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Chad Elias Posthumous Images (Hardback) (UK IMPORT)
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eBay-objectnummer:305340134060
Specificaties
- Objectstaat
- Book Title
- Posthumous Images
- Publication Name
- Posthumous Images
- Title
- Posthumous Images
- Subtitle
- Contemporary Art and Memory Politics in Post–Civil War Lebanon
- ISBN-10
- 0822347105
- EAN
- 9780822347101
- ISBN
- 9780822347101
- Publisher
- Duke University Press
- Format
- Hardcover
- Release Year
- 2018
- Release Date
- 15/06/2018
- Language
- English
- Country/Region of Manufacture
- US
- Item Height
- 0.8in
- Item Length
- 9.3in
- Item Weight
- 22.4 Oz
- Series
- Art History Publication Initiative
- Publication Year
- 2018
- Type
- Textbook
- Genre
- Art, History, Social Science
- Topic
- Middle Eastern, History / Contemporary (1945-), Art & Politics, Sociology / General, Middle East / General, Subjects & Themes / General
- Item Width
- 6.3in
- Number of Pages
- 264 Pages
Over dit product
Product Information
Chad Elias analyzes a generation of artists working in Lebanon who interrogate Lebanon's civil war (1975-1990), showing how their appropriation and creation of images challenge divisive political discourse, give a voice to those silenced and forgotten, and provide the means to reimagine Lebanon's future.
Product Identifiers
Publisher
Duke University Press
ISBN-10
0822347105
ISBN-13
9780822347101
eBay Product ID (ePID)
239652558
Product Key Features
Format
Hardcover
Language
English
Topic
Middle Eastern, History / Contemporary (1945-), Art & Politics, Sociology / General, Middle East / General, Subjects & Themes / General
Publication Year
2018
Type
Textbook
Genre
Art, History, Social Science
Number of Pages
264 Pages
Dimensions
Item Length
9.3in
Item Height
0.8in
Item Width
6.3in
Item Weight
22.4 Oz
Additional Product Features
Lc Classification Number
P96.W352l44 2018
Reviews
Chad Elias's thoughtful analysis of artistic activity under 'state-sanctioned amnesia' in the Lebanese context is eye-opening and a source of inspiration for anyone interested in the long lasting effects of imperial violence. The Lebanese Civil War and the amnesia it continues to generate are not assumed as a background against which Lebanese art is studied, or as a source of an un-presentable trauma. Amnesia is conceived as orchestrated by the state, and integral to an entire economy of violence, desires, and mistranslations. Elias ingeniously shows art to be both a product of and a medium for this economy, but also a form of resistance to it., Posthumous Images is a rigorous work of scholarship that offers a timely intervention into existing discourses on lens-based media and memory. The book offers a clear and important route to thinking beyond the widely accepted inadequacies of the visual without recourse to conventional models of documentary truth., Using a variety of contemporary Lebanese works of art..., Elias analyzes and illustrates how contemporary art plays a critical role in attempting to evoke the past and recreate the future under conditions of amnesia, violence, and unresolved war.... [ Posthumous Images ] is clearly written; its arguments are convincingly constructed and structured., Offering a compelling overview of contemporary Lebanese art, Posthumous Images is a welcome addition to cutting-edge scholarship on the Middle East, critically addressing the relationship between media and performance, and the formation of experimental memory cultures following periods of state violence and military conflicts., Posthumous Images is a welcome contribution to the study of contemporary art from the Middle East, significant in its substantive engagements with a generation of artists in Lebanon that has been championed around the world for its theoretically sophisticated responses to a devastating conflict and its tense, inconclusive afterlives. Elias offers important provocations for further study of cultural production in Lebanon, through his identification of a tension between a 'politics of representation' and a 'politics of truth', his attention to 'communities of witnessing' that contest a state-imposed post-war condition of forgetting, and his analysis of the role of media technologies in circulating images of contested histories., Posthumous Images is, in sum, a brilliant book, sparkling with ambition and insight but also a couple of squibs in judgement that may be attributed more to the confidence of an exuberant intellect at work than to any lack of sensitivity., Elias's erudite and thoughtful writing, self-reflexively aware of the failures of translation, offers a refreshing alternative to this starved corpus. . . . Posthumous Images generates a valuable dialogue between theory and art, whereby they complicate and complement one another., Sophisticated and carefully researched . . . . The significance of [Elias's] book for current Anglophone art history is its in-depth and rewarding analysis of a context outside the usual terms of reference., This is a stimulating study, impressive in its writing. Because Elias builds his chapters upon a culled selection of work, there is space for him to construct his claims through elegant constellations of references to theorists rather than direct citations of historical studies. The result is a book that gives air to both its readings and possible gaps in those readings' explanatory power.
Publication Name
Posthumous Images : Contemporary Art and Memory Politics in Post-Civil War Lebanon
Table of Content
List of Illustrations ix Acknowledgments xiii Introduction 1 1. Captive Subjects: On the Geopolitics of Sex and Translation in Walid Raad's Hostage: The Bachar Tapes 27 2. Resistance, Video Martyrdom, and the Afterlife of the Lebanese Left 55 3. Latent Images, Buried Bodies: Mourning Lebanon's Disappeared 93 4. Suspended Places: The Void and the Monument in Post-Civil War Beirut 131 5. Images of Futures Past: The Lebanese Rocket Society 159 Coda. Time Bomb 177 Notes 193 Bibliography 225 Index 239
Copyright Date
2018
Lccn
2017-048847
Intended Audience
Scholarly & Professional
Series
Art History Publication Initiative Ser.
Illustrated
Yes
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