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D Ferrett Dark Sound (Paperback) Ex:Centrics
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eBay-objectnummer:335201479272
Specificaties
- Objectstaat
- Book Title
- Dark Sound
- Publication Name
- Dark Sound : Feminine Voices in Sonic Shadow
- Title
- Dark Sound
- Subtitle
- Feminine Voices in Sonic Shadow
- Format
- Trade Paperback
- ISBN-10
- 1501325795
- EAN
- 9781501325793
- ISBN
- 9781501325793
- Publisher
- Bloomsbury Publishing
- Genre
- Society & Culture
- Subject
- Music Dance & Theatre
- Release Date
- 18/11/2021
- Release Year
- 2021
- Language
- English
- Country/Region of Manufacture
- US
- Item Height
- 0.6in
- Item Length
- 8.5in
- Item Weight
- 11.1 Oz
- Series
- Ex:Centrics Ser.
- Publication Year
- 2021
- Type
- Textbook
- Item Width
- 5.5in
- Number of Pages
- 272 Pages
Over dit product
Product Information
Dark sound carries the dense cultural weight of darkness; it is the undertow of music that embodies melancholy, desire, grief, violence, rage, pain, loss and longing. Compelling and unnerving, dark sound immerses bodies in the darkest moments and delves into the depths of our hidden inner selves. There is a strangely perverse appeal about music that conjures intense affective states and about sound that can move its listeners to the very edge of the sayable. Through a series of case studies that include Moor Mother, Anna Calvi, Björk, Chelsea Wolfe and Diamanda Galás, D Ferrett argues that the extreme limits and transgressions of dark sound not only imply the limits of language, but are moreover tied to a cultural and historical association between darkness and the feminine within music and music discourse. Whilst the oppressive and violent associations between darkness and femininity are acknowledged, the author challenges their value to misogynistic, racist, capitalist and patriarchal power, showing how dark sound is charged with social, creative and political momentum.
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
1501325795
ISBN-13
9781501325793
eBay Product ID (ePID)
11038748217
Product Key Features
Publication Name
Dark Sound : Feminine Voices in Sonic Shadow
Format
Trade Paperback
Language
English
Publication Year
2021
Series
Ex:Centrics Ser.
Type
Textbook
Number of Pages
272 Pages
Dimensions
Item Length
8.5in
Item Height
0.6in
Item Width
5.5in
Item Weight
11.1 Oz
Additional Product Features
Series Volume Number
1
Lc Classification Number
Ml82.F49 2021
Reviews
"Finally dark music has a woman's voice to challenge the canon with demoniacal laughter, exuberant sophistication and a deliverance from dry analyses and dualisms. This book gives the reader the writing dark music has longed for and deserves, with innovative alchemy and philosophical wonder. This book changes musicology." -- Patricia MacCormack, Professor of Continental Philosophy, Anglia Ruskin University, UK "Intersectional and disruptive, Dark Sound invites us to open our ears to the world that lies in shadows beyond traditional (male, white, heteronormative) listening ranges. The darkened orchestra out there has the power to obliterate the limits of language, ratio and patriarchy, and this fascinating book offers an exciting audio guide to the cacophony of the unsaid and the unheard." -- Isabella van Elferen, Professor of Music and School Director of Research and Enterprise, Kingston University London, UK, and author of Gothic Music: The Sounds of the Uncanny (2012) "From the sirens who transfixed Odysseus to the 'Dark Lady' who prowls through Shakespeare's sonnets, from the ruthless sonic terrorism of Diamanda Galás to state-of-the-art black metal theory, this extraordinary meditation snakes through centuries of shadowy culture to weave together forbidden philosophies of sound, gender, and creativity. It is by turns symphonic, sizzling, and slinky, driven by a tempestuous intellectual energy that gathers obscurities, mysteries, and insurgencies into an unruly hymn - or an unforgiving lament - for the marginalized and defiant voices of the dark feminine." -- Nick Groom, Professor of English Literature, University of Macau, China, "Finally dark music has a woman's voice to challenge the canon with demoniacal laughter, exuberant sophistication and a deliverance from dry analyses and dualisms. This book gives the reader the writing dark music has longed for and deserves, with innovative alchemy and philosophical wonder. This book changes musicology." -- Patricia MacCormack, Professor of Continental Philosophy, Anglia Ruskin University, UK "Intersectional and disruptive, Dark Sound invites us to open our ears to the world that lies in shadows beyond traditional (male, white, heteronormative) listening ranges. The darkened orchestra out there has the power to obliterate the limits of language, ratio and patriarchy, and this fascinating book offers an exciting audio guide to the cacophony of the unsaid and the unheard." -- Isabella van Elferen, Professor of Music and School Director of Research and Enterprise, Kingston University London, UK, and author of Gothic Music: The Sounds of the Uncanny (2012) "From the sirens who transfixed Odysseus to the 'Dark Lady' who prowls through Shakespeare's sonnets, from the ruthless sonic terrorism of Diamanda Galás to state-of-the-art black metal theory, this extraordinary meditation snakes through centuries of shadowy culture to weave together forbidden philosophies of sound, gender, and creativity. It is by turns symphonic, sizzling, and slinky, driven by a tempestuous intellectual energy that gathers obscurities, mysteries, and insurgencies into an unruly hymn - or an unforgiving lament - for the marginalized and defiant voices of the dark feminine." -- Nick Groom, Professor of Literature in English, University of Macau, Finally dark music has a woman's voice to challenge the canon with demoniacal laughter, exuberant sophistication and a deliverance from dry analyses and dualisms. This book gives the reader the writing dark music has longed for and deserves, with innovative alchemy and philosophical wonder. This book changes musicology., Intersectional and disruptive, Dark Sound invites us to open our ears to the world that lies in shadows beyond traditional (male, white, heteronormative) listening ranges. The darkened orchestra out there has the power to obliterate the limits of language, ratio and patriarchy, and this fascinating book offers an exciting audio guide to the cacophony of the unsaid and the unheard., "Finally dark music has a woman's voice to challenge the canon with demoniacal laughter, exuberant sophistication and a deliverance from dry analyses and dualisms. This book gives the reader the writing dark music has longed for and deserves, with innovative alchemy and philosophical wonder. This book changes musicology." -- Patricia MacCormack, Professor of Continental Philosophy, Anglia Ruskin University, UK "Intersectional and disruptive, Dark Sound invites us to open our ears to the world that lies in shadows beyond traditional (male, white, heteronormative) listening ranges. The darkened orchestra out there has the power to obliterate the limits of language, ratio and patriarchy, and this fascinating book offers an exciting audio guide to the cacophony of the unsaid and the unheard." -- Isabella van Elferen, Professor of Music and School Director of Research and Enterprise, Kingston University London, UK, and author of Gothic Music: The Sounds of the Uncanny (2012), From the sirens who transfixed Odysseus to the 'Dark Lady' who prowls through Shakespeare's sonnets, from the ruthless sonic terrorism of Diamanda Galás to state-of-the-art black metal theory, this extraordinary meditation snakes through centuries of shadowy culture to weave together forbidden philosophies of sound, gender, and creativity. It is by turns symphonic, sizzling, and slinky, driven by a tempestuous intellectual energy that gathers obscurities, mysteries, and insurgencies into an unruly hymn - or an unforgiving lament - for the marginalized and defiant voices of the dark feminine., "Finally dark music has a woman's voice to challenge the canon with demoniacal laughter, exuberant sophistication and a deliverance from dry analyses and dualisms. This book gives the reader the writing dark music has longed for and deserves, with innovative alchemy and philosophical wonder. This book changes musicology." -- Patricia MacCormack, Professor of Continental Philosophy, Anglia Ruskin University, UK "Intersectional and disruptive, Dark Sound invites us to open our ears to the world that lies in shadows beyond traditional (male, white, heteronormative) listening ranges. The darkened orchestra out there has the power to obliterate the limits of language, ratio and patriarchy, and this fascinating book offers an exciting audio guide to the cacophony of the unsaid and the unheard." -- Isabella van Elferen, Professor of Music and Head of Performing Arts, Kingston University London, UK
Table of Content
Acknowledgements Introduction: Cosmologies of dark feminine soundings1. Rewiring love-sick text and listening for the dark lady2. At the frozen borderline of a music lover's discourse: The dark white voice3. Open to the demonic: A sonic articulation of desire4. The black hole song of unsounding mothers 5. Becoming-shadow thing, becoming-witch: Chelsea Wolfe's heavy mourning dirge 6. Abject virtuosa, darkened virtuosity: Diamanda Galás and swarms of powerConclusion. Of the refrain: Is the future dark? Notes References Index
Target Audience
College Audience
Topic
History & Criticism, Instruction & Study / Voice, Gender Studies
Dewey Decimal
781.59
Dewey Edition
23
Genre
Music, Social Science
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