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Imani D. Owens Turn the World Upside Down (Paperback)

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eBay-objectnummer:314839026274
Laatst bijgewerkt op 24 mei 2024 16:41:23 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...
Book Title
Turn the World Upside Down
Publication Name
Turn the World Upside Down : Empire and Unruly Forms of Black Folk Culture in the U. S. and Caribbean
Title
Turn the World Upside Down
Subtitle
Empire and Unruly Forms of Black Folk Culture in the U.S. and Car
ISBN-10
0231208898
EAN
9780231208895
ISBN
9780231208895
Publisher
Columbia University Press
Format
Trade Paperback
Release Year
2023
Release Date
04/07/2023
Language
English
Country/Region of Manufacture
US
Item Height
0.1in
Item Length
0.9in
Author
Imani D. Owens
Genre
Literary Criticism
Series
Black Lives in the Diaspora: Past / Present / Future Ser.
Publication Year
2023
Type
Textbook
Item Width
0.6in
Item Weight
14.2 Oz
Number of Pages
280 Pages

Over dit product

Product Information

Imani D. Owens recasts Black creators' relationship to folk culture, emphasizing their formal and stylistic innovations and experiments in self-invention that reach beyond the local to the world.

Product Identifiers

Publisher
Columbia University Press
ISBN-10
0231208898
ISBN-13
9780231208895
eBay Product ID (ePID)
22058364456

Product Key Features

Author
Imani D. Owens
Publication Name
Turn the World Upside Down : Empire and Unruly Forms of Black Folk Culture in the U. S. and Caribbean
Format
Trade Paperback
Language
English
Publication Year
2023
Series
Black Lives in the Diaspora: Past / Present / Future Ser.
Type
Textbook
Number of Pages
280 Pages

Dimensions

Item Length
0.9in
Item Height
0.1in
Item Width
0.6in
Item Weight
14.2 Oz

Additional Product Features

Lc Classification Number
Ps153.B53o94 2023
Reviews
Turn the World Upside Down profoundly recreates the literary and cultural history of Black diasporic modernism. Working across national and linguistic borders, the book brings a richly comparative method to texts too often siloed in disciplinary and area studies scholarship, from works by US literary icons like Langston Hughes and Zora Neale Hurston to less-studied figures like the Cuban performer Eusebia Cosme. Owens's "critical return to folk culture" will forever change how readers approach the beautiful "unruliness" and asymmetry of Black cultural expression., Turn the World Upside Down is a groundbreaking contribution to scholarship on early twentieth-century Black folk culture in the Americas. This truly innovative and complex study ranges across linguistic and national boundaries and represents a major contribution to the fields of African diaspora studies, Caribbean studies, and American studies., Turn the World Upside Down profoundly recreates the literary and cultural history of Black diasporic modernism. Working across national and linguistic borders, the book brings a richly comparative method to texts too often siloed in disciplinary and area studies scholarship, from works by U.S. literary icons like Langston Hughes and Zora Neale Hurston to less-studied figures like the Cuban performer Eusebia Cosme. Imani D. Owens's 'critical return to folk culture' will forever change how readers approach the beautiful 'unruliness' and asymmetry of Black cultural expression., Turn the World Upside Down is a groundbreaking contribution to scholarship on early twentieth-century Black folk culture in the Americas. This truly innovative and complex study ranges across linguistic and national boundaries and represents a major contribution to the fields of African diaspora studies, Caribbean studies, and American studies, Original and compelling, Turn the World Upside Down invests in and expands Black diaspora studies, displays stunning archival research, and highlights heretofore unseen connections and underread texts next to highly known figures in the field., Thoughtfully written and creatively argued, Turn the World Upside Down is both fascinating and timely. Imani Owens innovatively theorizes the idea of folk culture to bring new insights to the field by helping us to rethink our understanding of "folk culture" and its manifold functions in African diasporic cultures. In fact, Owens performs a disruption of her own by bringing together US empire studies and New Southern Studies to offer a multilingual, comparative, transnational analysis that enriches and deepens our readings of African diasporic literatures and cultures.
Table of Content
Acknowledgments Prologue Part I. Writing the Crossroads 1. Georgia Dusk and Panama Gold: Jean Toomer, Eric Walrond, and the "Death" of Folk Culture 2. Compelling Insinuation and the Uses of Ethnography: Zora Neale Hurston, Jean Price-Mars, and the U.S. Occupation of Haiti Part II. Performing the Archive 3. "Cuban Evening": The Poetics of Translation in the Work of Eusebia Cosme, Nicolás Guillén, and Langston Hughes 4. Reinterpreting Folk Culture at the "End of the World": Sylvia Wynter's Dance and Radio Drama Coda: Toward an Ontological Sovereignty Notes Bibliography Index
Topic
Caribbean & Latin American, American / African American, Modern / 20th Century
Lccn
2022-049013
Dewey Decimal
810.9896
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Literary Criticism

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