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Michael Zryd Hollis Frampton (Hardback) Film and Culture Series
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Specificaties
- Objectstaat
- Book Title
- Hollis Frampton
- Publication Name
- Hollis Frampton : Navigating the Infinite Cinema
- Title
- Hollis Frampton
- Subtitle
- Navigating the Infinite Cinema
- Format
- Hardcover
- ISBN-10
- 0231201567
- EAN
- 9780231201568
- ISBN
- 9780231201568
- Publisher
- Columbia University Press
- Genre
- Films & TV
- Subject
- Arts & Photography
- Release Year
- 2023
- Release Date
- 09/05/2023
- Language
- English
- Country/Region of Manufacture
- US
- Item Height
- 0.7in
- Item Length
- 9.2in
- Series
- Film and Culture Ser.
- Publication Year
- 2023
- Type
- Textbook
- Item Width
- 6.1in
- Item Weight
- 20 Oz
- Number of Pages
- 328 Pages
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Product Information
Hollis Frampton was an American filmmaker, photographer, and theorist who bridged the experimental film and contemporary art worlds in the 1960s and 1970s. Best known for avant-garde films including Zorns Lemma (1970) and (nostalgia) (1971), Frampton spent his later years working on the unfinished epic Magellan , a monumental cycle that used the metaphor of Ferdinand Magellan's circumnavigation of the world to rethink the natures and meanings of history, modernity, and cinema. Frampton's career was cut short by cancer at age 48, with his vast ambitions for the project left incomplete. This book is a groundbreaking and comprehensive account of this remarkable figure's work in its totality, from Frampton's earliest films through Magellan . Michael Zryd explores the connections linking Frampton's art and thought to other media forms, histories, and cultural frameworks. He foregrounds Frampton's notion of the "infinite cinema," which redefined the parameters of the medium to encompass all forms of moving image and sound media across the past and future of cinematic possibility. Zryd analyzes Frampton's ambivalent relationship with modernism and the Enlightenment, showing how the artist navigated between attraction to radical artistic investigation and awareness of this tradition's implication in colonialism and other oppressive power structures. Shedding new light on Frampton's project of exploring and critiquing how cinema attempts to capture and understand the world, this book also considers his significance for contemporary art.
Product Identifiers
Publisher
Columbia University Press
ISBN-10
0231201567
ISBN-13
9780231201568
eBay Product ID (ePID)
12058352788
Product Key Features
Publication Name
Hollis Frampton : Navigating the Infinite Cinema
Format
Hardcover
Language
English
Publication Year
2023
Series
Film and Culture Ser.
Type
Textbook
Number of Pages
328 Pages
Dimensions
Item Length
9.2in
Item Height
0.7in
Item Width
6.1in
Item Weight
20 Oz
Additional Product Features
Lc Classification Number
Pn1998.3.F726z79
Reviews
At long last, we have an authoritative guide to the work of one of experimental film's most intriguing and polymathic figures. Through his meticulous study of Hollis Frampton's unfinished Magellan project, Michael Zryd illuminates the filmmaker's oeuvre as a whole, shedding light on the relationship between cinema, modernism, and epistemology., Zryd brings unmatched expertise to the task of resurrecting Hollis Frampton's last major work. The strength of this book resides in its ability to make the complexity of this massive cultural and artistic undertaking legible. Even for scholars of avant-garde cinema and veteran viewers of Frampton's films, it offers revelatory readings., The author of this volume mirrors his subject's all-embracing approach to the art-making task in hand, rigorously tracking the twists and turns in this remarkable artist's creations and the reverberations he had on the discourses of the day., This groundbreaking book offers a richly layered map for navigating Frampton's complex films and their intertexts. Devoting particular attention to the epic, encyclopedic, unfinished Magellan cycle, Zryd takes us on a deep dive into a speculative metahistory grounded in meticulous and expansive research. Frampton finds an articulate and generous interlocutor here: the energy of his last work endures through Zryd's engagement with the idea of a cinema that moves past all limits, towards the infinite., Hollis Frampton was a rigorous and complex individual, as well as a passionate and generous filmmaker/teacher. As a "Meta-Historian" of film, his radical work bridged the fields of cinema, poetry, mathematics, photography, xerography and early digital art. He made one of the defining films of the structural film canon, Zorns Lemma (1970), following it with the seminal, (anti-)autobiographical work nostalgia (1971). Magellan (1976-) was perhaps Frampton's equivalent to Wagner's Ring Cycle; an epic, wildly ambitious, calendrical film cycle lasting 36 hours that was only partially completed before his tragic premature death in 1984. Taking on the intimidating task of deciphering and decoding Frampton's project from the fragments left behind, Zryd not only renders Magellan legible for film scholars but contextualizes and evaluates the entire project in hugely readable and nourishing prose. This book will surely become the authoritative text, not only on Magellan , but on Frampton's oeuvre as a whole., At long last, we have an authoritative guide to the work of one of experimental film's most intriguing and polymathic figures. Through his meticulous study of Hollis Frampton's unfinished Magellan project, Michael Zryd illuminates the filmmaker's oeuvre as a whole, shedding light on the relationship among cinema, modernism, and epistemology., Examining not only the Magellan films but also Frampton's writings and archival materials, Zryd provides a sort of Bloomsday Book for deciphering this vast project, marking an invaluable contribution to the study of this singular filmmaker., Michael Zryd's elegant treatise on Hollis Frampton's late metafilms is the first to map the terrain of his accomplishment with commensurate intelligence and comprehensiveness. Zyrd synoptically conjugates the master's filmmaking, photography, and writing as an interlaced summa of the history of cinema and the most prescient bridge to its digital successors., Michael Zryd's elegant treatise on Hollis Frampton's late metafilms is the first to map the terrain of his accomplishment with commensurate intelligence and comprehensiveness. Zryd synoptically conjugates the master's filmmaking, photography, and writing as an interlaced summa of the history of cinema and the most prescient bridge to its digital successors., Michael Zryd has effectively relocated Frampton's most ambitious project--rescuing it from the insular world of experimental film history and resituating it in a broader cultural and artistic arena, populated on one side by Frampton's literary progenitors (T. S. Eliot, Jorge Luis Borges, and James Joyce) and on the other by a seminal group of then-contemporary artists (Robert Smithson, Carl Andre, and Yvonne Rainer)., This authoritative guide to the avant-garde filmmaker/photographer/theorist has been needed for years; finally, 40 years after Frampton's death, comes this comprehensive look at his life and career., An incredibly useful and necessary resource for anyone interested in synthesising Frampton's theories and reconstructing his cinematic goals, which remain pertinent in the digital age.
Table of Content
Acknowledgments Introduction: From the Chemistry of Cobalt to the Chemistry of Dirt 1. A Brief Introduction to Frampton's Films before Magellan 2. An Introduction to Magellan 3. Metahistory and the Archive: "Historical Necessity" and Tradition 4. Encyclopedism, the Universe, and Everything 5. Archeology: Millennial Allegories of Art, Representation, and Politics in the Camera Arts 6. The Constellation Conclusion: Virtual Future Metahistory Notes Bibliography Index
Topic
Film / Direction & Production, Film / History & Criticism, Film & Video
Lccn
2022-040559
Dewey Decimal
791.436110973
Intended Audience
Scholarly & Professional
Dewey Edition
23
Genre
Art, Performing Arts
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