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Performer's Guide to Renaissance Music, Hardcover by Kite-Powell, Jeffery T. ...
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Specificaties
- Objectstaat
- Book Title
- Performer's Guide to Renaissance Music
- ISBN
- 9780253348661
- Subject Area
- Music
- Publication Name
- Performer's Guide to Renaissance Music
- Item Length
- 9.3 in
- Publisher
- Indiana University Press
- Subject
- History & Criticism, Instruction & Study / General
- Publication Year
- 2007
- Series
- Publications of the Early Music Institute Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.6 in
- Features
- New Edition
- Item Width
- 6.1 in
- Item Weight
- 32.2 Oz
- Number of Pages
- 504 Pages
Over dit product
Product Information
Revised and expanded since it first appeared in 1991, the guide features two new chapters on ornamentation and rehearsal techniques, as well as updated reference materials, internet resources, and other new material made available only in the last decade. The guide is comprised of focused chapters on performance practice issues such as vocal and choral music; various types of ensembles; profiles of specific instruments; instrumentation; performance practice issues; theory; dance; regional profiles of Renaissance music; and guidelines for directors. The format addresses the widest possible audience for early music, including amateur and professional performers, musicologists, theorists, and educators.
Product Identifiers
Publisher
Indiana University Press
ISBN-10
0253348668
ISBN-13
9780253348661
eBay Product ID (ePID)
57181285
Product Key Features
Publication Name
Performer's Guide to Renaissance Music
Format
Hardcover
Language
English
Features
New Edition
Subject
History & Criticism, Instruction & Study / General
Publication Year
2007
Series
Publications of the Early Music Institute Ser.
Type
Textbook
Subject Area
Music
Number of Pages
504 Pages
Dimensions
Item Length
9.3 in
Item Height
0.6 in
Item Width
6.1 in
Item Weight
32.2 Oz
Additional Product Features
Edition Number
2
LCCN
2006-038977
Intended Audience
Scholarly & Professional
LeafCats
378
Lc Classification Number
Ml457.P48 2007
Grade from
College Graduate Student
Edition Description
New Edition
Reviews
This volume stands as an admirable update to an already-informative how-to manual for performing Renaissance music. . . . The present edition comprises 31 essays by noted scholar-performers, including Bruce Dickey, Paul O'Dette, Anthony Rooley, Alexander Blachly, and Alejandro Planchart. . . . All the essays are thorough yet not too in-depth, concise but not superficial, and all offer solid starting points for further exploration. This volume . . . should be helpful to both performers and directors. . . . Recommended., "This volume stands as an admirable update to an already-informative how-to manual for performing Renaissance music. . . . The present edition comprises 31 essays by noted scholar-performers, including Bruce Dickey, Paul O'Dette, Anthony Rooley, Alexander Blachly, and Alejandro Planchart. . . . All the essays are thorough yet not too in-depth, concise but not superficial, and all offer solid starting points for further exploration. This volume . . . should be helpful to both performers and directors. . . . Recommended."-- Choice "I highly recommend this book as a practical and necessary reference work for anyone dealing with the scholarly study or performance practice of this musical time period. 2010:2"-- Fontes Artis Musicae, "I highly recommend this book as a practical and necessary reference work for anyone dealing with the scholarly study or performance practice of this musical time period." -Fontes Artis Musicae, 2010:2, "I highly recommend this book as a practical and necessary reference work for anyone dealing with the scholarly study or performance practice of this musical time period." -- Fontes Artis Musicae, 2010:2, "I highly recommend this book as a practical and necessary reference workfor anyone dealing with the scholarly study or performance practice of this musicaltime period." -- Fontes Artis Musicae, 2010:2, This volume stands as an admirable update to an already-informative how-to manual for performing Renaissance music.... The present edition comprises 31 essays by noted scholar-performers, including Bruce Dickey, Paul O'Dette, Anthony Rooley, Alexander Blachly, and Alejandro Planchart.... All the essays are thorough yet not too in-depth, concise but not superficial, and all offer solid starting points for further exploration. This volume... should be helpful to both performers and directors.... Recommended., "This volume stands as an admirable update to an already-informative how-to manual for performing Renaissance music.... The present edition comprises 31 essays by noted scholar-performers, including Bruce Dickey, Paul O'Dette, Anthony Rooley, Alexander Blachly, and Alejandro Planchart.... All the essays are thorough yet not too in-depth, concise but not superficial, and all offer solid starting points for further exploration. This volume... should be helpful to both performers and directors.... Recommended." -Choice, "This volume stands as an admirable update to an already-informative how-to manual for performing Renaissance music.... The present edition comprises 31 essays by noted scholar-performers, including Bruce Dickey, Paul O'Dette, Anthony Rooley, Alexander Blachly, and Alejandro Planchart.... All the essays are thorough yet not too in-depth, concise but not superficial, and all offer solid starting points for further exploration. This volume... should be helpful to both performers and directors.... Recommended." -- Choice, I highly recommend this book as a practical and necessary reference work for anyone dealing with the scholarly study or performance practice of this musical time period.
Table of Content
Contents Preface to Second Edition Preface to First Edition Note on Transliteration I. Vocal/Choral Issues 1. The Solo Voice Ellen Hargis 2. On Singing and the Vocal Ensemble IAlexander Blachly 3. On Singing and the Vocal Ensemble IIAlejandro Planchart 4. Practical Matters of Vocal PerformanceAnthony Rooley II. Wind, String, & Percussion Instruments 5. RecorderHerbert Myers 6. FluteHerbert Myers 7. Capped Double ReedsJeffery Kite-Powell 8. Shawm / CurtalRoss Duffin 9. RacketJeffery Kite-Powell 10. BagpipeAdam Knight Gilbert 11. CornettDouglas Kirk 12. SackbutStewart Carter 13. Bowed StringsWendy Gillespie 14. ViolinDavid Douglass 15. Plucked instrumentsPaul O'Dette 16. HarpHerbert Myers 17. PercussionBen Harms 18. Keyboard InstrumentsJack Ashworth III. Practical Considerations/Instrumentation 19. Jack Ashworth and Paul O'DetteProto-continuo 20. Mixed ensemblesJames Tyler 21. Large ensemblesJeffery Kite-Powell 22. Rehearsal Tips for Instrumental EnsemblesAdam Knight Gilbert 23. Performance editionsFrederick Gable IV. Performance Practice 24. Tuning & TemperamentRoss Duffin 25. Pitch & TranspositionHerbert Myers 26. Ornamentation and ImprovisationBruce Dickey 27. Pronunciation guidesRoss Duffin V. Aspects of Theory 28. Eight Brief Rules for Composing a Si Placet partAdam Knight Gilbert 29. Sarah MeadRenaissance Theory VI. Introduction to Renaissance Dance 30. Early Renaissance Dance, 1450-1520Yvonne Kendall VII. For the Early Music Director 31. Starting from scratchJeffery Kite-Powell Appendixes Notes Bibliography Index
Copyright Date
2007
Dewey Decimal
781.4/309031
Dewey Edition
22
Illustrated
Yes
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