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Voice in Motion: Gender, Sound in Early Modern England by Gina Bloom 2007 HB
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eBay-objectnummer:256347842384
Specificaties
- Objectstaat
- ISBN
- 9780812240061
- Subject Area
- Drama, Literary Criticism, Social Science
- Publication Name
- Voice in Motion : Staging Gender, Shaping Sound in Early Modern England
- Item Length
- 9 in
- Publisher
- University of Pennsylvania Press
- Subject
- Drama, Shakespeare, Folklore & Mythology, European / English, Irish, Scottish, Welsh
- Publication Year
- 2007
- Series
- Material Texts
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.6 in
- Item Width
- 6 in
- Item Weight
- 23.5 Oz
- Number of Pages
- 288 Pages
Over dit product
Product Information
""Voice in Motion" is a book of interdisciplinary reach, solid scholarship, and imaginative resonance."--Bruce Smith, University of Southern California
Product Identifiers
Publisher
University of Pennsylvania Press
ISBN-10
0812240065
ISBN-13
9780812240061
eBay Product ID (ePID)
57036734
Product Key Features
Publication Name
Voice in Motion : Staging Gender, Shaping Sound in Early Modern England
Format
Hardcover
Language
English
Subject
Drama, Shakespeare, Folklore & Mythology, European / English, Irish, Scottish, Welsh
Publication Year
2007
Series
Material Texts
Type
Textbook
Subject Area
Drama, Literary Criticism, Social Science
Number of Pages
288 Pages
Dimensions
Item Length
9 in
Item Height
0.6 in
Item Width
6 in
Item Weight
23.5 Oz
Additional Product Features
LCCN
2006-051412
Lc Classification Number
Pr658.V65b58 2007
Reviews
"Bloom's interest in voice in the theater is grounded in early modern ideas about the human body and the mechanics of vocal production. The range of plays on which she draws lets her combine new readings of canonical works with fresh attention to less well known texts.Voice in Motionis a book of interdisciplinary reach, solid scholarship, and imaginative resonance."--Bruce Smith, University of Southern California, "A valuable addition to recent work on the history of the senses and a significant contribution to early modern gender studies. Giving voice to women, Bloom convincingly argues, requires examining the cultrually-specific meanings of voice itself."- Renaissance Quarterly, "Bloom's interest in voice in the theater is grounded in early modern ideas about the human body and the mechanics of vocal production. The range of plays on which she draws lets her combine new readings of canonical works with fresh attention to less well known texts. "Voice in Motion" is a book of interdisciplinary reach, solid scholarship, and imaginative resonance."--Bruce Smith, University of Southern California, "Bloom's interest in voice in the theater is grounded in early modern ideas about the human body and the mechanics of vocal production. The range of plays on which she draws lets her combine new readings of canonical works with fresh attention to less well known texts. Voice in Motion is a book of interdisciplinary reach, solid scholarship, and imaginative resonance."--Bruce Smith, University of Southern California, Bloom's interest in voice in the theater is grounded in early modern ideas about the human body and the mechanics of vocal production. The range of plays on which she draws lets her combine new readings of canonical works with fresh attention to less well known texts. Voice in Motion is a book of interdisciplinary reach, solid scholarship, and imaginative resonance., "A valuable addition to recent work on the history of the senses and a significant contribution to early modern gender studies. Giving voice to women, Bloom convincingly argues, requires examining the cultrually-specific meanings of voice itself."--Renaissance Quarterly, A valuable addition to recent work on the history of the senses and a significant contribution to early modern gender studies. Giving voice to women, Bloom convincingly argues, requires examining the cultrually-specific meanings of voice itself., "An achievement. . . . This book should be given pride of place on every feminist bookshelf."- Theatre Journal, "An achievement. . . . This book should be given pride of place on every feminist bookshelf."-- Theatre Journal, "A valuable addition to recent work on the history of the senses and a significant contribution to early modern gender studies. Giving voice to women, Bloom convincingly argues, requires examining the cultrually-specific meanings of voice itself."-- Renaissance Quarterly, "Bloom's interest in voice in the theater is grounded in early modern ideas about the human body and the mechanics of vocal production. The range of plays on which she draws lets her combine new readings of canonical works with fresh attention to less well known texts. Voice in Motion is a book of interdisciplinary reach, solid scholarship, and imaginative resonance."-Bruce Smith, University of Southern California
Table of Content
Introduction: From Excitable Speech to Voice in Motion 1. Squeaky Voices: Marston, Mulcaster, and the Boy Actor 2. Words Made of Breath: Shakespeare, Bacon, and Particulate Matter 3. Fortress of the Ear: Shakespeare's Late Plays, Protestant Sermons, and Audience 4. Echoic Sound: Sandys's Englished Ovid and Feminist Criticism Epilogue: Performing the Voice of Queen Elizabeth Notes Bibliography Index Acknowledgments
Copyright Date
2007
Target Audience
College Audience
Dewey Decimal
822.309353
Dewey Edition
22
Illustrated
Yes
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