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Allister Mactaggart The Film Paintings of David Lynch (Paperback) (UK IMPORT)

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Specificaties

Objectstaat
Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...
Book Title
The Film Paintings of David Lynch
Publication Name
Film Paintings of David Lynch : Challenging Film Theory
Title
The Film Paintings of David Lynch
Subtitle
Challenging Film Theory
ISBN-10
1841503320
EAN
9781841503325
ISBN
9781841503325
Publisher
Intellect, The Limited
Format
Trade Paperback
Release Year
2010
Release Date
15/07/2010
Language
English
Country/Region of Manufacture
GB
Item Height
0.1in
Item Length
0.9in
Author
Allister Mactaggart
Genre
Films & TV
Item Width
0.7in
Item Weight
17.1 Oz
Publication Year
2010
Type
Textbook
Number of Pages
203 Pages

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Product Information

One of the most distinguished filmmakers working today, David Lynch is a director whose vision of cinema is firmly rooted in fine art. He was motivated to make his first film as a student because he wanted a painting that "would really be able to move." Most existing studies of Lynch, however, fail to engage fully with the complexities of his films' relationship to other art forms. The Film Paintings of David Lynch fills this void, arguing that Lynch's cinematic output needs to be considered within a broad range of cultural references. Aiming at both Lynch fans and film studies specialists, Allister Mactaggart addresses Lynch's films from the perspective of the relationship between commercial film, avant-garde art, and cultural theory. Individual Lynch films-- The Elephant Man , Blue Velvet , Twin Peaks , Lost Highway, The Straight Story , Mulholland Drive , Inland Empire --are discussed in relation to other films and directors, illustrating that the solitary, or seemingly isolated, experience of film is itself socially, culturally, and politically important. The Film Paintings of David Lynch offers a unique perspective on an influential director, weaving together a range of theoretical approaches to Lynch's films to make exciting new connections among film theory, art history, psychoanalysis, and cinema.

Product Identifiers

Publisher
Intellect, The Limited
ISBN-10
1841503320
ISBN-13
9781841503325
eBay Product ID (ePID)
79300587

Product Key Features

Author
Allister Mactaggart
Publication Name
Film Paintings of David Lynch : Challenging Film Theory
Format
Trade Paperback
Language
English
Publication Year
2010
Type
Textbook
Number of Pages
203 Pages

Dimensions

Item Length
0.9in
Item Height
0.1in
Item Width
0.7in
Item Weight
17.1 Oz

Additional Product Features

Reviews
"Allister Mactaggart's singular achievement is to freely bring the affect and the emotion of viewing Lynch's films to the questions of how they can be studied. The Film Paintings of David Lynch crosses the boundaries of how we experience different forms of art, breaks down generic criticism and methodological conventions, and in doing this it presents us with fresh ways of thinking psychoanalysis and aesthetics in cultural writing. Rather than offering Lynch newly cut and dried, it enables us in our turn to value our seeing and our feeling of this remarkable body of work."-Adrian Rifkin, University of London, Allister Mactaggart's singular achievement is to freely bring the affect and the emotion of viewing Lynch's films to the questions of how they can be studied.   The Film Paintings of David Lynch crosses the boundaries of how we experience different forms of art, breaks down generic criticism and methodological conventions, and in doing this it presents us with fresh ways of thinking psychoanalysis and aesthetics in cultural writing. Rather than offering Lynch newly cut and dried, it enables us in our turn to value our seeing and our feeling of this remarkable body of work., Allister Mactaggart's singular achievement is to freely bring the affect and the emotion of viewing Lynch's films to the questions of how they can be studied. The Film Paintings of David Lynch crosses the boundaries of how we experience different forms of art, breaks down generic criticism and methodological conventions, and in doing this it presents us with fresh ways of thinking psychoanalysis and aesthetics in cultural writing. Rather than offering Lynch newly cut and dried, it enables us in our turn to value our seeing and our feeling of this remarkable body of work.
Table of Content
Acknowledgements Introduction: Towards a Palimpsest Chapter 1: Ever Died? Ever Failed? No Matter. Die Again. Fail Better. Immanence and Transcendence in Twin Peaks (With Apologies to Samuel Beckett) Chapter 2: Reasons to be Tearful: Snapshots of Lynchian Excess Chapter 3: Driven to Distraction: Hitching a Ride along the Lynchian Highway Chapter 4: Pierced by the Past: Filmic Trauma; Remembering and Forgetting Chapter 5: 'It is Happening Again': Experiencing the Lynchian Uncanny Chapter 6: The Return of the Repressed: INLAND EMPIRE , DavidLynch.Com, and the Re-emergence of Film Painting Conclusion: Stitching up Lynch Bibliography Index
Copyright Date
2010
Target Audience
Scholarly & Professional
Topic
Film / General, Criticism & Theory, American / General, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts)
Dewey Decimal
791.430233092
Dewey Edition
22
Illustrated
Yes
Genre
Art, Performing Arts

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