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Natasha Trethewey Bellocq's Ophelia (Paperback) (UK IMPORT)

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eBay-objectnummer:276412971658
Laatst bijgewerkt op 25 mei 2024 05:51:01 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...
Book Title
Bellocq's Ophelia : Poems
Publication Name
Bellocq's Ophelia
Title
Bellocq's Ophelia
Subtitle
Poems
ISBN-10
1555973590
EAN
9781555973599
ISBN
9781555973599
Publisher
Graywolf Press
Format
Trade Paperback
Release Year
2002
Release Date
01/04/2002
Language
English
Country/Region of Manufacture
US
Item Height
0.2in
Item Length
8.8in
Item Weight
3.9 Oz
Author
Natasha Trethewey
Genre
Poetry
Publication Year
2002
Topic
American / African American, General
Item Width
6in
Number of Pages
64 Pages

Over dit product

Product Information

Selected as a "2003 Notable Book" by the American Library Association In the early 1900s, E.J. Bellocq photographed prostitutes in the red-light district of New Orleans. His remarkable, candid photos inspired Natasha Trethewey to imagine the life of Ophelia, the subject of her stunning second collection of poems. With elegant precision, Ophelia tells of her life on display: her white father whose approval she earns by standing very still; the brothel Madame who tells her to act like a statue while the gentlemen callers choose; and finally the camera, which not only captures her body, but also offers a glimpse into her soul.

Product Identifiers

Publisher
Graywolf Press
ISBN-10
1555973590
ISBN-13
9781555973599
eBay Product ID (ePID)
102877882

Product Key Features

Book Title
Bellocq's Ophelia : Poems
Author
Natasha Trethewey
Format
Trade Paperback
Language
English
Topic
American / African American, General
Publication Year
2002
Genre
Poetry
Number of Pages
64 Pages

Dimensions

Item Length
8.8in
Item Height
0.2in
Item Width
6in
Item Weight
3.9 Oz

Additional Product Features

Lc Classification Number
Ps3570.R433b45 2002
Reviews
"A novella-in-verse that is a pleasure and a revelation to read." --Garrett Hongo "This Ophelia, Trethewey's invention, pierces us with lush, tough, elegant poetry, as she yearns to step out of a constricting frame, 'wide-eyed, into life.' Hers--theirs--is a stunning accomplishment." --Gail Mazur "Trethewey carries forward the lyric musings on black women's lives that she began in her arresting debut,Domestic Work(2000). Photographs served as inspiration there; here Trethewey fashions a one-woman monologue in response to a famous series of early-twentieth-century photographs taken by E.J. Bellocq in Storyville, New Orleans' red-light district. Portraits of an unnamed light-skinned black woman who stares into the lens with assured defiance galvanized Trethewey, who dubs her Ophelia and allows her to speak. As Ophelia writes eloquently restrained and resolute letters to a favorite teacher and tells the heartbreaking story of her failed search for respectable employment and her rescue from hunger and homelessness by a kind and patient madame, Trethewey creates a persona who belies the implied tragedy of her name by focusing her keen intellect on survival and, ultimately, taking control of the camera and her life. Like Cornelius Eady'sBrutal Imaginationand Adrienne Rich's lean but commanding poems, Trethewey's spare yet plangent verse portrait illuminates a soul ennobled in her quiet battle with injustice." --Booklist, "A novella-in-verse that is a pleasure and a revelation to read." -- Garrett Hongo "This Ophelia, Trethewey's invention, pierces us with lush, tough, elegant poetry, as she yearns to step out of a constricting frame, 'wide-eyed, into life.' Hers--theirs--is a stunning accomplishment." -- Gail Mazur "Trethewey carries forward the lyric musings on black women's lives that she began in her arresting debut, Domestic Work (2000). Photographs served as inspiration there; here Trethewey fashions a one-woman monologue in response to a famous series of early-twentieth-century photographs taken by E.J. Bellocq in Storyville, New Orleans' red-light district. Portraits of an unnamed light-skinned black woman who stares into the lens with assured defiance galvanized Trethewey, who dubs her Ophelia and allows her to speak. As Ophelia writes eloquently restrained and resolute letters to a favorite teacher and tells the heartbreaking story of her failed search for respectable employment and her rescue from hunger and homelessness by a kind and patient madame, Trethewey creates a persona who belies the implied tragedy of her name by focusing her keen intellect on survival and, ultimately, taking control of the camera and her life. Like Cornelius Eady's Brutal Imagination and Adrienne Rich's lean but commanding poems, Trethewey's spare yet plangent verse portrait illuminates a soul ennobled in her quiet battle with injustice." -- Booklist, "A novella-in-verse that is a pleasure and a revelation to read." --Garrett Hongo "This Ophelia, Trethewey's invention, pierces us with lush, tough, elegant poetry, as she yearns to step out of a constricting frame, 'wide-eyed, into life.' Hers--theirs--is a stunning accomplishment." --Gail Mazur "Trethewey carries forward the lyric musings on black women's lives that she began in her arresting debut, Domestic Work (2000). Photographs served as inspiration there; here Trethewey fashions a one-woman monologue in response to a famous series of early-twentieth-century photographs taken by E.J. Bellocq in Storyville, New Orleans' red-light district. Portraits of an unnamed light-skinned black woman who stares into the lens with assured defiance galvanized Trethewey, who dubs her Ophelia and allows her to speak. As Ophelia writes eloquently restrained and resolute letters to a favorite teacher and tells the heartbreaking story of her failed search for respectable employment and her rescue from hunger and homelessness by a kind and patient madame, Trethewey creates a persona who belies the implied tragedy of her name by focusing her keen intellect on survival and, ultimately, taking control of the camera and her life. Like Cornelius Eady's Brutal Imagination and Adrienne Rich's lean but commanding poems, Trethewey's spare yet plangent verse portrait illuminates a soul ennobled in her quiet battle with injustice." --Booklist, Trethewey carries forward the lyric musings on black women's lives that she began in her arresting debut, Domestic Work (2000). Photographs served as inspiration there; here Trethewey fashions a one-woman monologue in response to a famous series of early-twentieth-century photographs taken by E.J. Bellocq in Storyville, New Orleans' red-light district. Portraits of an unnamed light-skinned black woman who stares into the lens with assured defiance galvanized Trethewey, who dubs her Ophelia and allows her to speak. As Ophelia writes eloquently restrained and resolute letters to a favorite teacher and tells the heartbreaking story of her failed search for respectable employment and her rescue from hunger and homelessness by a kind and patient madame, Trethewey creates a persona who belies the implied tragedy of her name by focusing her keen intellect on survival and, ultimately, taking control of the camera and her life. Like Cornelius Eady's Brutal Imagination and Adrienne Rich's lean but commanding poems, Trethewey's spare yet plangent verse portrait illuminates a soul ennobled in her quiet battle with injustice., "A novella-in-verse that is a pleasure and a revelation to read." --Garrett Hongo "This Ophelia, Trethewey's invention, pierces us with lush, tough, elegant poetry, as she yearns to step out of a constricting frame, 'wide-eyed, into life.' Hers--theirs--is a stunning accomplishment." --Gail Mazur "Trethewey carries forward the lyric musings on black women's lives that she began in her arresting debut, Domestic Work (2000). Photographs served as inspiration there; here Trethewey fashions a one-woman monologue in response to a famous series of early-twentieth-century photographs taken by E.J. Bellocq in Storyville, New Orleans' red-light district. Portraits of an unnamed light-skinned black woman who stares into the lens with assured defiance galvanized Trethewey, who dubs her Ophelia and allows her to speak. As Ophelia writes eloquently restrained and resolute letters to a favorite teacher and tells the heartbreaking story of her failed search for respectable employment and her rescue from hunger and homelessness by a kind and patient madame, Trethewey creates a persona who belies the implied tragedy of her name by focusing her keen intellect on survival and, ultimately, taking control of the camera and her life. Like Cornelius Eady's Brutal Imagination and Adrienne Rich's lean but commanding poems, Trethewey's spare yet plangent verse portrait illuminates a soul ennobled in her quiet battle with injustice." -- Booklist, This Ophelia, Trethewey's invention, pierces us with lush, tough, elegant poetry, as she yearns to step out of a constricting frame, 'wide-eyed, into life.' Hers--theirs--is a stunning accomplishment.
Copyright Date
2002
Target Audience
Trade
Lccn
2001-096552
Illustrated
Yes

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