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Henning Schmidgen The Helmholtz Curves (Hardback) Forms of Living
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eBay-objectnummer:314839100142
Specificaties
- Objectstaat
- Book Title
- Helmholtz Curves : Tracing Lost Time
- Publication Name
- The Helmholtz Curves
- Title
- The Helmholtz Curves
- Subtitle
- Tracing Lost Time
- Translator
- Nils F. Schott
- Contributor
- Nils F. Schott (Translated by)
- Format
- Hardcover
- ISBN-10
- 0823261948
- EAN
- 9780823261949
- ISBN
- 9780823261949
- Publisher
- Fordham University Press
- Genre
- Science, Philosophy
- Topic
- Philosophy & Social Aspects, Movements / Phenomenology, History
- Release Date
- 15/09/2014
- Release Year
- 2014
- Language
- English
- Country/Region of Manufacture
- US
- Item Height
- 0.6in
- Item Length
- 9in
- Series
- Forms of Living
- Publication Year
- 2014
- Item Width
- 6in
- Item Weight
- 23.5 Oz
- Number of Pages
- 248 Pages
Over dit product
Product Information
In 1850, Hermann von Helmholtz conducted path breaking experiments on the propagation speed of the nervous impulse. This book reconstructs the cultural history of these experiments by focusing on Helmholtz's use of the "graphic method" and the subsequent use of his term "lost time" by Marcel Proust.
Product Identifiers
Publisher
Fordham University Press
ISBN-10
0823261948
ISBN-13
9780823261949
eBay Product ID (ePID)
204055699
Product Key Features
Book Title
Helmholtz Curves : Tracing Lost Time
Format
Hardcover
Language
English
Topic
Philosophy & Social Aspects, Movements / Phenomenology, History
Publication Year
2014
Genre
Science, Philosophy
Number of Pages
248 Pages
Dimensions
Item Length
9in
Item Height
0.6in
Item Width
6in
Item Weight
23.5 Oz
Additional Product Features
Lc Classification Number
Qp43
Reviews
The distinguished German scientist, Hermann von Helmholtz, and the superb French writer, Marcel Proust, never met. However, Henning Schmidgen's fascinating study of nineteenth century graphic machines, tracings, and early photography reveals how their shared preoccupation with the physiology and mechanics of muscles and nerves, however disparate, led them to remarkably similar discoveries about the arbitrary and unpredictable modern experience of time. -----Anson Rabinbach, Princeton University, author of The Human Motor, The distinguished German scientist, Hermann von Helmholtz, and the superb French writer, Marcel Proust, never met. However, Henning Schmidgen's fascinating study of nineteenth century graphic machines, tracings, and early photography reveals how their shared preoccupation with the physiology and mechanics of muscles and nerves, however disparate, led them to remarkably similar discoveries about the arbitrary and unpredictable modern experience of time., "The distinguished German scientist, Hermann von Helmholtz, and the superb French writer, Marcel Proust, never met. However, Henning Schmidgen's fascinating study of nineteenth century graphic machines, tracings, and early photography reveals how their shared preoccupation with the physiology and mechanics of muscles and nerves, however disparate, led them to remarkably similar discoveries about the arbitrary and unpredictable modern experience of time." -Anson Rabinbach, Princeton University, author of The Human Motor "This is a remarkable book. Starting from two images of graphic curves taken by Hermann von Helmholtz in 1851 in Knigsberg and preserved in the archives of the Acadmie des Sciences in Paris, Henning Schmidgen unfolds the universe of physiological time measurement as it took shape around the middle of the 19th century, reaching deep into the 20th century with its reverberations. Like in a burning glass, the book aligns the components of a new laboratory regime and their entanglement with the dawning age of energy conversion and of - electromagnetic communication and social control. The central figure holding the story together is a little 'gap': the fraction of a second in which, between stimulus and response, nothing appears to happen a time lost and yet of tremendous cultural brisance." -Hans-Jrg Rheinberger, Director at the Max Planck-Institute for the History of Science "Henning Schmidgen's exciting book is about laboratory practices and reaction time measurements, but it is as much a beautifully written map of visual culture of scientific experiments, the measured body, and the emergence of a modern sense of time. Schmidgen offers us an excellent piece of scholarship on scientific and technological culture that also demonstrates the importance of a Deleuzian history of science for the history of media." -Jussi Parikka, University of Southampton, author of What is Media Archaeology? "The Helmholtz Curves presents an archival discovery of the greatest importance not just to historians of science but to every scientist who studies the nervous system." -Laura Otis, Emory University, The distinguished German scientist, Hermann von Helmholtz, and the superb French writer, Marcel Proust, never met. However, Henning Schmidgen's fascinating study of nineteenth century graphic machines, tracings, and early photography reveals how their shared preoccupation with the physiology and mechanics of muscles and nerves, however disparate, led them to remarkably similar discoveries about the arbitrary and unpredictable modern experience of time., Henning Schmidgen's exciting book is about laboratory practices and reaction time measurements, but it is as much a beautifully written map of visual culture of scientific experiments, the measured body, and the emergence of a modern sense of time. Schmidgen offers us an excellent piece of scholarship on scientific and technological culture that also demonstrates the importance of a Deleuzian history of science for the history of media. -----Jussi Parikka, University of Southampton, author of What is Media Archaeology?, "The distinguished German scientist, Hermann von Helmholtz, and the superb French writer, Marcel Proust, never met. However, Henning Schmidgen's fascinating study of nineteenth century graphic machines, tracings, and early photography reveals how their shared preoccupation with the physiology and mechanics of muscles and nerves, however disparate, led them to remarkably similar discoveries about the arbitrary and unpredictable modern experience of time." -Anson Rabinbach, Princeton University, author of The Human Motor "This is a remarkable book. Starting from two images of graphic curves taken by Hermann von Helmholtz in 1851 in Knigsberg and preserved in the archives of the Acadmie des Sciences in Paris, Henning Schmidgen unfolds the universe of physiological time measurement as it took shape around the middle of the 19th century, reaching deep into the 20th century with its reverberations. Like in a burning glass, the book aligns the components of a new laboratory regime and their entanglement with the dawning age of energy conversion and of - electromagnetic communication and social control. The central figure holding the story together is a little 'gap': the fraction of a second in which, between stimulus and response, nothing appears to happen a time lost and yet of tremendous cultural brisance." -Hans-Jrg Rheinberger, Director at the Max Planck-Institute for the History of Science "Henning Schmidgen's exciting book is about laboratory practices and reaction time measurements, but it is as much a beautifully written map of visual culture of scientific experiments, the measured body, and the emergence of a modern sense of time. Schmidgen offers us an excellent piece of scholarship on scientific and technological culture that also demonstrates the importance of a Deleuzian history of science for the history of media." -Jussi Parikka, University of Southampton, author of What is Media Archaeology? "The Helmholtz Curves presents an archival discovery of the greatest importance not just to historians of science but to every scientist who studies the nervous system." -Laura Otis, Emory University "Grounded in archival sources, Schmidgen's book is a must-read for any historian of science interested in nineteenth-century physiology."--ISIS Review, This is a remarkable book. Starting from two images of graphic curves taken by Hermann von Helmholtz in 1851 in Königsberg and preserved in the archives of the Académie des Sciences in Paris, Henning Schmidgen unfolds the universe of physiological time measurement as it took shape around the middle of the 19th century, reaching deep into the 20th century with its reverberations. Like in a burning glass, the book aligns the components of a new laboratory regime and their entanglement with the dawning age of energy conversion and of - electromagnetic - communication and social control. The central figure holding the story together is a little 'gap': the fraction of a second in which, between stimulus and response, nothing appears to happen - a time lost and yet of tremendous cultural brisance. -----Hans-Jörg Rheinberger, Director at the Max Planck-Institute for the History of Science, "The distinguished German scientist, Hermann von Helmholtz, and the superb French writer, Marcel Proust, never met. However, Henning Schmidgen's fascinating study of nineteenth century graphic machines, tracings, and early photography reveals how their shared preoccupation with the physiology and mechanics of muscles and nerves, however disparate, led them to remarkably similar discoveries about the arbitrary and unpredictable modern experience of time." -Anson Rabinbach, Princeton University, author of The Human Motor "This is a remarkable book. Starting from two images of graphic curves taken by Hermann von Helmholtz in 1851 in Königsberg and preserved in the archives of the Académie des Sciences in Paris, Henning Schmidgen unfolds the universe of physiological time measurement as it took shape around the middle of the 19th century, reaching deep into the 20th century with its reverberations. Like in a burning glass, the book aligns the components of a new laboratory regime and their entanglement with the dawning age of energy conversion and of - electromagnetic communication and social control. The central figure holding the story together is a little 'gap': the fraction of a second in which, between stimulus and response, nothing appears to happen a time lost and yet of tremendous cultural brisance." -Hans-Jörg Rheinberger, Director at the Max Planck-Institute for the History of Science "Henning Schmidgen's exciting book is about laboratory practices and reaction time measurements, but it is as much a beautifully written map of visual culture of scientific experiments, the measured body, and the emergence of a modern sense of time. Schmidgen offers us an excellent piece of scholarship on scientific and technological culture that also demonstrates the importance of a Deleuzian history of science for the history of media." -Jussi Parikka, University of Southampton, author of What is Media Archaeology? "The Helmholtz Curves presents an archival discovery of the greatest importance not just to historians of science but to every scientist who studies the nervous system." -Laura Otis, Emory University, "The Helmholtz Curves presents an archival discovery of the greatest importance not just to historians of science but to every scientist who studies the nervous system." --Laura Otis, Emory University, "The Helmholtz Curves presents an archival discovery of the greatest importance not just to historians of science but to every scientist who studies the nervous system." -----Laura Otis, Emory University
Copyright Date
2014
Lccn
2014-930561
Dewey Decimal
571
Series
Forms of Living Ser.
Dewey Edition
23
Illustrated
Yes
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