Afbeelding 1 van 8
Afbeelding 1 van 8
Landscape of Slavery: The Plantation in American Art - Mack & Hoffius - HC w/ DJ
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eBay-objectnummer:355001625190
Specificaties
- Objectstaat
- Subject Area
- Art, History
- Book title
- Title
- Subject
- United States / State & Local / South (Al, Ar, Fl, Ga, Ky, La, ms, Nc, SC, Tn, VA, WV), Collections, Catalogs, Exhibitions / General, American / General, Subjects & Themes / Plants & Animals
- ISBN
- 9781570037191
- Publication Name
- Landscape of Slavery : the Plantation in American Art
- Publisher
- University of South Carolina Press
- Item Length
- 10.9 in
- Publication Year
- 2008
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.8 in
- Item Weight
- 38 Oz
- Item Width
- 9.7 in
- Number of Pages
- 240 Pages
Over dit product
Product Identifiers
Publisher
University of South Carolina Press
ISBN-10
1570037191
ISBN-13
9781570037191
eBay Product ID (ePID)
60456910
Product Key Features
Number of Pages
240 Pages
Language
English
Publication Name
Landscape of Slavery : the Plantation in American Art
Subject
United States / State & Local / South (Al, Ar, Fl, Ga, Ky, La, ms, Nc, SC, Tn, VA, WV), Collections, Catalogs, Exhibitions / General, American / General, Subjects & Themes / Plants & Animals
Publication Year
2008
Type
Textbook
Subject Area
Art, History
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
38 Oz
Item Length
10.9 in
Item Width
9.7 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2007-026399
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
704.9/4997503
Synopsis
An exhibition catalog for a traveling exhibit to be debuted in January 2008, ""Landscape of Slavery"" marries art history with social history in an original study of plantation images from the eighteenth century through the present in an effort to unravel the realities and fictions inherent in this subject matter. Through eighty-nine color plates and six thematic essays, the collection examines depictions of plantations, plantation views, and related slave imagery in the context of the history of landscape painting in America, while addressing the impact of these images on U.S. race relations.A genre predominantly tied to the American South, the plantation view has traditionally received marginal attention in the study of American landscape art. Viewed primarily as a derivative of the early-eighteenth-century British estate view, the plantation image straddles the aesthetic boundary between topographical depiction and landscape painting. In recent years, plantation views have attracted the attention of several social historians who have identified the genre as a rich source for exploring issues of wealth, power, race, memory, nostalgia, and resentment. With each field of study operating independently, the various conclusions drawn suggest only a partial understanding of the issues that surround plantation images and related images of slavery in art. This exhibition and corresponding catalog, therefore, will provide an opportunity for a comprehensive and interdisciplinary examination of plantation imagery in the American South., An interdisciplinary approach to the social history and impact of plantation images and art Bridging art history and social history, Landscape of Slavery undertakes an original study of plantation images from the eighteenth century through the present to unravel the realities and mythology inherent in this complex and often provocative subject. Through eighty-three color plates, nineteen black-and-white illustrations, and six thematic essays, the collection examines depictions of plantation structures, plantation views, and related slave imagery and art in the context of the American landscape tradition, addressing the impact of these works on race relations in the United States. Created by artists as diverse as Thomas Coram, Louis Rémy Mignot, Dave "The Potter" Drake, Eastman Johnson, Winslow Homer, Alice Ravenel Huger Smith, Thomas Hart Benton, Hale Woodruff, Aaron Douglas, Juan Logan, Joyce Scott, Carrie Mae Weems, Radcliffe Bailey, and Kara Walker, the wide range of objects discussed includes paintings, drawings, photographs, statuary, ceramics, and items of folk art. A genre predominantly tied to the American South, the plantation view has received slight attention in the study of American landscape art. Regarded by art historians as derivative of the early-eighteenth-century British estate view, the plantation image straddles the aesthetic boundary between topographical depiction and landscape painting. In recent years, however, plantation views have increasingly attracted the attention of social and cultural historians who have identified the genre as a rich source for exploring themes of wealth, power, race, memory, nostalgia, and conflict. Landscape of Slavery provides a comprehensive and interdisciplinary examination of the aesthetic motives and social uses of this art in the shaping of Southern history and culture. The contributors analyze depictions of white dominion, Southern affluence, and the idealizing nostalgia of the post-Civil War era as well as the black aesthetic that has developed as a dissident counterpoint to this tradition. Serving as a companion to a traveling exhibit of the same name, the volume includes a foreword by Todd D. Smith, executive director of the Gibbes Museum of Art in Charleston, South Carolina; an introduction by editor and chief curator Angela D. Mack; and essays by John Michael Vlach, Roberta Sokolitz, Leslie King-Hammond, Maurie D. McInnis, Alexis L. Boylan, and Michael D. Harris., Through eighty-nine color plates and six thematic essays, this collection examines depictions of plantations, plantation views, and related slave imagery in the context of the history of landscape painting in America, while addressing the impact of these images on US race relations.
LC Classification Number
N8236.P466P53 2008
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