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Accompaniment in Unaccompanied Bach: Interpreting the Sonatas and Partitas for V
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eBay-objectnummer:315215823173
Specificaties
- Objectstaat
- EAN
- 9780253021984
- ISBN
- 0253021987
- Binding
- TP
- Book Title
- Accompaniment in Unaccompanied Bach: Interpreting
- Publication Name
- Accompaniment in Unaccompanied Bach : Interpreting the Sonatas and Partitas for Violin
- Item Length
- 11in
- Publisher
- Indiana University Press
- Publication Year
- 2016
- Series
- Publications of the Early Music Institute Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6in
- Item Width
- 8.5in
- Item Weight
- 12.7 Oz
- Number of Pages
- 136 Pages
Over dit product
Product Information
Known around the world for his advocacy of early historical performance and as a skilled violin performer and pedagogue, Stanley Ritchie has developed a technical guide to the interpretation and performance of J. S. Bach's enigmatic sonatas and partitas for solo violin. Unlike typical Baroque compositions, Bach's six solos are uniquely free of accompaniment. To add depth and texture to the pieces, Bach incorporated various techniques to bring out a multitude of voices from four strings and one bow, including arpeggios across strings, multiple stopping, opposing tonal ranges, and deft bowing. Published in 1802, over 80 years after its completion in 1720, Bach's manuscript is without expression marks, leaving the performer to freely interpret the dynamics, fingering, bowings, and articulations. Marshaling a lifetime of experience, Stanley Ritchie provides violinists with deep insights into the interpretation and technicalities at the heart of these challenging pieces.
Product Identifiers
Publisher
Indiana University Press
ISBN-10
0253021987
ISBN-13
9780253021984
eBay Product ID (ePID)
219041831
Product Key Features
Publication Name
Accompaniment in Unaccompanied Bach : Interpreting the Sonatas and Partitas for Violin
Format
Trade Paperback
Language
English
Publication Year
2016
Series
Publications of the Early Music Institute Ser.
Type
Textbook
Number of Pages
136 Pages
Dimensions
Item Length
11in
Item Height
0.6in
Item Width
8.5in
Item Weight
12.7 Oz
Additional Product Features
Lc Classification Number
Mt145.B11r58 2016
Grade from
College Graduate Student
Reviews
"This 'work' fills what I have felt for many years to be a serious void in the violin literature. Performing and teaching the solo sonatas and partitas of Bach on both 'modern' and 'period' instruments has shown me how vital it is to have an authoritative 'work' that provides answers to the interpretive questions that will lead the contemporary violinist to a more historically informed performance. As I read (and re-read) these pages, I found myself saying 'bravo' and 'finally' frequently in happy agreement. Stanley Ritchie has given Francesco Geminiani, Leopold Mozart, and Pierre Baillot a worthy companion on the bookshelf of dedicated fiddlers. Thank you for this splendid addition to our literature! It has all of the elegance and integrity that has typified Richie's admirable fiddling in both the modern and 'authentic' worlds." 'e"Joseph Silverstein, violinist, conductor, and Professor of Music, "Superb! Very inspired material eloquently written. Stanley Ritchie explains each movement of Bach's solo violin Sonatas and Partitas with such clarity and understanding in the thought process without being in any way 'dry'. "-- Stringendo AUSTA "For any violinist, this book is a practical delight. It deserves to join the great works by Leopold Mozart, Editha Knocker, Leopold Auer, Pierre Baillot, Joseph Szigeti, and their peers, which are on every serious player's shelf."-- Fontes Artis Musicae "In this book the Nestor of American historically informed players offers a practical guide to the possibilities of translating the past in the present."--Reinhard Goebel, conductor and founder of Musica Antiqua Köln "This 'work' fills what I have felt for many years to be a serious void in the violin literature. Performing and teaching the solo sonatas and partitas of Bach on both 'modern' and 'period' instruments has shown me how vital it is to have an authoritative 'work' that provides answers to the interpretive questions that will lead the contemporary violinist to a more historically informed performance. As I read (and re-read) these pages, I found myself saying 'bravo' and 'finally' frequently in happy agreement. Stanley Ritchie has given Francesco Geminiani, Leopold Mozart, and Pierre Baillot a worthy companion on the bookshelf of dedicated fiddlers. Thank you for this splendid addition to our literature! It has all of the elegance and integrity that has typified Richie's admirable fiddling in both the modern and 'authentic' worlds."--Joseph Silverstein, violinist, conductor, and Professor of Music, "In this book the Nestor of American historically informed players offers a practical guide to the possibilities of translating the past in the present." 'e"Reinhard Goebel, conductor and founder of Musica Antiqua Köln, "In this book the Nestor of American historically informed players offers a practical guide to the possibilities of translating the past in the present." --Reinhard Goebel, conductor and founder of Musica Antiqua Köln
Table of Content
Foreword / Mauricio Fuks Acknowledgements Introduction 1. Principles of Interpretation Notation Polyphony Harmony Metre Dynamics Inequality Fingering Note Length Bow Direction Articulations Ornamentation 2. Dance Forms Allemanda Bourée/Borea Ciaccona Corrente Gavotte Gigue/Giga Loure Menuet Sarabanda/Sarabande Siciliana Double Preludio 3. Analytical Methods and Exercises G-Minor Adagio G-Minor Fuga D-Minor Allemanda 4. The Improvisatory Movements G-Minor Sonata: Adagio A-Minor Sonata: Grave 5. The Fugues G-Minor A-Minor C-Major 6. The Ostinato Movements Partita II: Ciaccona Sonata III: Adagio 7. The Dance-like Movements Bourée and Borea Tempo di Borea B-Minor Corrente D-Minor Corrente Gavotte en Rondeau The Giga The Gigue The Loure The Menuets The Sarabande and Sarabanda The B-Minor Sarabande The D-Minor Sarabanda 8. The Virtuoso Movements G-minor Sonata: Presto B-Minor Corrente - Double The A-Minor Finale The C-Major Allegro assai The E-Major Preludio 9. The Philosophical Movements The Allemanda B-Minor Partita D-Minor Partita 10. The Lyrical Movements The Siciliana A-Minor Sonata: Andante The C-Major Sonata: Largo 11. Right-hand Technique Polyphony Chordal Technique Martelé and Spiccato Sautillé Bariolage Ondeggiando 12. Left-hand Technique The Role of Vibrato Half-Position Choice of Fingerings Intonation Tuning Last Words Bibliography
Copyright Date
2016
Topic
History & Criticism, Instruction & Study / Techniques, Individual Composer & Musician
Lccn
2016-010954
Dewey Decimal
787.2183092
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Music
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