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Women of Atelier 17 : Modernist Printmaking in Midcentury New York, Hardcover...
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eBay-objectnummer:353038521445
Specificaties
- Objectstaat
- Book Title
- Women of Atelier 17 : Modernist Printmaking in Midcentury New Yor
- ISBN
- 9780300238501
- Publication Year
- 2019
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Publication Name
- Women of Atelier 17 : Modernist Printmaking in Midcentury New York
- Item Height
- 0.1in
- Item Length
- 1in
- Publisher
- Yale University Press
- Item Width
- 0.8in
- Item Weight
- 44.3 Oz
- Number of Pages
- 296 Pages
Over dit product
Product Information
A timely reexamination of the experimental New York print studio Atelier 17, focusing on the women whose work defied gender norms through novel aesthetic forms and techniques
Product Identifiers
Publisher
Yale University Press
ISBN-10
0300238509
ISBN-13
9780300238501
eBay Product ID (ePID)
23038305991
Product Key Features
Publication Name
Women of Atelier 17 : Modernist Printmaking in Midcentury New York
Format
Hardcover
Language
English
Publication Year
2019
Type
Textbook
Number of Pages
296 Pages
Dimensions
Item Length
1in
Item Height
0.1in
Item Width
0.8in
Item Weight
44.3 Oz
Additional Product Features
Lc Classification Number
Ne538.N5w49 2019
Reviews
"Christina Weyl marshals impressive archival research to excavate the lives and social networks of women printmakers in Atelier 17 and offers convincing and beautifully described accounts of the strength and innovation of their work."--Jennifer L. Roberts, Harvard University "In this compelling study, Christina Weyl illuminates mid-twentieth century American women printmakers' formidable accomplishments in the face of art-world prejudice against their chosen medium and broader societal bias against their gender."--Paula Wisotzki, Loyola University Chicago, "Atelier 17 . . . transformed the printmaking landscape in the US. Women's contributions to that process come to life in this wide-ranging and thoughtful book."-- Hyperallergic "With scholarship about women artists having been mostly neglected until the latter half of the twentieth century, it is rewarding to see the burgeoning literature on women in the arts, including this fascinating book on the women printmakers of Atelier 17."--Natalia Lonchyna, ARLIS/NA Reviews "Weyl elucidates the material innovation and aesthetic strength of the prints made by women artists at Atelier 17 and weaves their previously overlooked achievements into the central narrative of postwar art."--Samantha Rippner, Print Quarterly "Weyl's book is much more complex, and her project far more radical than one might suspect. Full of lush illustrations and detailed biographies, the book easily draws in the reader . . . But the monograph ranges far beyond an expanded understanding of Atelier 17 . . . to larger examinations of the social, political, economic, and cultural fields in which these artists operated."--Jennifer Farrell, Gotham Center for New York City History Winner of the 2020 IFPDA Foundation Book Award, sponsored by the International Fine Print Dealers Association "Christina Weyl marshals impressive archival research to excavate the lives and social networks of women printmakers in Atelier 17 and offers convincing and beautifully described accounts of the strength and innovation of their work."--Jennifer L. Roberts, Harvard University "In this compelling study, Christina Weyl illuminates mid-twentieth century American women printmakers' formidable accomplishments in the face of art-world prejudice against their chosen medium and broader societal bias against their gender."--Paula Wisotzki, Loyola University Chicago, "Atelier 17 . . . transformed the printmaking landscape in the US. Women's contributions to that process come to life in this wide-ranging and thoughtful book."-- Hyperallergic "With scholarship about women artists having been mostly neglected until the latter half of the twentieth century, it is rewarding to see the burgeoning literature on women in the arts, including this fascinating book on the women printmakers of Atelier 17."--Natalia Lonchyna, ARLIS/NA Reviews "Weyl's book is much more complex, and her project far more radical than one might suspect. Full of lush illustrations and detailed biographies, the book easily draws in the reader . . . But the monograph ranges far beyond an expanded understanding of Atelier 17 . . . to larger examinations of the social, political, economic, and cultural fields in which these artists operated."--Jennifer Farrell, Gotham Center for New York City History "Christina Weyl marshals impressive archival research to excavate the lives and social networks of women printmakers in Atelier 17 and offers convincing and beautifully described accounts of the strength and innovation of their work."--Jennifer L. Roberts, Harvard University "In this compelling study, Christina Weyl illuminates mid-twentieth century American women printmakers' formidable accomplishments in the face of art-world prejudice against their chosen medium and broader societal bias against their gender."--Paula Wisotzki, Loyola University Chicago, "Atelier 17 . . . transformed the printmaking landscape in the US. Women's contributions to that process come to life in this wide-ranging and thoughtful book."-- Hyperallergic "With scholarship about women artists having been mostly neglected until the latter half of the twentieth century, it is rewarding to see the burgeoning literature on women in the arts, including this fascinating book on the women printmakers of Atelier 17."--Natalia Lonchyna, ARLIS/NA Reviews "Weyl elucidates the material innovation and aesthetic strength of the prints made by women artists at Atelier 17 and weaves their previously overlooked achievements into the central narrative of postwar art."--Samantha Rippner, Print Quarterly "A pleasure to read. [Weyl's] nuanced and well-informed explanations of thematic and technical details help readers to understand both components of illustrated prints. Additionally, her conjoining of historical narrative with a persuasive feminist analysis reminds readers of the complex intersections of aesthetics with gendered cultural politics in every aspect of artists' lives and works."--Helen Langa, Woman's Art Journal "Weyl's book is much more complex, and her project far more radical than one might suspect. Full of lush illustrations and detailed biographies, the book easily draws in the reader . . . But the monograph ranges far beyond an expanded understanding of Atelier 17 . . . to larger examinations of the social, political, economic, and cultural fields in which these artists operated."--Jennifer Farrell, Gotham Center for New York City History Winner of the 2020 IFPDA Foundation Book Award, sponsored by the International Fine Print Dealers Association "Christina Weyl marshals impressive archival research to excavate the lives and social networks of women printmakers in Atelier 17 and offers convincing and beautifully described accounts of the strength and innovation of their work."--Jennifer L. Roberts, Harvard University "In this compelling study, Christina Weyl illuminates mid-twentieth century American women printmakers' formidable accomplishments in the face of art-world prejudice against their chosen medium and broader societal bias against their gender."--Paula Wisotzki, Loyola University Chicago, "Atelier 17 . . . transformed the printmaking landscape in the US. Women's contributions to that process come to life in this wide-ranging and thoughtful book."-- Hyperallergic "Christina Weyl marshals impressive archival research to excavate the lives and social networks of women printmakers in Atelier 17 and offers convincing and beautifully described accounts of the strength and innovation of their work."--Jennifer L. Roberts, Harvard University "In this compelling study, Christina Weyl illuminates mid-twentieth century American women printmakers' formidable accomplishments in the face of art-world prejudice against their chosen medium and broader societal bias against their gender."--Paula Wisotzki, Loyola University Chicago, "Atelier 17 . . . transformed the printmaking landscape in the US. Women's contributions to that process come to life in this wide-ranging and thoughtful book."-- Hyperallergic "With scholarship about women artists having been mostly neglected until the latter half of the twentieth century, it is rewarding to see the burgeoning literature on women in the arts, including this fascinating book on the women printmakers of Atelier 17."--Natalia Lonchyna, ARLIS/NA Reviews "Weyl's book is much more complex, and her project far more radical than one might suspect. Full of lush illustrations and detailed biographies, the book easily draws in the reader . . . But the monograph ranges far beyond an expanded understanding of Atelier 17 . . . to larger examinations of the social, political, economic, and cultural fields in which these artists operated."--Jennifer Farrell, Gotham Center for New York City History Winner of the 2020 IFPDA Foundation Book Award, sponsored by the International Fine Print Dealers Association "Christina Weyl marshals impressive archival research to excavate the lives and social networks of women printmakers in Atelier 17 and offers convincing and beautifully described accounts of the strength and innovation of their work."--Jennifer L. Roberts, Harvard University "In this compelling study, Christina Weyl illuminates mid-twentieth century American women printmakers' formidable accomplishments in the face of art-world prejudice against their chosen medium and broader societal bias against their gender."--Paula Wisotzki, Loyola University Chicago
Copyright Date
2019
Target Audience
Scholarly & Professional
Topic
Women, Artists, Architects, Photographers, Prints, Techniques / Printmaking, History / Modern (Late 19th Century to 1945)
Lccn
2018-960097
Dewey Decimal
769.9747/10904
Dewey Edition
23
Illustrated
Yes
Genre
Biography & Autobiography, Art
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