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MISMATCHED WOMEN: THE SIREN'S SONG THROUGH THE MACHINE, PB - B0047
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- Nu kopenMISMATCHED WOMEN: THE SIREN'S SONG THROUGH THE MACHINE, PB - B0047
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eBay-objectnummer:266362857831
Specificaties
- Objectstaat
- Book Title
- Mismatched Women: The Siren's Song Through The Machine (Oxford
- ISBN-10
- 0199936919
- Genre
- SOCIAL SCIENCE
- ISBN
- 9780199936915
- Publication Name
- Mismatched Women : the Siren's Song Through the Machine
- Item Length
- 6.1in
- Publisher
- Oxford University Press, Incorporated
- Publication Year
- 2014
- Series
- Oxford Music / Media Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.8in
- Item Width
- 9.1in
- Item Weight
- 12.8 Oz
- Number of Pages
- 264 Pages
Over dit product
Product Information
In Mismatched Women, author Jennifer Fleeger introduces readers to a lineage of women whose voices do not "match" their bodies by conventional expectations, from George du Maurier's literary Trilby to Metropolitan Opera singer Marion Talley, from Snow White and Sleeping Beauty to Kate Smith and Deanna Durbin. The book tells a new story about female representation by theorizing a figure regularly dismissed as an aberration. The mismatched woman is a stumbling block for both sound and feminist theory, argues Fleeger, because she has been synchronized yet seems to have been put together incorrectly, as if her body could not possibly house the voice that the camera insists belongs to her. Fleeger broadens the traditionally cinematic context of feminist film theory to account for literary, animated, televisual, and virtual influences. This approach bridges gaps between disciplinary frameworks, showing that studies of literature, film, media, opera, and popular music pose common questions about authenticity, vocal and visual realism, circulation, and reproduction. The book analyzes the importance of the mismatched female voice in historical debates over the emergence of new media and unravels the complexity of female representation in moments of technological change.
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199936919
ISBN-13
9780199936915
eBay Product ID (ePID)
202513253
Product Key Features
Publication Name
Mismatched Women : the Siren's Song Through the Machine
Format
Trade Paperback
Language
English
Publication Year
2014
Series
Oxford Music / Media Ser.
Type
Textbook
Number of Pages
264 Pages
Dimensions
Item Length
6.1in
Item Height
0.8in
Item Width
9.1in
Item Weight
12.8 Oz
Additional Product Features
Lc Classification Number
Ml3918.P67f54 2014
Reviews
"Jennifer Fleeger's Mismatched Women is a must-read for anyone interested in musical women, performance studies, and media culture." --Marcia J. Citron, Rice University, Music and Letters "Mismatched Women sings with intelligence, originality, and depth." --Claudia Gorbman, co-editor of The Oxford Handbook of New Audiovisual Aesthetics "Fleeger complicates previous theories of the female voice, rethinking the 'match' between sound and body, technology and voice. Linking seemingly disparate singers and modes of performance - ranging from opera to animated film to radio and reality TV - Fleeger shows the way in which mismatched women challenge gender stereotypes and mechanisms of pity associated with having, or being, the wrong body." --Pamela Wojcik, Director of Gender Studies and Professor of Film at the University of Notre Dame"[T]he blend of recorded music history with the analysis and interpretation that Fleeger offers marks her book as unique...Fleeger's rigorous academic analysis represents a much-needed addition to the music and performance analysis in scholarly literature...I recommend this book for any academic music or media library as well as scholars who wish to study women and music, women and mass media, women and popular culture, or sound recording history."--Association for Recorded Sound Collections Journal, "Jennifer Fleeger's Mismatched Women is a must-read for anyone interested in musical women, performance studies, and media culture." --Marcia J. Citron, Rice University, Music and Letters "Mismatched Women sings with intelligence, originality, and depth." --Claudia Gorbman, co-editor of The Oxford Handbook of New Audiovisual Aesthetics "Fleeger complicates previous theories of the female voice, rethinking the 'match' between sound and body, technology and voice. Linking seemingly disparate singers and modes of performance - ranging from opera to animated film to radio and reality TV - Fleeger shows the way in which mismatched women challenge gender stereotypes and mechanisms of pity associated with having, or being, the wrong body." --Pamela Wojcik, Director of Gender Studies and Professor of Film at the University of Notre Dame "[T]he blend of recorded music history with the analysis and interpretation that Fleeger offers marks her book as unique...Fleeger's rigorous academic analysis represents a much-needed addition to the music and performance analysis in scholarly literature...I recommend this book for any academic music or media library as well as scholars who wish to study women and music, women and mass media, women and popular culture, or sound recording history."--Association for Recorded Sound Collections Journal, "Jennifer Fleeger's Mismatched Women is a must-read for anyone interested in musical women, performance studies, and media culture." --Marcia J. Citron, Rice University, Music and Letters"Mismatched Women sings with intelligence, originality, and depth." --Claudia Gorbman, co-editor of The Oxford Handbook of New Audiovisual Aesthetics"Fleeger complicates previous theories of the female voice, rethinking the 'match' between sound and body, technology and voice. Linking seemingly disparate singers and modes of performance - ranging from opera to animated film to radio and reality TV - Fleeger shows the way in which mismatched women challenge gender stereotypes and mechanisms of pity associated with having, or being, the wrong body." --Pamela Wojcik, Director of Gender Studies and Professorof Film at the University of Notre Dame"[T]he blend of recorded music history with the analysis and interpretation that Fleeger offers marks her book as unique...Fleeger's rigorous academic analysis represents a much-needed addition to the music and performance analysis in scholarly literature...I recommend this book for any academic music or media library as well as scholars who wish to study women and music, women and mass media, women and popular culture, or sound recordinghistory."--Association for Recorded Sound Collections Journal, "Jennifer Fleeger's Mismatched Women is a must-read for anyone interested in musical women, performance studies, and media culture." --Marcia J. Citron, Rice University, Music and Letters "Mismatched Women sings with intelligence, originality, and depth." --Claudia Gorbman, co-editor of The Oxford Handbook of New Audiovisual Aesthetics "Fleeger complicates previous theories of the female voice, rethinking the 'match' between sound and body, technology and voice. Linking seemingly disparate singers and modes of performance - ranging from opera to animated film to radio and reality TV - Fleeger shows the way in which mismatched women challenge gender stereotypes and mechanisms of pity associated with having, or being, the wrong body." --Pamela Wojcik, Director of Gender Studies and Professor of Film at the University of Notre Dame, "Mismatched Women sings with intelligence, originality, and depth." --Claudia Gorbman, co-editor of The Oxford Handbook of New Audiovisual Aesthetics "Fleeger complicates previous theories of the female voice, rethinking the 'match' between sound and body, technology and voice. Linking seemingly disparate singers and modes of performance - ranging from opera to animated film to radio and reality TV - Fleeger shows the way in which mismatched women challenge gender stereotypes and mechanisms of pity associated with having, or being, the wrong body." --Pamela Wojcik, Director of Gender Studies and Professor of Film at the University of Notre Dame
Table of Content
Introduction Chapter 1: Literary Divas: Trilby, Christine, and the Phantom of Phonography Chapter 2: Metropolitan Women: Geraldine Farrar and Marion Talley Silence Opera on Screen Chapter 3: Opera in Synch: Deanna Durbin and Musical Playback Chapter 4: The Disney Princess: Animation and Real Girls Chapter 5: Kate Smith: The Variety "Femcee" on Radio and Television Chapter 6: Susan Boyle: The Amateur in the Age of Auto-Tune Conclusion Bibliography
Copyright Date
2014
Topic
History & Criticism, Composers & Musicians, Women's Studies, Film / History & Criticism, Genres & Styles / Pop Vocal
Lccn
2014-013755
Dewey Decimal
306.4/842
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Biography & Autobiography, Music, Social Science, Performing Arts
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