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Philadelphia on Stone: Commercial Lithography in Philadelphia, 1828 1878: New
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eBay-objectnummer:284299473621
Specificaties
- Objectstaat
- Book Title
- Philadelphia on Stone: Commercial Lithography in Philadelphia, 18
- Publication Date
- 2012-10-22
- Pages
- 320
- ISBN
- 9780271052526
- Publication Year
- 2012
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Publication Name
- Philadelphia on Stone : Commercial Lithography in Philadelphia, 1828-1878
- Item Height
- 1.1in
- Item Length
- 10in
- Publisher
- Pennsylvania STATE University Press
- Item Width
- 9in
- Item Weight
- 61.7 Oz
- Number of Pages
- 320 Pages
Over dit product
Product Information
A collection of essays examining the history of nineteenth-century commercial lithography in Philadelphia. Analyzes the social, economic, and technological changes in the local trade from 1828 to 1878.
Product Identifiers
Publisher
Pennsylvania STATE University Press
ISBN-10
027105252x
ISBN-13
9780271052526
eBay Product ID (ePID)
13038266219
Product Key Features
Publication Name
Philadelphia on Stone : Commercial Lithography in Philadelphia, 1828-1878
Format
Hardcover
Language
English
Publication Year
2012
Type
Textbook
Number of Pages
320 Pages
Dimensions
Item Length
10in
Item Height
1.1in
Item Width
9in
Item Weight
61.7 Oz
Additional Product Features
Lc Classification Number
Ne2311.P5p49 2012
Reviews
"As this handsome volume makes clear in beautifully-designed fashion, Philadelphia in the nineteenth century was the capital of American printmaking. . . . [Erika Piola] has assembled an impressive group of experts to write on a variety of topics focusing on [the city's first fifty years of commercial lithography]." --Erika Esau ARLIS/NA Reviews, "If you love historical prints, this will be a terrific addition to your reference library. . . . I was impressed, and entertained, and thoroughly delighted by this publication." --Jim Burant Imprint: Journal of the American Historical Print Collectors Society, "The Philadelphia on Stone project and this accompanying volume move the topic of lithography in Philadelphia forward in important ways, connecting business history, labor history, and the consumption of prints to form a new basis for understanding the medium's contributions to visual culture." -Helena Wright, author of Prints at the Smithsonian, "If you love historical prints, this will be a terrific addition to your reference library. . . . I was impressed, and entertained, and thoroughly delighted by this publication." -Jim Burant, Imprint: Journal of the American Historical Print Collectors Society, "The reexamination of the romantic age of lithography in Philadelphia on Stone is a wonderful addition to the history of visual culture in nineteenth-century America. . . . This volume should have great appeal beyond nineteenth-century historians and printing scholars because it offers fresh insights into the social, cultural, and economic life of the period." --Kristin L. Spangenberg, Winterthur Portfolio, &"Philadelphia on Stone is a sumptuously illustrated book that brings new discoveries and fresh perspectives to the cultural history of Philadelphia. This broadly contextualized examination of printing expands our understanding of the production and consumption of visual culture in a major urban center.&" &-Anne Verplanck, Penn State Harrisburg, &"As this handsome volume makes clear in beautifully-designed fashion, Philadelphia in the nineteenth century was the capital of American printmaking. . . . [Erika Piola] has assembled an impressive group of experts to write on a variety of topics focusing on [the city&'s first fifty years of commercial lithography].&" &-Erika Esau, ARLIS/NA Reviews, "The Philadelphia on Stone project and this accompanying volume move the topic of lithography in Philadelphia forward in important ways, connecting business history, labor history, and the consumption of prints to form a new basis for understanding the medium's contributions to visual culture." --Helena Wright,author of Prints at the Smithsonian, "The reexamination of the romantic age of lithography in Philadelphia on Stone is a wonderful addition to the history of visual culture in nineteenth-century America. . . . This volume should have great appeal beyond nineteenth-century historians and printing scholars because it offers fresh insights into the social, cultural, and economic life of the period." -Kristin L. Spangenberg, Winterthur Portfolio, &"Philadelphia on Stone demonstrates very clearly the key role that Philadelphia played in the history of American lithography in the nineteenth century. The eight essays interweave to tell a complex and compelling story that encompasses many different aspects of the nineteenth-century lithographic printing trade: landscape prints and city views, portraits, prints that depict sensational news events, illustrations for books and periodicals, and a vast panoply of advertising work. The biographical essays on the artist James Queen and the lithographer and publisher Peter S. Duval bring to life two men of extraordinary talent who were responsible for Philadelphia&'s unique contribution to the evolution of lithography. Much of what Erika Piola and her colleagues have to say about lithography in Philadelphia is equally true of lithography as it developed in other cities across the nation, and so this book, which sets out to recount what happened in a specific place, comes very close to being a comprehensive history of lithography in America as a whole. It is sure to become a classic.&" &-Nancy Finlay, Curator of Graphics, The Connecticut Historical Society, " Philadelphia on Stone is a sumptuously illustrated book that brings new discoveries and fresh perspectives to the cultural history of Philadelphia. This broadly contextualized examination of printing expands our understanding of the production and consumption of visual culture in a major urban center." --Anne Verplanck,Penn State Harrisburg, "As this handsome volume makes clear in beautifully-designed fashion, Philadelphia in the nineteenth century was the capital of American printmaking. . . . [Erika Piola] has assembled an impressive group of experts to write on a variety of topics focusing on [the city's first fifty years of commercial lithography]." -Erika Esau, ARLIS/NA Reviews, &"The Philadelphia on Stone project and this accompanying volume move the topic of lithography in Philadelphia forward in important ways, connecting business history, labor history, and the consumption of prints to form a new basis for understanding the medium&'s contributions to visual culture.&" &-Helena Wright, author of Prints at the Smithsonian, " Philadelphia on Stone is a sumptuously illustrated book that brings new discoveries and fresh perspectives to the cultural history of Philadelphia. This broadly contextualized examination of printing expands our understanding of the production and consumption of visual culture in a major urban center." -Anne Verplanck, Penn State Harrisburg, "As this handsome volume makes clear in beautifully-designed fashion, Philadelphia in the nineteenth century was the capital of American printmaking. . . . [Erika Piola] has assembled an impressive group of experts to write on a variety of topics focusing on [the city's first fifty years of commercial lithography]." --Erika Esau, ARLIS/NA Reviews, &"Thoroughly researched and lavishly illustrated. . . . This handsomely produced volume is a tour de force of collaborative scholarship and a welcome addition to the history of visual culture.&" &-Jeffrey Mifflin, Early Popular Visual Culture, "The reexamination of the romantic age of lithography in Philadelphia on Stone is a wonderful addition to the history of visual culture in nineteenth-century America. . . . This volume should have great appeal beyond nineteenth-century historians and printing scholars because it offers fresh insights into the social, cultural, and economic life of the period." --Kristin L. Spangenberg Winterthur Portfolio, "Philadelphia on Stone is a sumptuously illustrated book that brings new discoveries and fresh perspectives to the cultural history of Philadelphia. This broadly contextualized examination of printing expands our understanding of the production and consumption of visual culture in a major urban center." -Anne Verplanck, Penn State Harrisburg, "The Philadelphia on Stone project and this accompanying volume move the topic of lithography in Philadelphia forward in important ways, connecting business history, labor history, and the consumption of prints to form a new basis for understanding the medium's contributions to visual culture." --Helena Wright, author of Prints at the Smithsonian, "If you love historical prints, this will be a terrific addition to your reference library. . . . I was impressed, and entertained, and thoroughly delighted by this publication." --Jim Burant, Imprint: Journal of the American Historical Print Collectors Society, " Philadelphia on Stone is a sumptuously illustrated book that brings new discoveries and fresh perspectives to the cultural history of Philadelphia. This broadly contextualized examination of printing expands our understanding of the production and consumption of visual culture in a major urban center." --Anne Verplanck, Penn State Harrisburg, "Philadelphia on Stone demonstrates very clearly the key role that Philadelphia played in the history of American lithography in the nineteenth century. The eight essays interweave to tell a complex and compelling story that encompasses many different aspects of the nineteenth-century lithographic printing trade: landscape prints and city views, portraits, prints that depict sensational news events, illustrations for books and periodicals, and a vast panoply of advertising work. The biographical essays on the artist James Queen and the lithographer and publisher Peter S. Duval bring to life two men of extraordinary talent who were responsible for Philadelphia's unique contribution to the evolution of lithography. Much of what Erika Piola and her colleagues have to say about lithography in Philadelphia is equally true of lithography as it developed in other cities across the nation, and so this book, which sets out to recount what happened in a specific place, comes very close to being a comprehensive history of lithography in America as a whole. It is sure to become a classic." -Nancy Finlay, Curator of Graphics, The Connecticut Historical Society, " Philadelphia on Stone demonstrates very clearly the key role that Philadelphia played in the history of American lithography in the nineteenth century. The eight essays interweave to tell a complex and compelling story that encompasses many different aspects of the nineteenth-century lithographic printing trade: landscape prints and city views, portraits, prints that depict sensational news events, illustrations for books and periodicals, and a vast panoply of advertising work. The biographical essays on the artist James Queen and the lithographer and publisher Peter S. Duval bring to life two men of extraordinary talent who were responsible for Philadelphia's unique contribution to the evolution of lithography. Much of what Erika Piola and her colleagues have to say about lithography in Philadelphia is equally true of lithography as it developed in other cities across the nation, and so this book, which sets out to recount what happened in a specific place, comes very close to being a comprehensive history of lithography in America as a whole. It is sure to become a classic." --Nancy Finlay,Curator of Graphics, The Connecticut Historical Society, "Thoroughly researched and lavishly illustrated. . . . This handsomely produced volume is a tour de force of collaborative scholarship and a welcome addition to the history of visual culture." --Jeffrey Mifflin, Early Popular Visual Culture, &"If you love historical prints, this will be a terrific addition to your reference library. . . . I was impressed, and entertained, and thoroughly delighted by this publication.&" &-Jim Burant, Imprint: Journal of the American Historical Print Collectors Society, &"The reexamination of the romantic age of lithography in Philadelphia on Stone is a wonderful addition to the history of visual culture in nineteenth-century America. . . . This volume should have great appeal beyond nineteenth-century historians and printing scholars because it offers fresh insights into the social, cultural, and economic life of the period.&" &-Kristin L. Spangenberg, Winterthur Portfolio, "Philadelphia on Stone demonstrates very clearly the key role that Philadelphia played in the history of American lithography in the nineteenth century. The eight essays interweave to tell a complex and compelling story that encompasses many different aspects of the nineteenth-century lithographic printing trade: landscape prints and city views, portraits, prints that depict sensational news events, illustrations for books and periodicals, and a vast panoply of advertising work. The biographical essays on the artist James Queen and the lithographer and publisher Peter S. Duval bring to life two men of extraordinary talent who were responsible for Philadelphia's unique contribution to the evolution of lithography. Much of what Erika Piola and her colleagues have to say about lithography in Philadelphia is equally true of lithography as it developed in other cities across the nation, and so this book, which sets out to recount what happened in a specific place, comes very close to being a comprehensive history of lithography in America as a whole. It is sure to become a classic." --Nancy Finlay, Curator of Graphics, The Connecticut Historical Society, "Thoroughly researched and lavishly illustrated. . . . This handsomely produced volume is a tour de force of collaborative scholarship and a welcome addition to the history of visual culture." --Jeffrey Mifflin Early Popular Visual Culture, " Philadelphia on Stone demonstrates very clearly the key role that Philadelphia played in the history of American lithography in the nineteenth century. The eight essays interweave to tell a complex and compelling story that encompasses many different aspects of the nineteenth-century lithographic printing trade: landscape prints and city views, portraits, prints that depict sensational news events, illustrations for books and periodicals, and a vast panoply of advertising work. The biographical essays on the artist James Queen and the lithographer and publisher Peter S. Duval bring to life two men of extraordinary talent who were responsible for Philadelphia's unique contribution to the evolution of lithography. Much of what Erika Piola and her colleagues have to say about lithography in Philadelphia is equally true of lithography as it developed in other cities across the nation, and so this book, which sets out to recount what happened in a specific place, comes very close to being a comprehensive history of lithography in America as a whole. It is sure to become a classic." --Nancy Finlay, Curator of Graphics, The Connecticut Historical Society, " Philadelphia on Stone demonstrates very clearly the key role that Philadelphia played in the history of American lithography in the nineteenth century. The eight essays interweave to tell a complex and compelling story that encompasses many different aspects of the nineteenth-century lithographic printing trade: landscape prints and city views, portraits, prints that depict sensational news events, illustrations for books and periodicals, and a vast panoply of advertising work. The biographical essays on the artist James Queen and the lithographer and publisher Peter S. Duval bring to life two men of extraordinary talent who were responsible for Philadelphia's unique contribution to the evolution of lithography. Much of what Erika Piola and her colleagues have to say about lithography in Philadelphia is equally true of lithography as it developed in other cities across the nation, and so this book, which sets out to recount what happened in a specific place, comes very close to being a comprehensive history of lithography in America as a whole. It is sure to become a classic." -Nancy Finlay, Curator of Graphics, The Connecticut Historical Society, "Philadelphia on Stone is a sumptuously illustrated book that brings new discoveries and fresh perspectives to the cultural history of Philadelphia. This broadly contextualized examination of printing expands our understanding of the production and consumption of visual culture in a major urban center." --Anne Verplanck, Penn State Harrisburg, "Thoroughly researched and lavishly illustrated. . . . This handsomely produced volume is a tour de force of collaborative scholarship and a welcome addition to the history of visual culture." -Jeffrey Mifflin, Early Popular Visual Culture
Table of Content
Contents List of Illustrations Preface Acknowledgments Abbreviations 1 The First Fifty Years of Commercial Lithography in Philadelphia: An Overview of the Trade, 1828-1878 Erika Piola and Jennifer Ambrose 2 Putting Philadelphia on Stone: An Introduction to the Techniques Used Michael Twyman 3 James Queen: Chronicler of Philadelphia Sara W. Duke 4 Peter S. Duval, Philadelphia's Leading Lithographer Sarah J. Weatherwax 5 Lithographed Plates for Books and Periodicals: A Mainstay of Philadelphia Lithographers Christopher W. Lane 6 Commercial Architecture in Philadelphia Lithographs Dell Upton 7 Drawn on the Spot: Philadelphia Sensational News-Event Lithographs Erika Piola 8 Philadelphia Lithography and American Landscape Donald H. Cresswell Bibliography Notes on Contributors Index
Copyright Date
2012
Topic
United States / State & Local / Middle Atlantic (DC, De, Md, NJ, NY, Pa), Graphic Arts / Commercial & Corporate, United States / 19th Century, American / General, Prints
Lccn
2011-043001
Dewey Decimal
686.2
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Design, Art, History
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