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Bradley G Shope American Popular Music in Britain's Raj (Hardback)

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Laatst bijgewerkt op 12 jun 2024 15:50:29 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...
Book Title
American Popular Music in Britain's Raj
Title
American Popular Music in Britain's Raj
EAN
9781580465489
ISBN
9781580465489
Release Date
01/30/2016
Release Year
2016
ISBN-10
158046548X
Country/Region of Manufacture
US
Genre
Music Dance & Theatre
Item Weight
18.1 Oz
Subject Area
Music, History
Publication Name
American Popular Music in Britain's Raj
Publisher
University of Rochester Medical Press
Item Length
9.5 in
Subject
Ethnomusicology, General, Asia / India & South Asia, Ethnic, Genres & Styles / Pop Vocal, Genres & Styles / Jazz
Publication Year
2016
Series
Eastman Studies in Music Ser.
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.8 in
Author
Bradley G. Shope
Item Width
6.4 in
Number of Pages
252 Pages

Over dit product

Product Identifiers

Publisher
University of Rochester Medical Press
ISBN-10
158046548X
ISBN-13
9781580465489
eBay Product ID (ePID)
2309774885

Product Key Features

Number of Pages
252 Pages
Publication Name
American Popular Music in Britain's Raj
Language
English
Publication Year
2016
Subject
Ethnomusicology, General, Asia / India & South Asia, Ethnic, Genres & Styles / Pop Vocal, Genres & Styles / Jazz
Type
Textbook
Author
Bradley G. Shope
Subject Area
Music, History
Series
Eastman Studies in Music Ser.
Format
Hardcover

Dimensions

Item Height
0.8 in
Item Weight
18.1 Oz
Item Length
9.5 in
Item Width
6.4 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2015-036869
Dewey Edition
23
Series Volume Number
131
CLASSIFICATION_METADATA
{"IsNonfiction":["Yes"],"IsOther":["No"],"IsAdult":["No"],"MuzeFormatDesc":["Hardcover"],"IsChildren":["No"],"Genre":["HISTORY","MUSIC"],"Topic":["Genres & Styles / Pop Vocal","Genres & Styles / Jazz","Asia / India & South Asia","General","Ethnic","Ethnomusicology"],"IsTextBook":["Yes"],"IsFiction":["No"]}
Volume Number
Vol. 131
Illustrated
Yes
Dewey Decimal
781.640973/0954
Table Of Content
List of FiguresAcknowledgmentsIntroductionEntertainment Globalization, 1850s to 1910sTechnologies, Exoticism, and Entrepreneurs, 1920s and 1930sCalcutta in the WarThe Case of LucknowCabaret Sequences in Hindi FilmsAfterwordNotesBibliographyFilmography and DiscographyIndex
Synopsis
The first systematic study to address the character and scope of American popular music in India during British rule.American Popular Music in Britain's Raj is the first systematic study of the character and scope of American popular music in India during British rule. Drawing on ethnographic and archival research, it examines blackface minstrel shows, ragtime, jazz, and representations of Hollywood film music in Bombay cabarets and Hindi film songs, identifying key musical moments in the development of these styles between the mid-nineteenth and mid-twentieth centuries. The book describes the entertainment idioms and frameworks that supported the growth of these imported styles; further, it surveys a variety of historical contexts under colonialism that influenced their meaning and commercial value. Focusing on Calcutta (modern Kolkata), Lucknow, and Bombay (modern Mumbai), Bradley Shope traces the movement of this music between the United States, England, and India, and addresses a variety of groups and communities, including the US military in Calcutta during World War II, Anglo-Indians in Lucknow in the 1930s and 1940s, and British residents across North India in the nineteenth and twentieth centuries. Bradley G. Shope is assistant professor of music at Texas A&M University-Corpus Christi.mmunities, including the US military in Calcutta during World War II, Anglo-Indians in Lucknow in the 1930s and 1940s, and British residents across North India in the nineteenth and twentieth centuries. Bradley G. Shope is assistant professor of music at Texas A&M University-Corpus Christi.mmunities, including the US military in Calcutta during World War II, Anglo-Indians in Lucknow in the 1930s and 1940s, and British residents across North India in the nineteenth and twentieth centuries. Bradley G. Shope is assistant professor of music at Texas A&M University-Corpus Christi.mmunities, including the US military in Calcutta during World War II, Anglo-Indians in Lucknow in the 1930s and 1940s, and British residents across North India in the nineteenth and twentieth centuries. Bradley G. Shope is assistant professor of music at Texas A&M University-Corpus Christi., The first systematic study to address the character and scope of American popular music in India during British rule., American Popular Music in Britain's Raj is the first systematic study of the character and scope of American popular music in India during British rule. Drawing on ethnographic and archival research, it examines blackface minstrel shows, ragtime, jazz, and representations of Hollywood film music in Bombay cabarets and Hindi film songs, identifying key musical moments in the development of these styles between the mid-nineteenth and mid-twentieth centuries. The book describes the entertainment idioms and frameworks that supported the growth of these imported styles; further, it surveys a variety of historical contexts under colonialism that influenced their meaning and commercial value. Focusing on Calcutta (modern Kolkata), Lucknow, and Bombay (modern Mumbai), Bradley Shope traces the movement of this music between the United States, England, and India, and addresses a variety of groups and communities, including the US military in Calcutta during World War II, Anglo-Indians in Lucknow in the 1930s and 1940s, and British residents across North India in the nineteenth and twentieth centuries. Bradley G. Shope is assistant professor of music at Texas A&M University-Corpus Christi., American Popular Music in Britain's Raj is the first systematic study of the character and scope of American popular music in India during British rule. Drawing on ethnographic and archival research, it examines blackface minstrel shows, ragtime, jazz, and representations of Hollywood film music in Bombay cabarets and Hindi film songs, identifying key musical moments in the development of these styles between the mid-nineteenth and mid-twentieth centuries. The book describes the entertainment idioms and frameworks that supported the growth of these imported styles; further, it surveys a variety of historical contexts under colonialism that influenced their meaning and commercial value. Focusing on Calcutta (modern Kolkata), Lucknow, and Bombay (modern Mumbai), Bradley Shope traces the movement of this music between the United States, England, and India, and addresses a variety of groups and communities, including the US military in Calcutta during World War II, Anglo-Indians in Lucknow in the 1930s and 1940s, and British residents across North India in the nineteenth and twentieth centuries. Bradley G. Shope is assistant professor of music at Texas A
LC Classification Number
ML3502.I4
ebay_catalog_id
4
Copyright Date
2016

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