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Robert A. Rosenstone Revisioning History (Paperback)
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Specificaties
- Objectstaat
- Book Title
- Revisioning History
- Publication Name
- Revisioning History : Film and the Construction of a New Past
- Title
- Revisioning History
- Subtitle
- Film and the Construction of a New Past
- ISBN-10
- 0691025347
- EAN
- 9780691025346
- ISBN
- 9780691025346
- Publisher
- Princeton University Press
- Format
- Trade Paperback
- Release Year
- 1995
- Release Date
- 01/01/1995
- Language
- English
- Country/Region of Manufacture
- US
- Item Height
- 0.6in
- Item Length
- 9.2in
- Item Weight
- 13 Oz
- Contributor
- Robert A. Rosenstone (Edited by)
- Genre
- Films & TV
- Series
- Princeton Studies in Culture/Power/History Ser.
- Subject
- History
- Publication Year
- 1995
- Type
- Textbook
- Item Width
- 6.1in
- Number of Pages
- 264 Pages
Over dit product
Product Information
In Revisioning History thirteen historians from around the world look at the historical film on its own terms, not as it compares to written history but as a unique way of recounting the past. How does film construct a historical world? What are the rules, codes, and strategies by which it brings the past to life? What does that historical construction mean to us? In grappling with these questions, each contributor looks at an example of New History cinema. Different from Hollywood costume dramas or documentary films, these films are serious efforts to come to grips with the past; they have often grown out of nations engaged in an intense quest for historical connections, such as India, Cuba, Japan, and Germany. The volume begins with an introduction by Robert Rosenstone. Part I, "Contesting History," comprises essays by Geoff Eley (on the film Distant Voices, Still Lives ), Nicholas B. Dirks ( The Home and the World ), Thomas Kierstead and Deidre Lynch ( Eijanaika ), and Pierre Sorlin ( Night of the Shooting Stars ). Contributing to Part II, "Visioning History," are Michael S. Roth ( Hiroshima Mon Amour ), John Mraz ( Memories of Underdevelopment ), Min Soo Kang ( The Moderns ) and Clayton R. Koppes ( Radio Bikini ). Part III, "Revisioning History" contains essays by Denise J. Youngblood ( Repentance ), Rudy Koshar ( Hitler: A Film from Germany ), Rosenstone ( Walker ), Sumiko Higashi ( Walker and Mississippi Burning ), and Daniel Sipe ( From the Pole to the Equator ).
Product Identifiers
Publisher
Princeton University Press
ISBN-10
0691025347
ISBN-13
9780691025346
eBay Product ID (ePID)
471656
Product Key Features
Publication Name
Revisioning History : Film and the Construction of a New Past
Format
Trade Paperback
Language
English
Series
Princeton Studies in Culture/Power/History Ser.
Publication Year
1995
Type
Textbook
Number of Pages
264 Pages
Dimensions
Item Length
9.2in
Item Height
0.6in
Item Width
6.1in
Item Weight
13 Oz
Additional Product Features
Series Volume Number
5
Lc Classification Number
Pn1995.2.R48 1995
Reviews
This excellent book of 13 articles explores how films construct an image of the past. . . . Revisioning History asks: what are the particular set of rules by which the past in represented on moving images? How does the present influence the representation of the past in films? Dealing with such topics as colonialism and Nazism, the films were made in the United States, Europe, Asia, and Latin America. -- Virginia Quarterly Review, This excellent book of 13 articles explores how films construct an image of the past. . . .Revisioning Historyasks: what are the particular set of rules by which the past in represented on moving images? How does the present influence the representation of the past in films? Dealing with such topics as colonialism and Nazism, the films were made in the United States, Europe, Asia, and Latin America. -- Virginia Quarterly Review, "This excellent book of 13 articles explores how films construct an image of the past. . . . Revisioning History asks: what are the particular set of rules by which the past in represented on moving images? How does the present influence the representation of the past in films? Dealing with such topics as colonialism and Nazism, the films were made in the United States, Europe, Asia, and Latin America."-- Virginia Quarterly Review, This excellent book of 13 articles explores how films construct an image of the past. . . . Revisioning History asks: what are the particular set of rules by which the past in represented on moving images? How does the present influence the representation of the past in films? Dealing with such topics as colonialism and Nazism, the films were made in the United States, Europe, Asia, and Latin America., This excellent book of 13 articles explores how films construct an image of the past. . . .Revisioning Historyasks: what are the particular set of rules by which the past in represented on moving images? How does the present influence the representation of the past in films? Dealing with such topics as colonialism and Nazism, the films were made in the United States, Europe, Asia, and Latin America., "This excellent book of 13 articles explores how films construct an image of the past. . . . Revisioning History asks: what are the particular set of rules by which the past in represented on moving images? How does the present influence the representation of the past in films? Dealing with such topics as colonialism and Nazism, the films were made in the United States, Europe, Asia, and Latin America." -- Virginia Quarterly Review
Table of Content
Acknowledgments Introduction 3 1 Distant Voices, Still Lives: The Family Is a Dangerous Place: Memory, Gender, and the Image of the working Class 17 2 The Home and the World: The Invention of Modernity in Colonial India 44 3 Eijanaika: Japanese Modernization and the Carnival of Time 64 4 The Night of the Shooting Stars: Fascism, Resistance, and the Liberation of Italy 77 5 Hiroshima Mon Amour: You Must Remember This 91 6 Memories of Underdevelopment: Bourgeois Consciousness/Revolutionary Context 102 7 The Moderns: Art, Forgery, and a Postmodern Narrative of Modernism 115 8 Radio Bikini: Making and Unmaking Nuclear Mythology 128 9 Repentance: Stalinist Terror and the Realism of Surrealism 139 10 Hitler: A Film from Germany: Cinema, History, and Structures of Feeling 155 11 From the Pole to the Equator: A Vision of a Worldless Past 174 12 Walker and Mississippi Burning: Postmodernism Versus Illusionist Narrative 188 13 Walker: The Dramatic Film as (Postmodern) History 202 Notes 215 List of Contributors 243 Film Credits 247 Index 249
Copyright Date
1995
Topic
Film / History & Criticism
Lccn
94-019563
Dewey Decimal
791.43/658
Intended Audience
College Audience
Dewey Edition
20
Illustrated
Yes
Genre
Performing Arts
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