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Shakespeare and Multiplicity by Brian Gibbons (1993, Hardcover)
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Bevindt zich in: East Norwich, New York, Verenigde Staten
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eBay-objectnummer:315054274112
Specificaties
- Objectstaat
- Vrijwel nieuw
- Opmerkingen van verkoper
- ISBN
- 9780521444064
- Subject Area
- Literary Criticism
- Publication Name
- Shakespeare and Multiplicity
- Item Length
- 8.5 in
- Publisher
- Cambridge University Press
- Subject
- Shakespeare, European / English, Irish, Scottish, Welsh
- Publication Year
- 1993
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.7 in
- Item Width
- 5.5 in
- Item Weight
- 17 Oz
- Number of Pages
- 256 Pages
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Product Information
Brian Gibbons presents the idea of multiplicity as a way of understanding the form and style of Shakespeare's plays: composed of many different codes, woven together in a unique pattern for each play, rather than variations on fixed notions of comedy or tragedy. Selecting from different phases of Shakespeare's career, the book's method is comparison, using an imaginative range of texts and new approaches; there is also lively discussion of modern staging. Comparison with major works by Spenser, Sidney and Marlowe is complemented by a demonstration of Shakespeare's re-use of his own previous plays and poems. Far from reducing the plays to a formula, Brian Gibbons shows how criticism articulates what popular audiences have always known, that the plays' sheer abundance and variety is their strength. This 1993 book is scholarly, yet straightforward, on an issue of central interest.
Product Identifiers
Publisher
Cambridge University Press
ISBN-10
0521444063
ISBN-13
9780521444064
eBay Product ID (ePID)
1487432
Product Key Features
Publication Name
Shakespeare and Multiplicity
Format
Hardcover
Language
English
Subject
Shakespeare, European / English, Irish, Scottish, Welsh
Publication Year
1993
Type
Textbook
Subject Area
Literary Criticism
Number of Pages
256 Pages
Dimensions
Item Length
8.5 in
Item Height
0.7 in
Item Width
5.5 in
Item Weight
17 Oz
Additional Product Features
LCCN
92-042706
Intended Audience
Scholarly & Professional
Lc Classification Number
Pr2976 .G48 1993
Reviews
'In this continuously stimulating book ... studies ... are all richly argued, informed by a strong sense of the plays in the theatre, and of the ways in which they can be remade in a contemporary context ... This is a consistently readable book, free from jargon, but not therefore from subtlety.' David Lindley, Shakespeare Survey, '[This] book offers, in its six main chapters, several of the best brief studies so far written about Shakespeare's use of literary sources … this is a distinguished book.' Notes and Queries, ‘Reading Shakespeare and Multiplicity feels like a release into a toboggan run. This study is lively, elegantly written, pluralistic in its approaches, and often brilliant in its observations … The result is a book that sparkles with insights not only into Shakespeare but also into Spenser, Sidney, Marlowe, Lodge, Jonson and Nash ... the book is at points so lively that I could not put it down.’C. E. McGee, Modern Language Review, 'There is so much of interest in Brian Gibbon's Shakespeare and Multiplicity, each chapter warrants more attention than is here allowed. As an exercise in historicizing a play to open up new, important perspectives in a clear, subtle and engaging manner, his chapter on Cymbeline and Britain is exemplary, and this standard of criticism is sustained throughout the book ... All this, and a consistently lively engagement with the plays as theatre, make this a stimulating and important study.' Year's Work in English Studies, '[This] book offers, in its six main chapters, several of the best brief studies so far written about Shakespeare's use of literary sources ... this is a distinguished book.' Notes and Queries, 'In this continuously stimulating book … studies … are all richly argued, informed by a strong sense of the plays in the theatre, and of the ways in which they can be remade in a contemporary context … This is a consistently readable book, free from jargon, but not therefore from subtlety.' David Lindley, Shakespeare Survey, ‘[This] book offers, in its six main chapters, several of the best brief studies so far written about Shakespeare’s use of literary sources … this is a distinguished book.’Notes and Queries, ‘There is so much of interest in Brian Gibbon’s Shakespeare and Multiplicity, each chapter warrants more attention than is here allowed. As an exercise in historicizing a play to open up new, important perspectives in a clear, subtle and engaging manner, his chapter on Cymbeline and Britain is exemplary, and this standard of criticism is sustained throughout the book … All this, and a consistently lively engagement with the plays as theatre, make this a stimulating and important study.’Year’s Work in English Studies, 'Reading Shakespeare and Multiplicity feels like a release into a toboggan run. This study is lively , elegantly written, pluralistic in its approaches, and often brilliant in its observations ... The result is a book that sparkles with insights not only into Shakespeare but also into Spenser, Sidney, Marlowe, Lodge, Jonson and Nash ... the book is at points so lively that I could not put it down.' C. E. McGee, Modern Language Review, 'There is so much of interest in Brian Gibbon's Shakespeare and Multiplicity, each chapter warrants more attention than is here allowed. As an exercise in historicizing a play to open up new, important perspectives in a clear, subtle and engaging manner, his chapter on Cymbeline and Britain is exemplary, and this standard of criticism is sustained throughout the book … All this, and a consistently lively engagement with the plays as theatre, make this a stimulating and important study.' Year's Work in English Studies, 'Reading Shakespeare and Multiplicity feels like a release into a toboggan run. This study is lively, elegantly written, pluralistic in its approaches, and often brilliant in its observations ... The result is a book that sparkles with insights not only into Shakespeare but also into Spenser, Sidney, Marlowe, Lodge, Jonson and Nash ... the book is at points so lively that I could not put it down.' C. E. McGee, Modern Language Review, 'Reading Shakespeare and Multiplicity feels like a release into a toboggan run. This study is lively, elegantly written, pluralistic in its approaches, and often brilliant in its observations … The result is a book that sparkles with insights not only into Shakespeare but also into Spenser, Sidney, Marlowe, Lodge, Jonson and Nash ... the book is at points so lively that I could not put it down.' C. E. McGee, Modern Language Review
Table of Content
Acknowledgements; 1. Introduction; 2. Fabled Cymbeline; 3. A speechless dialect: interpreting the human body in Shakespeare's plays; 4. Shakespeare's 'road of excess': Titus Andronicus, The Taming of the Shrew, King Lear; 5. Always topical: Measure for Measure; 6. Amorous fictions in As You Like It; 7. Unstable Proteus: Marlowe and Antony and Cleopatra; 8. Multiplicity; Notes; Bibliography; Index.
Copyright Date
1993
Dewey Decimal
822.3/309
Dewey Edition
22
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