinead O'
Copyright Date
1995
Dewey Decimal
781.66/082
Dewey Edition
20
Illustrated
Yes
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