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Jie Li Cinematic Guerrillas (Hardback)

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eBay-objectnummer:335266342564
Laatst bijgewerkt op 04 jun 2024 17:47:21 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...
Book Title
Cinematic Guerrillas
Publication Name
Cinematic Guerrillas : Propaganda, Projectionists, and Audiences in Socialist China
Title
Cinematic Guerrillas
Subtitle
Propaganda, Projectionists, and Audiences in Socialist China
Author
Jie Li
Format
Hardcover
ISBN-10
0231206267
EAN
9780231206266
ISBN
9780231206266
Publisher
Columbia University Press
Genre
Films & TV
Subject
Asia / China, Film / History & Criticism
Release Year
2023
Release Date
26/12/2023
Language
English
Country/Region of Manufacture
US
Item Height
0.9 in
Item Length
9 in
Subject Area
History, Performing Arts
Publication Year
2023
Type
Textbook
Item Width
6 in
Item Weight
20.6 Oz
Number of Pages
360 Pages

Over dit product

Product Information

Cinematic Guerrillas is a media history of Chinese film exhibition and reception that offers fresh insights into the powers and limits of propaganda.

Product Identifiers

Publisher
Columbia University Press
ISBN-10
0231206267
ISBN-13
9780231206266
eBay Product ID (ePID)
18061244706

Product Key Features

Author
Jie Li
Publication Name
Cinematic Guerrillas : Propaganda, Projectionists, and Audiences in Socialist China
Format
Hardcover
Language
English
Subject
Asia / China, Film / History & Criticism
Publication Year
2023
Type
Textbook
Subject Area
History, Performing Arts
Number of Pages
360 Pages

Dimensions

Item Length
9 in
Item Height
0.9 in
Item Width
6 in
Item Weight
20.6 Oz

Additional Product Features

LCCN
2023-008240
Intended Audience
Scholarly & Professional
Lc Classification Number
Pn1993.5.C4l4694
Reviews
In this groundbreaking book, Jie Li delivers a fascinating account of socialist cinema. Reviving the scene of mobile projection and reception, Li reveals the human as central to technology, infrastructure, and energy. By taking propaganda history seriously, Li makes a major contribution to global media theory and archaeology. Cinematic Guerrillas will reverberate across multiple fields in the years to come., Through its marvelous narrative, Cinematic Guerrillas makes a compelling case that reception constitutes the core of cinema's function and value . . . What Li manages to both uncover and produce is a rich and richly contradictory history of Chinese cinema, or, more precisely, of cinema in China, detailing in its intricacies how projectionists and audiences became key conduits of the "media revolution" that others might more commonly call the "Chinese revolution.", Jie Li's research on Maoist cinema as a spirit medium reveals the constant struggle to keep revolutionary enthusiasm high after the People's Republic of China was established in 1949. Her research on mobile projectionists brings out the complexity of working with rural audiences who sought the entertainment value in films meant to be understood ideologically. This book is a fine contribution to the study of cinema under socialism., How do you turn a scattered population into a revolutionary mass? Drawing on extensive archival and oral research, Li depicts the work of thousands of mobile projectionists traveling all over China training rural peoples for political struggle. A tour de force of historical reconstruction and theoretical intervention, this book shows how the Chinese revolution was also a media revolution dependent on the logistical work of 'cinematic guerillas.', Cinematic Guerrillas is cultural history at its best. Not only does it provide an engaging account of the culture of the young and aspiring PRC, but it also lays out an impeccable method to study socialist culture, straddling media studies and political economy to critically analyze some fundamental features of its very effective propaganda., Cinematic Guerillas is both a bumper research harvest and a thrilling read. The memories of Mao-era mobile projectionists and audiences make us understand and feel how the cinema enchanted its audiences with revolutionary spirit--and how it made them willing to pay the heavy price of utopian dreams., Cinematic Guerrillas offers an ingenious exploration of Mao-era China. Jie Li considers state messages conveyed in film, embedding them in a physical mediascape of itinerant projectionists who hauled equipment, cash-strapped collectives who paid for local screenings, and villagers who flocked to open-air showings for entertainment and respite. Perceptive, hilarious, and heartbreaking.
Table of Content
Acknowledgments Introduction: Revolutionary Spirit Mediumship Part I: Projectionists as Media Infrastructure 1. Cinematic Nation-Building: Media Networks and Spiritual Battlegrounds 2. Mobile Projectionists and the Things They Carried 3. The Three Sisters Movie Team: Projecting Models, Model Projectionists, and Female Projectionists 4. The Cost of Spiritual Food: A Ritual Economy of Rural Cinema Part II: Audiences as Creative Agents 5. The Hot Noise of Open-Air Cinema 6. Guerrilla Cinema and Guerrilla Reception 7. Transcultural Guerrillas: The Reception of Foreign Films in Socialist China 8. Poisonous Weeds and Censorship as Exorcism Epilogue Appendix: Interviews Notes Index
Dewey Decimal
791.430951
Dewey Edition
23
Illustrated
Yes

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