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Monroe Beardsle Aesthetics from Classical Greece to the (Paperback) (UK IMPORT)
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Specificaties
- Objectstaat
- Book Title
- Aesthetics from Classical Greece to the Present
- Publication Name
- Aesthetics from Classical Greece to the Present
- Title
- Aesthetics from Classical Greece to the Present
- Format
- Trade Paperback
- EAN
- 9780817366230
- ISBN
- 9780817366230
- Publisher
- University of Alabama Press
- Genre
- Philosophy, Fiction
- Release Date
- 30/10/1975
- Release Year
- 1975
- Language
- English
- Country/Region of Manufacture
- US
- Item Weight
- 21 Oz
- Item Length
- 8.5in
- Publication Year
- 1975
- Item Height
- 1in
- Features
- Reprint
- Topic
- General, Aesthetics
- Item Width
- 5.5in
- Number of Pages
- 414 Pages
Over dit product
Product Information
Seeks to bring present-day philosophy principles into the history of aesthetics Before the publication of Aesthetics from Classical Greece to the Present there were three histories of aesthetics in English--Bosanquet's pioneering work, the second part of Croce's Aesthetic in the Ainsle translation, and the comprehensive volume by Gilbert and Kuhn. While each of these is interesting in its own ways, and together they cover a good deal of ground, none of them is very new. Thus none could take advantage of recent work on many important philosophers and periods and bring into a consideration of the past the best concepts and principles that have been developed by present-day philosophy. In Aesthetics from Classical Greece to the Present the author seeks to bring these principles to the forefront in exploring the history of aesthetics.
Product Identifiers
Publisher
University of Alabama Press
ISBN-10
0817366237
ISBN-13
9780817366230
eBay Product ID (ePID)
809963
Product Key Features
Book Title
Aesthetics from Classical Greece to the Present
Format
Trade Paperback
Language
English
Features
Reprint
Topic
General, Aesthetics
Publication Year
1975
Genre
Philosophy, Fiction
Number of Pages
414 Pages
Dimensions
Item Length
8.5in
Item Height
1in
Item Width
5.5in
Item Weight
21 Oz
Additional Product Features
Lc Classification Number
Bh81.B4
Edition Description
Reprint
Reviews
"Of the histories of aesthetics in English…Beardsley's book is the best. It is brisk, it is written in a clear plain style, and it is scholarly without being pretentious or overwhelming. "For those of us who want to know what philosophers have said about beauty and the arts, this book will be especially useful."- The Philosophical Review, "Of the histories of aesthetics in English...Beardsley's book is the best. It is brisk, it is written in a clear plain style, and it is scholarly without being pretentious or overwhelming. "For those of us who want to know what philosophers have said about beauty and the arts, this book will be especially useful."-- The Philosophical Review, "Beardsley's book accomplishes to perfection what the writer intended. It illuminates an area of history from a certain perspective as was never done before. . . . The distinguishing feature of his book is a n excitement over everything I aesthetics that has to do with symbols, meanings, language, and modes of interpretation. And this excitement has brought to light facets of the history f the subject never noticed before, or at least, not so clearly." -- Journal of Aesthetics and Art Criticism, "The depth of Beardsley's scholarly competence . . . speaks from every page. He makes a masterful analysis of Aristotle's concepts . . . Then follows his chapter on the Middle Ages, which is outstanding. . . . And so the book goes forward with penetrating analysis and unexpected relevancies. "Beardsley's book accomplishes to perfection what the writer intended. It illuminates an area of history from a certain perspective as was never done before. . . . The distinguishing feature of his book is a n excitement over everything I aesthetics that has to do with symbols, meanings, language, and modes of interpretation. And this excitement has brought to light facets of the history f the subject never noticed before, or at least, not so clearly." - The Journal of Aesthetics and Art Criticism , "Beardsley's book accomplishes to perfection what the writer intended. It illuminates an area of history from a certain perspective as was never done before. . . . The distinguishing feature of his book is a n excitement over everything I aesthetics that has to do with symbols, meanings, language, and modes of interpretation. And this excitement has brought to light facets of the history of the subject never noticed before, or at least, not so clearly." -- Journal of Aesthetics and Art Criticism, "The depth of Beardsley's scholarly competence . . . speaks from every page. He makes a masterful analysis of Aristotle's concepts . . . Then follows his chapter on the Middle Ages, which is outstanding. . . . And so the book goes forward with penetrating analysis and unexpected relevancies. "Beardsley's book accomplishes to perfection what the writer intended. It illuminates an area of history from a certain perspective as was never done before. . . . The distinguishing feature of his book is a n excitement over everything I aesthetics that has to do with symbols, meanings, language, and modes of interpretation. And this excitement has brought to light facets of the history f the subject never noticed before, or at least, not so clearly." - The Journal of Aesthetics and Art Criticism, "The depth of Beardsley's scholarly competence . . . speaks from every page. He makes a masterful analysis of Aristotle's concepts . . . Then follows his chapter on the Middle Ages, which is outstanding. . . . And so the book goes forward with penetrating analysis and unexpected relevancies. "Beardsley's book accomplishes to perfection what the writer intended. It illuminates an area of history from a certain perspective as was never done before. . . . The distinguishing feature of his book is a n excitement over everything I aesthetics that has to do with symbols, meanings, language, and modes of interpretation. And this excitement has brought to light facets of the history f the subject never noticed before, or at least, not so clearly." - The Journal of Aesthetics and Art Criticism, "The depth of Beardsley's scholarly competence . . . speaks from every page. He makes a masterful analysis of Aristotle's concepts . . . Then follows his chapter on the Middle Ages, which is outstanding. . . . And so the book goes forward with penetrating analysis and unexpected relevancies. "Beardsley's book accomplishes to perfection what the writer intended. It illuminates an area of history from a certain perspective as was never done before. . . . The distinguishing feature of his book is a n excitement over everything I aesthetics that has to do with symbols, meanings, language, and modes of interpretation. And this excitement has brought to light facets of the history f the subject never noticed before, or at least, not so clearly." -- The Journal of Aesthetics and Art Criticism , "The depth of Beardsley's scholarly competence . . . speaks from every page. He makes a masterful analysis of Aristotle's concepts . . . Then follows his chapter on the Middle Ages, which is outstanding. . . . And so the book goes forward with penetrating analysis and unexpected relevancies. "Beardsley's book accomplishes to perfection what the writer intended. It illuminates an area of history from a certain perspective as was never done before. . . . The distinguishing feature of his book is a n excitement over everything I aesthetics that has to do with symbols, meanings, language, and modes of interpretation. And this excitement has brought to light facets of the history f the subject never noticed before, or at least, not so clearly." -- The Journal of Aesthetics and Art Criticism, "For those of us who want to know what philosophers have said about beauty and the arts, this book will be especially useful." -- Philosophical Review, "Of the histories of aesthetics in English...Beardsley's book is the best. It is brisk, it is written in a clear plain style, and it is scholarly without being pretentious or overwhelming. "For those of us who want to know what philosophers have said about beauty and the arts, this book will be especially useful."-- The Philosophical Review, "Of the histories of aesthetics in English...Beardsley's book is the best. It is brisk, it is written in a clear plain style, and it is scholarly without being pretentious or overwhelming. "For those of us who want to know what philosophers have said about beauty and the arts, this book will be especially useful."- The Philosophical Review
Copyright Date
1975
Lccn
75-020138
Intended Audience
Scholarly & Professional
Illustrated
Yes
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