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Daniel M. Grimley Jean Sibelius and His World (Paperback) Bard Music Festival
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Specificaties
- Objectstaat
- Book Title
- Jean Sibelius and His World
- Publication Name
- Jean Sibelius and His World
- Title
- Jean Sibelius and His World
- EAN
- 9780691152813
- ISBN
- 9780691152813
- Publisher
- Princeton University Press
- Format
- Trade Paperback
- Release Year
- 2011
- Release Date
- 28/08/2011
- Item Height
- 0.9in
- Item Length
- 9.3in
- Item Weight
- 20 Oz
- Contributor
- Daniel M. Grimley (Edited by)
- Language
- English
- ISBN-10
- 0691152810
- Country/Region of Manufacture
- US
- Genre
- Music Dance & Theatre
- Series
- The Bard Music Festival Ser.
- Publication Year
- 2011
- Type
- Textbook
- Item Width
- 6.2in
- Number of Pages
- 384 Pages
Over dit product
Product Information
Perhaps no twentieth-century composer has provoked a more varied reaction among the music-loving public than Jean Sibelius (1865-1957). Originally hailed as a new Beethoven by much of the Anglo-Saxon world, he was also widely disparaged by critics more receptive to newer trends in music. At the height of his popular appeal, he was revered as the embodiment of Finnish nationalism and the apostle of a new musical naturalism. Yet he seemingly chose that moment to stop composing altogether, despite living for three more decades. Providing wide cultural contexts, contesting received ideas about modernism, and interrogating notions of landscape and nature, Jean Sibelius and His World sheds new light on the critical position occupied by Sibelius in the Western musical tradition. The essays in the book explore such varied themes as the impact of Russian musical traditions on Sibelius, his compositional process, Sibelius and the theater, his understanding of music as a fluid and improvised creation, his critical reception in Great Britain and America, his "late style" in the incidental music for The Tempest , and the parallel contemporary careers of Sibelius and Richard Strauss. Documents include the draft of Sibelius's 1896 lecture on folk music, selections from a roman clef about his student circle in Berlin at the turn of the century, Theodor Adorno's brief but controversial tirade against the composer, and the newspaper debates about the Sibelius monument unveiled in Helsinki a decade after the composer's death. The contributors are Byron Adams, Leon Botstein, Philip Ross Bullock, Glenda Dawn Goss, Daniel Grimley, Jeffrey Kallberg, Tomi M kel , Sarah Menin, Max Paddison, and Timo Virtanen.
Product Identifiers
Publisher
Princeton University Press
ISBN-10
0691152810
ISBN-13
9780691152813
eBay Product ID (ePID)
108192871
Product Key Features
Publication Name
Jean Sibelius and His World
Format
Trade Paperback
Language
English
Series
The Bard Music Festival Ser.
Publication Year
2011
Type
Textbook
Number of Pages
384 Pages
Dimensions
Item Length
9.3in
Item Height
0.9in
Item Width
6.2in
Item Weight
20 Oz
Additional Product Features
Series Volume Number
25
Reviews
"As this collection shows, there is a resurgence of interest in the music of Jean Sibelius. . . . [T]he book is full of useful information."-- Choice, "[T]his is a fine collection of essays that advances Sibelius research significantly. It bears the title Sibelius and his World , but it also does an excellent job of alerting the reader to Sibelius's relevance to our world." --Derek B. Scott, Music and Letters, Jean Sibelius and His World ends with English translations of a number of important primary documents. . . . Perhaps the most important document is Theodor Adorno's critique 'Goss on Sibelius.' I have read about these documents in many Sibelius essays, here and elsewhere, so we owe a debt of gratitude to Daniel Grimley for making them available in translation. This book represents the high level of current Sibelius scholarship and should be a welcome addition to academic music libraries., "As this collection shows, there is a resurgence of interest in the music of Jean Sibelius. . . . [T]he book is full of useful information." -- Choice, The connection between Sibelius and the Russian tradition--an influence that went in both directions--is the subject of an excellent essay by Philip Ross Bullock in the book accompanying the festival, Jean Sibelius and His World , from Princeton University Press. ---Zachary Woolfe, New York Times, The connection between Sibelius and the Russian tradition--an influence that went in both directions--is the subject of an excellent essay by Philip Ross Bullock in the book accompanying the festival, Jean Sibelius and His World , from Princeton University Press. -- Zachary Woolfe, New York Times, " Jean Sibelius and His World ends with English translations of a number of important primary documents. . . . Perhaps the most important document is Theodor Adorno's critique 'Goss on Sibelius.' I have read about these documents in many Sibelius essays, here and elsewhere, so we owe a debt of gratitude to Daniel Grimley for making them available in translation. This book represents the high level of current Sibelius scholarship and should be a welcome addition to academic music libraries." --Carl Rafikonen, Notes, Jean Sibelius and His World ends with English translations of a number of important primary documents. . . . Perhaps the most important document is Theodor Adorno's critique 'Goss on Sibelius.' I have read about these documents in many Sibelius essays, here and elsewhere, so we owe a debt of gratitude to Daniel Grimley for making them available in translation. This book represents the high level of current Sibelius scholarship and should be a welcome addition to academic music libraries. ---Carl Rafikonen, Notes, "The connection between Sibelius and the Russian tradition--an influence that went in both directions--is the subject of an excellent essay by Philip Ross Bullock in the book accompanying the festival, Jean Sibelius and His World , from Princeton University Press." --Zachary Woolfe, New York Times, [T]his is a fine collection of essays that advances Sibelius research significantly. It bears the title Sibelius and his World , but it also does an excellent job of alerting the reader to Sibelius's relevance to our world. ---Derek B. Scott, Music and Letters, The connection between Sibelius and the Russian tradition--an influence that went in both directions--is the subject of an excellent essay by Philip Ross Bullock in the book accompanying the festival, Jean Sibelius and His World , from Princeton University Press., "[T]his is a fine collection of essays that advances Sibelius research significantly. It bears the title Sibelius and his World , but it also does an excellent job of alerting the reader to Sibelius's relevance to our world."-- Derek B. Scott, Music and Letters, As this collection shows, there is a resurgence of interest in the music of Jean Sibelius. . . . [T]he book is full of useful information. -- Choice, "The connection between Sibelius and the Russian tradition--an influence that went in both directions--is the subject of an excellent essay by Philip Ross Bullock in the book accompanying the festival, Jean Sibelius and His World , from Princeton University Press."-- Zachary Woolfe, New York Times, As this collection shows, there is a resurgence of interest in the music of Jean Sibelius. . . . [T]he book is full of useful information., " Jean Sibelius and His World ends with English translations of a number of important primary documents. . . . Perhaps the most important document is Theodor Adorno's critique 'Goss on Sibelius.' I have read about these documents in many Sibelius essays, here and elsewhere, so we owe a debt of gratitude to Daniel Grimley for making them available in translation. This book represents the high level of current Sibelius scholarship and should be a welcome addition to academic music libraries."-- Carl Rafikonen, Notes
Copyright Date
2011
Target Audience
College Audience
Topic
History & Criticism, Genres & Styles / Classical, Composers & Musicians, Individual Composer & Musician
Lccn
2011-926904
Dewey Decimal
780.92
Dewey Edition
23
Illustrated
Yes
Genre
Biography & Autobiography, Music
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